After snatching our album of the year spot in 2021 with ‘Rhinestones', HTRK open up the vault for a feature-length collection of alternate takes, demos, and sketches augmented by a bunch of unreleased songs, compiled to coincide with their US tour happening round about now. Love this band so fucking much.
Offering a “glimpse behind the veil” at last year’s most effective emotional support animal, ‘Death Is a Dream’ plays like an unexpected encore transmitted straight to the heart. It’s such a weird, real pleasure to hear these songs distilled and viewed from other perspectives, as with the ‘rehearsal’ take on ‘Gilbert & George’ or the slow thrumming ‘Eurodance’ version of ‘Kiss Kiss and Rhinestones’, while the newly unveiled songs are no doubt worth cost of admission alone, particularly the tear-jerk jangle and blunted croon of the title tune that closes the tape and appears to feature Nigel’s voice.
A shivering new backbone of minimal, pulsing reverb-drenched 808s now bolster their watercolored strings in ‘Valentina (Cali Highway Version)’ while the clipped drums on ’Straight to Hell (Demo)’ frames the scene with brilliantly different strokes, while ‘Reverse Deja vu (Demo)’ is stripped to heartbreaking quintessence complete with woodblock drums piercing the melancholy.
"lost highway jukebox standards”, indeed.
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After snatching our album of the year spot in 2021 with ‘Rhinestones', HTRK open up the vault for a feature-length collection of alternate takes, demos, and sketches augmented by a bunch of unreleased songs, compiled to coincide with their US tour happening round about now. Love this band so fucking much.
Offering a “glimpse behind the veil” at last year’s most effective emotional support animal, ‘Death Is a Dream’ plays like an unexpected encore transmitted straight to the heart. It’s such a weird, real pleasure to hear these songs distilled and viewed from other perspectives, as with the ‘rehearsal’ take on ‘Gilbert & George’ or the slow thrumming ‘Eurodance’ version of ‘Kiss Kiss and Rhinestones’, while the newly unveiled songs are no doubt worth cost of admission alone, particularly the tear-jerk jangle and blunted croon of the title tune that closes the tape and appears to feature Nigel’s voice.
A shivering new backbone of minimal, pulsing reverb-drenched 808s now bolster their watercolored strings in ‘Valentina (Cali Highway Version)’ while the clipped drums on ’Straight to Hell (Demo)’ frames the scene with brilliantly different strokes, while ‘Reverse Deja vu (Demo)’ is stripped to heartbreaking quintessence complete with woodblock drums piercing the melancholy.
"lost highway jukebox standards”, indeed.
After snatching our album of the year spot in 2021 with ‘Rhinestones', HTRK open up the vault for a feature-length collection of alternate takes, demos, and sketches augmented by a bunch of unreleased songs, compiled to coincide with their US tour happening round about now. Love this band so fucking much.
Offering a “glimpse behind the veil” at last year’s most effective emotional support animal, ‘Death Is a Dream’ plays like an unexpected encore transmitted straight to the heart. It’s such a weird, real pleasure to hear these songs distilled and viewed from other perspectives, as with the ‘rehearsal’ take on ‘Gilbert & George’ or the slow thrumming ‘Eurodance’ version of ‘Kiss Kiss and Rhinestones’, while the newly unveiled songs are no doubt worth cost of admission alone, particularly the tear-jerk jangle and blunted croon of the title tune that closes the tape and appears to feature Nigel’s voice.
A shivering new backbone of minimal, pulsing reverb-drenched 808s now bolster their watercolored strings in ‘Valentina (Cali Highway Version)’ while the clipped drums on ’Straight to Hell (Demo)’ frames the scene with brilliantly different strokes, while ‘Reverse Deja vu (Demo)’ is stripped to heartbreaking quintessence complete with woodblock drums piercing the melancholy.
"lost highway jukebox standards”, indeed.
After snatching our album of the year spot in 2021 with ‘Rhinestones', HTRK open up the vault for a feature-length collection of alternate takes, demos, and sketches augmented by a bunch of unreleased songs, compiled to coincide with their US tour happening round about now. Love this band so fucking much.
Offering a “glimpse behind the veil” at last year’s most effective emotional support animal, ‘Death Is a Dream’ plays like an unexpected encore transmitted straight to the heart. It’s such a weird, real pleasure to hear these songs distilled and viewed from other perspectives, as with the ‘rehearsal’ take on ‘Gilbert & George’ or the slow thrumming ‘Eurodance’ version of ‘Kiss Kiss and Rhinestones’, while the newly unveiled songs are no doubt worth cost of admission alone, particularly the tear-jerk jangle and blunted croon of the title tune that closes the tape and appears to feature Nigel’s voice.
A shivering new backbone of minimal, pulsing reverb-drenched 808s now bolster their watercolored strings in ‘Valentina (Cali Highway Version)’ while the clipped drums on ’Straight to Hell (Demo)’ frames the scene with brilliantly different strokes, while ‘Reverse Deja vu (Demo)’ is stripped to heartbreaking quintessence complete with woodblock drums piercing the melancholy.
"lost highway jukebox standards”, indeed.
Small re-up - 20 copies! The tape includes an instant download of the full release dropped to your account.
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After snatching our album of the year spot in 2021 with ‘Rhinestones', HTRK open up the vault for a feature-length collection of alternate takes, demos, and sketches augmented by a bunch of unreleased songs, compiled to coincide with their US tour happening round about now. Love this band so fucking much.
Offering a “glimpse behind the veil” at last year’s most effective emotional support animal, ‘Death Is a Dream’ plays like an unexpected encore transmitted straight to the heart. It’s such a weird, real pleasure to hear these songs distilled and viewed from other perspectives, as with the ‘rehearsal’ take on ‘Gilbert & George’ or the slow thrumming ‘Eurodance’ version of ‘Kiss Kiss and Rhinestones’, while the newly unveiled songs are no doubt worth cost of admission alone, particularly the tear-jerk jangle and blunted croon of the title tune that closes the tape and appears to feature Nigel’s voice.
A shivering new backbone of minimal, pulsing reverb-drenched 808s now bolster their watercolored strings in ‘Valentina (Cali Highway Version)’ while the clipped drums on ’Straight to Hell (Demo)’ frames the scene with brilliantly different strokes, while ‘Reverse Deja vu (Demo)’ is stripped to heartbreaking quintessence complete with woodblock drums piercing the melancholy.
"lost highway jukebox standards”, indeed.