Mei Tahat
Dayworld
Boomkat Product Review:
Jordan ‘GCZ’ Czamanski and Ilya Ziblat Shay scale sheer and free jazz, dub and electronica in their debut as Mei Tahat for Berceuse Heroique, sharply contrasted by I:Cube’s suave house remix.
Like a Healing Force Project piece trapped in a subterranean echo chamber below Bladerunner’s L.A. 2019, Dayworld bleats like a wounded angel with only a Yamaha CS-80 and a cello for comfort, before feeling out the dimensions of their chamber with the jazzy electro-acoustic rustle and hum of Untitled, and capturing their most flighty, abstract fancy in the hallucinatory dimensions of Shit Bird.
I:Cube doesn’t toe that line, though; favouring a simmering, dusky disco remix for Dayworld that retains some of the original’s brass motifs, but on a much greazier, ruder flex.
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Boomkat Product Review:
Jordan ‘GCZ’ Czamanski and Ilya Ziblat Shay scale sheer and free jazz, dub and electronica in their debut as Mei Tahat for Berceuse Heroique, sharply contrasted by I:Cube’s suave house remix.
Like a Healing Force Project piece trapped in a subterranean echo chamber below Bladerunner’s L.A. 2019, Dayworld bleats like a wounded angel with only a Yamaha CS-80 and a cello for comfort, before feeling out the dimensions of their chamber with the jazzy electro-acoustic rustle and hum of Untitled, and capturing their most flighty, abstract fancy in the hallucinatory dimensions of Shit Bird.
I:Cube doesn’t toe that line, though; favouring a simmering, dusky disco remix for Dayworld that retains some of the original’s brass motifs, but on a much greazier, ruder flex.
Boomkat Product Review:
Jordan ‘GCZ’ Czamanski and Ilya Ziblat Shay scale sheer and free jazz, dub and electronica in their debut as Mei Tahat for Berceuse Heroique, sharply contrasted by I:Cube’s suave house remix.
Like a Healing Force Project piece trapped in a subterranean echo chamber below Bladerunner’s L.A. 2019, Dayworld bleats like a wounded angel with only a Yamaha CS-80 and a cello for comfort, before feeling out the dimensions of their chamber with the jazzy electro-acoustic rustle and hum of Untitled, and capturing their most flighty, abstract fancy in the hallucinatory dimensions of Shit Bird.
I:Cube doesn’t toe that line, though; favouring a simmering, dusky disco remix for Dayworld that retains some of the original’s brass motifs, but on a much greazier, ruder flex.
Boomkat Product Review:
Jordan ‘GCZ’ Czamanski and Ilya Ziblat Shay scale sheer and free jazz, dub and electronica in their debut as Mei Tahat for Berceuse Heroique, sharply contrasted by I:Cube’s suave house remix.
Like a Healing Force Project piece trapped in a subterranean echo chamber below Bladerunner’s L.A. 2019, Dayworld bleats like a wounded angel with only a Yamaha CS-80 and a cello for comfort, before feeling out the dimensions of their chamber with the jazzy electro-acoustic rustle and hum of Untitled, and capturing their most flighty, abstract fancy in the hallucinatory dimensions of Shit Bird.
I:Cube doesn’t toe that line, though; favouring a simmering, dusky disco remix for Dayworld that retains some of the original’s brass motifs, but on a much greazier, ruder flex.
180g vinyl mastered by CGB @ D&M
Out of Stock
Boomkat Product Review:
Jordan ‘GCZ’ Czamanski and Ilya Ziblat Shay scale sheer and free jazz, dub and electronica in their debut as Mei Tahat for Berceuse Heroique, sharply contrasted by I:Cube’s suave house remix.
Like a Healing Force Project piece trapped in a subterranean echo chamber below Bladerunner’s L.A. 2019, Dayworld bleats like a wounded angel with only a Yamaha CS-80 and a cello for comfort, before feeling out the dimensions of their chamber with the jazzy electro-acoustic rustle and hum of Untitled, and capturing their most flighty, abstract fancy in the hallucinatory dimensions of Shit Bird.
I:Cube doesn’t toe that line, though; favouring a simmering, dusky disco remix for Dayworld that retains some of the original’s brass motifs, but on a much greazier, ruder flex.
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