Dank and dread heavy dubs by Jah Schulz, aka Ghost Dubs, in an austere Teutonic tradition related to Rhythm & Sound, Pole, René Löwe
‘Damaged Versions’ hails Michael Fiedler’s debut as Ghost Dubs for Kevin Martin’s Pressure label, home to his work as The Bug, jams with Burial as Flame, and host to the likes of JK Flesh, Al Cisneros, and G36. The three bits of industrialised dub noise fall squarely into Pressure’s zone of interest with a bloodyminded fixation on soundsystem fundamentals pushed to the biting point.
In ‘Chemical Version’ the air burns with noxious substance over swole subs and chain-clank rhythm, whereas ‘Wired Version’ pushes out into deepest, slowest Ernestus & Von Oswald on a 33-not-45 tip, and ‘Thin Line Version’ holds it out there in vaporous dub akin to earliest Pole for Din with spongiform subs buried fathoms below organ motifs and a patina of fizzing surface details that stealthily reveal voices from the echo chamber.
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Dank and dread heavy dubs by Jah Schulz, aka Ghost Dubs, in an austere Teutonic tradition related to Rhythm & Sound, Pole, René Löwe
‘Damaged Versions’ hails Michael Fiedler’s debut as Ghost Dubs for Kevin Martin’s Pressure label, home to his work as The Bug, jams with Burial as Flame, and host to the likes of JK Flesh, Al Cisneros, and G36. The three bits of industrialised dub noise fall squarely into Pressure’s zone of interest with a bloodyminded fixation on soundsystem fundamentals pushed to the biting point.
In ‘Chemical Version’ the air burns with noxious substance over swole subs and chain-clank rhythm, whereas ‘Wired Version’ pushes out into deepest, slowest Ernestus & Von Oswald on a 33-not-45 tip, and ‘Thin Line Version’ holds it out there in vaporous dub akin to earliest Pole for Din with spongiform subs buried fathoms below organ motifs and a patina of fizzing surface details that stealthily reveal voices from the echo chamber.
Dank and dread heavy dubs by Jah Schulz, aka Ghost Dubs, in an austere Teutonic tradition related to Rhythm & Sound, Pole, René Löwe
‘Damaged Versions’ hails Michael Fiedler’s debut as Ghost Dubs for Kevin Martin’s Pressure label, home to his work as The Bug, jams with Burial as Flame, and host to the likes of JK Flesh, Al Cisneros, and G36. The three bits of industrialised dub noise fall squarely into Pressure’s zone of interest with a bloodyminded fixation on soundsystem fundamentals pushed to the biting point.
In ‘Chemical Version’ the air burns with noxious substance over swole subs and chain-clank rhythm, whereas ‘Wired Version’ pushes out into deepest, slowest Ernestus & Von Oswald on a 33-not-45 tip, and ‘Thin Line Version’ holds it out there in vaporous dub akin to earliest Pole for Din with spongiform subs buried fathoms below organ motifs and a patina of fizzing surface details that stealthily reveal voices from the echo chamber.
Dank and dread heavy dubs by Jah Schulz, aka Ghost Dubs, in an austere Teutonic tradition related to Rhythm & Sound, Pole, René Löwe
‘Damaged Versions’ hails Michael Fiedler’s debut as Ghost Dubs for Kevin Martin’s Pressure label, home to his work as The Bug, jams with Burial as Flame, and host to the likes of JK Flesh, Al Cisneros, and G36. The three bits of industrialised dub noise fall squarely into Pressure’s zone of interest with a bloodyminded fixation on soundsystem fundamentals pushed to the biting point.
In ‘Chemical Version’ the air burns with noxious substance over swole subs and chain-clank rhythm, whereas ‘Wired Version’ pushes out into deepest, slowest Ernestus & Von Oswald on a 33-not-45 tip, and ‘Thin Line Version’ holds it out there in vaporous dub akin to earliest Pole for Din with spongiform subs buried fathoms below organ motifs and a patina of fizzing surface details that stealthily reveal voices from the echo chamber.