In the same week she releases her new album for Modern Love, Flora Yin Wong continues to flex her curatorial muscle on this excellent third release for her Doyenne imprint, featuring exclusive new work from Ekaterina Bazhenova-Yamasaki, Martyna Basta, Felisha Ledesma and Lucy Liyou.
This one’s dense and swarming, opening with a stunning piece of cybernetic delirium from Ekaterina Bazhenova-Yamasaki (Archaic Vaults) who channels both Roland Kayn and Iancu Dumitrescu across 5 minutes of ice-cold dystopia gradually revealing layers of buried intensity. Martyna Basta continues to impress with her distinct take on sound art, extending fractured strings and voice in a concrète sound bath that’s both brittle and ominous, while Felisha Ledesma glydes on glacial strings with the beautifully still soundscaping of ‘Guiding You’.
Lucy Liyou - always elevated - yet again demonstrates that sometimes you really do have to listen closely for full reward. It’s a recital at close quarters; dramatic but barely-there, Quiet, silvery, elusive x hi-gloss balladeering, and fully next-level.
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In the same week she releases her new album for Modern Love, Flora Yin Wong continues to flex her curatorial muscle on this excellent third release for her Doyenne imprint, featuring exclusive new work from Ekaterina Bazhenova-Yamasaki, Martyna Basta, Felisha Ledesma and Lucy Liyou.
This one’s dense and swarming, opening with a stunning piece of cybernetic delirium from Ekaterina Bazhenova-Yamasaki (Archaic Vaults) who channels both Roland Kayn and Iancu Dumitrescu across 5 minutes of ice-cold dystopia gradually revealing layers of buried intensity. Martyna Basta continues to impress with her distinct take on sound art, extending fractured strings and voice in a concrète sound bath that’s both brittle and ominous, while Felisha Ledesma glydes on glacial strings with the beautifully still soundscaping of ‘Guiding You’.
Lucy Liyou - always elevated - yet again demonstrates that sometimes you really do have to listen closely for full reward. It’s a recital at close quarters; dramatic but barely-there, Quiet, silvery, elusive x hi-gloss balladeering, and fully next-level.
In the same week she releases her new album for Modern Love, Flora Yin Wong continues to flex her curatorial muscle on this excellent third release for her Doyenne imprint, featuring exclusive new work from Ekaterina Bazhenova-Yamasaki, Martyna Basta, Felisha Ledesma and Lucy Liyou.
This one’s dense and swarming, opening with a stunning piece of cybernetic delirium from Ekaterina Bazhenova-Yamasaki (Archaic Vaults) who channels both Roland Kayn and Iancu Dumitrescu across 5 minutes of ice-cold dystopia gradually revealing layers of buried intensity. Martyna Basta continues to impress with her distinct take on sound art, extending fractured strings and voice in a concrète sound bath that’s both brittle and ominous, while Felisha Ledesma glydes on glacial strings with the beautifully still soundscaping of ‘Guiding You’.
Lucy Liyou - always elevated - yet again demonstrates that sometimes you really do have to listen closely for full reward. It’s a recital at close quarters; dramatic but barely-there, Quiet, silvery, elusive x hi-gloss balladeering, and fully next-level.
In the same week she releases her new album for Modern Love, Flora Yin Wong continues to flex her curatorial muscle on this excellent third release for her Doyenne imprint, featuring exclusive new work from Ekaterina Bazhenova-Yamasaki, Martyna Basta, Felisha Ledesma and Lucy Liyou.
This one’s dense and swarming, opening with a stunning piece of cybernetic delirium from Ekaterina Bazhenova-Yamasaki (Archaic Vaults) who channels both Roland Kayn and Iancu Dumitrescu across 5 minutes of ice-cold dystopia gradually revealing layers of buried intensity. Martyna Basta continues to impress with her distinct take on sound art, extending fractured strings and voice in a concrète sound bath that’s both brittle and ominous, while Felisha Ledesma glydes on glacial strings with the beautifully still soundscaping of ‘Guiding You’.
Lucy Liyou - always elevated - yet again demonstrates that sometimes you really do have to listen closely for full reward. It’s a recital at close quarters; dramatic but barely-there, Quiet, silvery, elusive x hi-gloss balladeering, and fully next-level.
Baby blue cassette tape.
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In the same week she releases her new album for Modern Love, Flora Yin Wong continues to flex her curatorial muscle on this excellent third release for her Doyenne imprint, featuring exclusive new work from Ekaterina Bazhenova-Yamasaki, Martyna Basta, Felisha Ledesma and Lucy Liyou.
This one’s dense and swarming, opening with a stunning piece of cybernetic delirium from Ekaterina Bazhenova-Yamasaki (Archaic Vaults) who channels both Roland Kayn and Iancu Dumitrescu across 5 minutes of ice-cold dystopia gradually revealing layers of buried intensity. Martyna Basta continues to impress with her distinct take on sound art, extending fractured strings and voice in a concrète sound bath that’s both brittle and ominous, while Felisha Ledesma glydes on glacial strings with the beautifully still soundscaping of ‘Guiding You’.
Lucy Liyou - always elevated - yet again demonstrates that sometimes you really do have to listen closely for full reward. It’s a recital at close quarters; dramatic but barely-there, Quiet, silvery, elusive x hi-gloss balladeering, and fully next-level.