The Kelly twins’ Happy Skull play host to Roman siblings and IDM producers Fabrizio and Marco D’Arcangelo for only their 2nd outing since Rephlex did a houdini.
Hailing from the same Roman skool of ‘90s electronic music as Leo Anibaldi and Marco Passarani, the D’Arcangelo brothers were always Italy’s closest answer to AFX, blessed with an urge for melodic and rhythmic intricacy that set their work apart.
On Saba Tree they pick up where they left off, dispensing the near-baroque acid-electro elegancy of the title cut, then the curdling Braindance harmonics of Pull Seven, before whipping out the EP’s big highlight in AC - SF13 - 2 Cid - 13th Cider, which reads like a Cornishman’s weekend drugs shopping list, and sounds like a stray Analord production, leaving them to clock out on the downtempo tilt of Korty.
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The Kelly twins’ Happy Skull play host to Roman siblings and IDM producers Fabrizio and Marco D’Arcangelo for only their 2nd outing since Rephlex did a houdini.
Hailing from the same Roman skool of ‘90s electronic music as Leo Anibaldi and Marco Passarani, the D’Arcangelo brothers were always Italy’s closest answer to AFX, blessed with an urge for melodic and rhythmic intricacy that set their work apart.
On Saba Tree they pick up where they left off, dispensing the near-baroque acid-electro elegancy of the title cut, then the curdling Braindance harmonics of Pull Seven, before whipping out the EP’s big highlight in AC - SF13 - 2 Cid - 13th Cider, which reads like a Cornishman’s weekend drugs shopping list, and sounds like a stray Analord production, leaving them to clock out on the downtempo tilt of Korty.
The Kelly twins’ Happy Skull play host to Roman siblings and IDM producers Fabrizio and Marco D’Arcangelo for only their 2nd outing since Rephlex did a houdini.
Hailing from the same Roman skool of ‘90s electronic music as Leo Anibaldi and Marco Passarani, the D’Arcangelo brothers were always Italy’s closest answer to AFX, blessed with an urge for melodic and rhythmic intricacy that set their work apart.
On Saba Tree they pick up where they left off, dispensing the near-baroque acid-electro elegancy of the title cut, then the curdling Braindance harmonics of Pull Seven, before whipping out the EP’s big highlight in AC - SF13 - 2 Cid - 13th Cider, which reads like a Cornishman’s weekend drugs shopping list, and sounds like a stray Analord production, leaving them to clock out on the downtempo tilt of Korty.
The Kelly twins’ Happy Skull play host to Roman siblings and IDM producers Fabrizio and Marco D’Arcangelo for only their 2nd outing since Rephlex did a houdini.
Hailing from the same Roman skool of ‘90s electronic music as Leo Anibaldi and Marco Passarani, the D’Arcangelo brothers were always Italy’s closest answer to AFX, blessed with an urge for melodic and rhythmic intricacy that set their work apart.
On Saba Tree they pick up where they left off, dispensing the near-baroque acid-electro elegancy of the title cut, then the curdling Braindance harmonics of Pull Seven, before whipping out the EP’s big highlight in AC - SF13 - 2 Cid - 13th Cider, which reads like a Cornishman’s weekend drugs shopping list, and sounds like a stray Analord production, leaving them to clock out on the downtempo tilt of Korty.
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The Kelly twins’ Happy Skull play host to Roman siblings and IDM producers Fabrizio and Marco D’Arcangelo for only their 2nd outing since Rephlex did a houdini.
Hailing from the same Roman skool of ‘90s electronic music as Leo Anibaldi and Marco Passarani, the D’Arcangelo brothers were always Italy’s closest answer to AFX, blessed with an urge for melodic and rhythmic intricacy that set their work apart.
On Saba Tree they pick up where they left off, dispensing the near-baroque acid-electro elegancy of the title cut, then the curdling Braindance harmonics of Pull Seven, before whipping out the EP’s big highlight in AC - SF13 - 2 Cid - 13th Cider, which reads like a Cornishman’s weekend drugs shopping list, and sounds like a stray Analord production, leaving them to clock out on the downtempo tilt of Korty.