Jordan ‘GCZ’ Czamanski and Ilya Ziblat Shay scale sheer and free jazz, dub and electronica in their debut as Mei Tahat for Berceuse Heroique, sharply contrasted by I:Cube’s suave house remix.
Like a Healing Force Project piece trapped in a subterranean echo chamber below Bladerunner’s L.A. 2019, Dayworld bleats like a wounded angel with only a Yamaha CS-80 and a cello for comfort, before feeling out the dimensions of their chamber with the jazzy electro-acoustic rustle and hum of Untitled, and capturing their most flighty, abstract fancy in the hallucinatory dimensions of Shit Bird.
I:Cube doesn’t toe that line, though; favouring a simmering, dusky disco remix for Dayworld that retains some of the original’s brass motifs, but on a much greazier, ruder flex.
View more
Jordan ‘GCZ’ Czamanski and Ilya Ziblat Shay scale sheer and free jazz, dub and electronica in their debut as Mei Tahat for Berceuse Heroique, sharply contrasted by I:Cube’s suave house remix.
Like a Healing Force Project piece trapped in a subterranean echo chamber below Bladerunner’s L.A. 2019, Dayworld bleats like a wounded angel with only a Yamaha CS-80 and a cello for comfort, before feeling out the dimensions of their chamber with the jazzy electro-acoustic rustle and hum of Untitled, and capturing their most flighty, abstract fancy in the hallucinatory dimensions of Shit Bird.
I:Cube doesn’t toe that line, though; favouring a simmering, dusky disco remix for Dayworld that retains some of the original’s brass motifs, but on a much greazier, ruder flex.
Jordan ‘GCZ’ Czamanski and Ilya Ziblat Shay scale sheer and free jazz, dub and electronica in their debut as Mei Tahat for Berceuse Heroique, sharply contrasted by I:Cube’s suave house remix.
Like a Healing Force Project piece trapped in a subterranean echo chamber below Bladerunner’s L.A. 2019, Dayworld bleats like a wounded angel with only a Yamaha CS-80 and a cello for comfort, before feeling out the dimensions of their chamber with the jazzy electro-acoustic rustle and hum of Untitled, and capturing their most flighty, abstract fancy in the hallucinatory dimensions of Shit Bird.
I:Cube doesn’t toe that line, though; favouring a simmering, dusky disco remix for Dayworld that retains some of the original’s brass motifs, but on a much greazier, ruder flex.
Jordan ‘GCZ’ Czamanski and Ilya Ziblat Shay scale sheer and free jazz, dub and electronica in their debut as Mei Tahat for Berceuse Heroique, sharply contrasted by I:Cube’s suave house remix.
Like a Healing Force Project piece trapped in a subterranean echo chamber below Bladerunner’s L.A. 2019, Dayworld bleats like a wounded angel with only a Yamaha CS-80 and a cello for comfort, before feeling out the dimensions of their chamber with the jazzy electro-acoustic rustle and hum of Untitled, and capturing their most flighty, abstract fancy in the hallucinatory dimensions of Shit Bird.
I:Cube doesn’t toe that line, though; favouring a simmering, dusky disco remix for Dayworld that retains some of the original’s brass motifs, but on a much greazier, ruder flex.
180g vinyl mastered by CGB @ D&M
Out of Stock
Jordan ‘GCZ’ Czamanski and Ilya Ziblat Shay scale sheer and free jazz, dub and electronica in their debut as Mei Tahat for Berceuse Heroique, sharply contrasted by I:Cube’s suave house remix.
Like a Healing Force Project piece trapped in a subterranean echo chamber below Bladerunner’s L.A. 2019, Dayworld bleats like a wounded angel with only a Yamaha CS-80 and a cello for comfort, before feeling out the dimensions of their chamber with the jazzy electro-acoustic rustle and hum of Untitled, and capturing their most flighty, abstract fancy in the hallucinatory dimensions of Shit Bird.
I:Cube doesn’t toe that line, though; favouring a simmering, dusky disco remix for Dayworld that retains some of the original’s brass motifs, but on a much greazier, ruder flex.