Boomkat Product Review:
Subtext offer an engrossing study of the Davul drum, improvised with personalised, extended technique by Turkish artist Cevdet Erek and recorded in Berlin. While common to many cultures across the middle east and Europe, we’d wager few have heard the davul sound quite like it does on this record, where it’s turned into a bewildering and fluidly disciplined display of low end rumbles, scrapes and rimshots in uniquely expressive rhythms.
Davul proceeds Erek’s Frenzy (OST) for Subtext with a broader, more in-depth exploration of the drum’s myriad voices presented with no overdubs or edits, effectively using a finely skilled approach - honed in private over a number of years - to document the instrument’s rawest character traits, and, by turns, revealing some of its most uncharacteristic potentials.
The results recall a broad set of reference points, with opener Heal sounding like Colin Stetson jamming on a single note with First Nation peoples, whereas Prepare sounds out like some caveman dancehall (actually reminds us of when the sound cut out at an Equiknoxx show and folk beat the a rhythm for Shanique on the walls), whilst on Kirast he makes it sound like a detuned Balafon prepped for war, and Dicycles could almost be the sound of a knackered tractor engine failing to properly combust.
The results make for an intense listen and form Erek’s purest statement of intent to date; a exhaustively fascinating and intimate experience.