Cascading, pointillist, and bittersweet 12 string finger picking. Served warm, intimate and lowlit thru Slip
'Dawning On' is Australian, Berlin-based guitarist Jules Reidy’s Slip debut: a razor-sharp précis of pent-up, blazing melancholy on a lone 12-string guitar. Reidy’s playing is lucid and poised, teasing out elegant inflections from half-melodies, rugged strums, and curious tunings. Reidy's compositions are lingering streams: barely-shackled attacks give way to introspective arpeggiations before resurging again, all spurred on by a yearning, nervous energy.
With the album’s single-track A-side clocking in at just under half-an-hour, this is by some measure Jules' most comprehensive solo statement to date, and a luxurious listen which revels in the 12-string’s generous resonance. For our money, it’s up there with the finest work of fellow Aussies The Necks, Anthony Pateras, and Jon Rose.
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Cascading, pointillist, and bittersweet 12 string finger picking. Served warm, intimate and lowlit thru Slip
'Dawning On' is Australian, Berlin-based guitarist Jules Reidy’s Slip debut: a razor-sharp précis of pent-up, blazing melancholy on a lone 12-string guitar. Reidy’s playing is lucid and poised, teasing out elegant inflections from half-melodies, rugged strums, and curious tunings. Reidy's compositions are lingering streams: barely-shackled attacks give way to introspective arpeggiations before resurging again, all spurred on by a yearning, nervous energy.
With the album’s single-track A-side clocking in at just under half-an-hour, this is by some measure Jules' most comprehensive solo statement to date, and a luxurious listen which revels in the 12-string’s generous resonance. For our money, it’s up there with the finest work of fellow Aussies The Necks, Anthony Pateras, and Jon Rose.
Cascading, pointillist, and bittersweet 12 string finger picking. Served warm, intimate and lowlit thru Slip
'Dawning On' is Australian, Berlin-based guitarist Jules Reidy’s Slip debut: a razor-sharp précis of pent-up, blazing melancholy on a lone 12-string guitar. Reidy’s playing is lucid and poised, teasing out elegant inflections from half-melodies, rugged strums, and curious tunings. Reidy's compositions are lingering streams: barely-shackled attacks give way to introspective arpeggiations before resurging again, all spurred on by a yearning, nervous energy.
With the album’s single-track A-side clocking in at just under half-an-hour, this is by some measure Jules' most comprehensive solo statement to date, and a luxurious listen which revels in the 12-string’s generous resonance. For our money, it’s up there with the finest work of fellow Aussies The Necks, Anthony Pateras, and Jon Rose.
Cascading, pointillist, and bittersweet 12 string finger picking. Served warm, intimate and lowlit thru Slip
'Dawning On' is Australian, Berlin-based guitarist Jules Reidy’s Slip debut: a razor-sharp précis of pent-up, blazing melancholy on a lone 12-string guitar. Reidy’s playing is lucid and poised, teasing out elegant inflections from half-melodies, rugged strums, and curious tunings. Reidy's compositions are lingering streams: barely-shackled attacks give way to introspective arpeggiations before resurging again, all spurred on by a yearning, nervous energy.
With the album’s single-track A-side clocking in at just under half-an-hour, this is by some measure Jules' most comprehensive solo statement to date, and a luxurious listen which revels in the 12-string’s generous resonance. For our money, it’s up there with the finest work of fellow Aussies The Necks, Anthony Pateras, and Jon Rose.
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Cascading, pointillist, and bittersweet 12 string finger picking. Served warm, intimate and lowlit thru Slip
'Dawning On' is Australian, Berlin-based guitarist Jules Reidy’s Slip debut: a razor-sharp précis of pent-up, blazing melancholy on a lone 12-string guitar. Reidy’s playing is lucid and poised, teasing out elegant inflections from half-melodies, rugged strums, and curious tunings. Reidy's compositions are lingering streams: barely-shackled attacks give way to introspective arpeggiations before resurging again, all spurred on by a yearning, nervous energy.
With the album’s single-track A-side clocking in at just under half-an-hour, this is by some measure Jules' most comprehensive solo statement to date, and a luxurious listen which revels in the 12-string’s generous resonance. For our money, it’s up there with the finest work of fellow Aussies The Necks, Anthony Pateras, and Jon Rose.