Deadman (King Midas Sound Mix)
First of two extra special Shackleton drops on Honest Jon's, this one loaded with two remixes from Kevin Martin in his King Midas Sound and The Bug guises. Cut from the sinuous flesh of his landmark Fabric mix, 'Deadman' continues Shackleton's odyssey into the nether regions of agoraphobic subbass tremors and reassuring doom. Marching lines of insectoid percussive scurries and tribal congas trigger limbs while glutinous subbass suspends the mind's ass. Acousmatic voices and dread drones encroach from the peripheries. We feel wickedly uncomfortable. In King Midas Sound mode Kevin Martin splays the original with an ethereal, gaseous sensitivity, subs emitting spherical pulse waves and Hitomi's vocal feeling her way through the dense ether. Burying the affair, The Bug wheels out pneumatic dub shock machinery, pile-driving snares synched with a quaking chain reaction of subbass detonations. Seeerious, ya heard?! Highly recommended!
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First of two extra special Shackleton drops on Honest Jon's, this one loaded with two remixes from Kevin Martin in his King Midas Sound and The Bug guises. Cut from the sinuous flesh of his landmark Fabric mix, 'Deadman' continues Shackleton's odyssey into the nether regions of agoraphobic subbass tremors and reassuring doom. Marching lines of insectoid percussive scurries and tribal congas trigger limbs while glutinous subbass suspends the mind's ass. Acousmatic voices and dread drones encroach from the peripheries. We feel wickedly uncomfortable. In King Midas Sound mode Kevin Martin splays the original with an ethereal, gaseous sensitivity, subs emitting spherical pulse waves and Hitomi's vocal feeling her way through the dense ether. Burying the affair, The Bug wheels out pneumatic dub shock machinery, pile-driving snares synched with a quaking chain reaction of subbass detonations. Seeerious, ya heard?! Highly recommended!
First of two extra special Shackleton drops on Honest Jon's, this one loaded with two remixes from Kevin Martin in his King Midas Sound and The Bug guises. Cut from the sinuous flesh of his landmark Fabric mix, 'Deadman' continues Shackleton's odyssey into the nether regions of agoraphobic subbass tremors and reassuring doom. Marching lines of insectoid percussive scurries and tribal congas trigger limbs while glutinous subbass suspends the mind's ass. Acousmatic voices and dread drones encroach from the peripheries. We feel wickedly uncomfortable. In King Midas Sound mode Kevin Martin splays the original with an ethereal, gaseous sensitivity, subs emitting spherical pulse waves and Hitomi's vocal feeling her way through the dense ether. Burying the affair, The Bug wheels out pneumatic dub shock machinery, pile-driving snares synched with a quaking chain reaction of subbass detonations. Seeerious, ya heard?! Highly recommended!
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First of two extra special Shackleton drops on Honest Jon's, this one loaded with two remixes from Kevin Martin in his King Midas Sound and The Bug guises. Cut from the sinuous flesh of his landmark Fabric mix, 'Deadman' continues Shackleton's odyssey into the nether regions of agoraphobic subbass tremors and reassuring doom. Marching lines of insectoid percussive scurries and tribal congas trigger limbs while glutinous subbass suspends the mind's ass. Acousmatic voices and dread drones encroach from the peripheries. We feel wickedly uncomfortable. In King Midas Sound mode Kevin Martin splays the original with an ethereal, gaseous sensitivity, subs emitting spherical pulse waves and Hitomi's vocal feeling her way through the dense ether. Burying the affair, The Bug wheels out pneumatic dub shock machinery, pile-driving snares synched with a quaking chain reaction of subbass detonations. Seeerious, ya heard?! Highly recommended!