Recorded back when Celer was a duo of Will Long and Danielle Baquet, 'Cursory Asperses' is made from cassette snapshots of water sounds, that Celer manipulate into haunting, slow-moving pads.
'Cursory Asperses' was originally released on limited-edition CDR back in 2008, but listening back now it's hard to place. Long and Baquet used freeware audio processing apps to process their sounds, transforming a series of tape recordings of streams, lakes and pools into achingly beautiful drones that change almost imperceptible, mimicking the source material but not drawing from it aesthetically.
This isn't an album of waterlogged soundscapes, it's a suite of electronic compositions that have been channeled by the movement of water itself. And while it'll sound familiar to any Celer or Will Long devotees, it's feathery, opiating material that'll lull you into a hypnagogic state quicker than you can say Irv Teibel.
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Recorded back when Celer was a duo of Will Long and Danielle Baquet, 'Cursory Asperses' is made from cassette snapshots of water sounds, that Celer manipulate into haunting, slow-moving pads.
'Cursory Asperses' was originally released on limited-edition CDR back in 2008, but listening back now it's hard to place. Long and Baquet used freeware audio processing apps to process their sounds, transforming a series of tape recordings of streams, lakes and pools into achingly beautiful drones that change almost imperceptible, mimicking the source material but not drawing from it aesthetically.
This isn't an album of waterlogged soundscapes, it's a suite of electronic compositions that have been channeled by the movement of water itself. And while it'll sound familiar to any Celer or Will Long devotees, it's feathery, opiating material that'll lull you into a hypnagogic state quicker than you can say Irv Teibel.
Recorded back when Celer was a duo of Will Long and Danielle Baquet, 'Cursory Asperses' is made from cassette snapshots of water sounds, that Celer manipulate into haunting, slow-moving pads.
'Cursory Asperses' was originally released on limited-edition CDR back in 2008, but listening back now it's hard to place. Long and Baquet used freeware audio processing apps to process their sounds, transforming a series of tape recordings of streams, lakes and pools into achingly beautiful drones that change almost imperceptible, mimicking the source material but not drawing from it aesthetically.
This isn't an album of waterlogged soundscapes, it's a suite of electronic compositions that have been channeled by the movement of water itself. And while it'll sound familiar to any Celer or Will Long devotees, it's feathery, opiating material that'll lull you into a hypnagogic state quicker than you can say Irv Teibel.
Recorded back when Celer was a duo of Will Long and Danielle Baquet, 'Cursory Asperses' is made from cassette snapshots of water sounds, that Celer manipulate into haunting, slow-moving pads.
'Cursory Asperses' was originally released on limited-edition CDR back in 2008, but listening back now it's hard to place. Long and Baquet used freeware audio processing apps to process their sounds, transforming a series of tape recordings of streams, lakes and pools into achingly beautiful drones that change almost imperceptible, mimicking the source material but not drawing from it aesthetically.
This isn't an album of waterlogged soundscapes, it's a suite of electronic compositions that have been channeled by the movement of water itself. And while it'll sound familiar to any Celer or Will Long devotees, it's feathery, opiating material that'll lull you into a hypnagogic state quicker than you can say Irv Teibel.
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Recorded back when Celer was a duo of Will Long and Danielle Baquet, 'Cursory Asperses' is made from cassette snapshots of water sounds, that Celer manipulate into haunting, slow-moving pads.
'Cursory Asperses' was originally released on limited-edition CDR back in 2008, but listening back now it's hard to place. Long and Baquet used freeware audio processing apps to process their sounds, transforming a series of tape recordings of streams, lakes and pools into achingly beautiful drones that change almost imperceptible, mimicking the source material but not drawing from it aesthetically.
This isn't an album of waterlogged soundscapes, it's a suite of electronic compositions that have been channeled by the movement of water itself. And while it'll sound familiar to any Celer or Will Long devotees, it's feathery, opiating material that'll lull you into a hypnagogic state quicker than you can say Irv Teibel.