Decoy Street
Cranky-ass cyber-punk blatz from San Fran’s Cube, picked up by Superior Viaduct’s sublabel, W.25th. Everything from rictus death rock steppers to sawn-off junglist dirges and bittersweet lullabies for folk who took too much wizz. RIYL Powell, StabUDown Productions, Puce Mary
“Cube is the prolific and chimeric nom de plume of one Adam Keith, formidable tape experimentalist and artist / abraser currently operating in Oakland, California's vibrant subterranea. After countless cassette releases, 2016's well-received My Cube LP and a tenure in no-wave faction Mansion, Keith reaffirms Cube's pledge with Decoy Street – his second album and the most developed work he has made under any guise to date.
Opener "In This House" serves as the ideal introduction to Cube: cellular interference, colliding circuitry, metal-on-metal grind and simplistic guitar distortion meet a towering and damaged beat. While "Habit" merges downtempo and industrial touchstones via layers of heavily treated vocals, "Sanctuary" tilts further towards propulsion – a dark treatise on discomfort, yet contagious enough to charm DIY and post-punk devotees.”
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Cranky-ass cyber-punk blatz from San Fran’s Cube, picked up by Superior Viaduct’s sublabel, W.25th. Everything from rictus death rock steppers to sawn-off junglist dirges and bittersweet lullabies for folk who took too much wizz. RIYL Powell, StabUDown Productions, Puce Mary
“Cube is the prolific and chimeric nom de plume of one Adam Keith, formidable tape experimentalist and artist / abraser currently operating in Oakland, California's vibrant subterranea. After countless cassette releases, 2016's well-received My Cube LP and a tenure in no-wave faction Mansion, Keith reaffirms Cube's pledge with Decoy Street – his second album and the most developed work he has made under any guise to date.
Opener "In This House" serves as the ideal introduction to Cube: cellular interference, colliding circuitry, metal-on-metal grind and simplistic guitar distortion meet a towering and damaged beat. While "Habit" merges downtempo and industrial touchstones via layers of heavily treated vocals, "Sanctuary" tilts further towards propulsion – a dark treatise on discomfort, yet contagious enough to charm DIY and post-punk devotees.”
Cranky-ass cyber-punk blatz from San Fran’s Cube, picked up by Superior Viaduct’s sublabel, W.25th. Everything from rictus death rock steppers to sawn-off junglist dirges and bittersweet lullabies for folk who took too much wizz. RIYL Powell, StabUDown Productions, Puce Mary
“Cube is the prolific and chimeric nom de plume of one Adam Keith, formidable tape experimentalist and artist / abraser currently operating in Oakland, California's vibrant subterranea. After countless cassette releases, 2016's well-received My Cube LP and a tenure in no-wave faction Mansion, Keith reaffirms Cube's pledge with Decoy Street – his second album and the most developed work he has made under any guise to date.
Opener "In This House" serves as the ideal introduction to Cube: cellular interference, colliding circuitry, metal-on-metal grind and simplistic guitar distortion meet a towering and damaged beat. While "Habit" merges downtempo and industrial touchstones via layers of heavily treated vocals, "Sanctuary" tilts further towards propulsion – a dark treatise on discomfort, yet contagious enough to charm DIY and post-punk devotees.”
Cranky-ass cyber-punk blatz from San Fran’s Cube, picked up by Superior Viaduct’s sublabel, W.25th. Everything from rictus death rock steppers to sawn-off junglist dirges and bittersweet lullabies for folk who took too much wizz. RIYL Powell, StabUDown Productions, Puce Mary
“Cube is the prolific and chimeric nom de plume of one Adam Keith, formidable tape experimentalist and artist / abraser currently operating in Oakland, California's vibrant subterranea. After countless cassette releases, 2016's well-received My Cube LP and a tenure in no-wave faction Mansion, Keith reaffirms Cube's pledge with Decoy Street – his second album and the most developed work he has made under any guise to date.
Opener "In This House" serves as the ideal introduction to Cube: cellular interference, colliding circuitry, metal-on-metal grind and simplistic guitar distortion meet a towering and damaged beat. While "Habit" merges downtempo and industrial touchstones via layers of heavily treated vocals, "Sanctuary" tilts further towards propulsion – a dark treatise on discomfort, yet contagious enough to charm DIY and post-punk devotees.”
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Cranky-ass cyber-punk blatz from San Fran’s Cube, picked up by Superior Viaduct’s sublabel, W.25th. Everything from rictus death rock steppers to sawn-off junglist dirges and bittersweet lullabies for folk who took too much wizz. RIYL Powell, StabUDown Productions, Puce Mary
“Cube is the prolific and chimeric nom de plume of one Adam Keith, formidable tape experimentalist and artist / abraser currently operating in Oakland, California's vibrant subterranea. After countless cassette releases, 2016's well-received My Cube LP and a tenure in no-wave faction Mansion, Keith reaffirms Cube's pledge with Decoy Street – his second album and the most developed work he has made under any guise to date.
Opener "In This House" serves as the ideal introduction to Cube: cellular interference, colliding circuitry, metal-on-metal grind and simplistic guitar distortion meet a towering and damaged beat. While "Habit" merges downtempo and industrial touchstones via layers of heavily treated vocals, "Sanctuary" tilts further towards propulsion – a dark treatise on discomfort, yet contagious enough to charm DIY and post-punk devotees.”