Emma DJ, Katatonic Silencio, Klahrk and more lend remixes to Glass’s debut set of crystal cut sound designer dance deconstructions on Florentine label, OOH-Sounds
Probing the parameters of contemporary music production, ‘crY’ is presented as a response to the constraints of commodified music. In it, French duo Glass apply obsessive detailing to familiar dance tropes, dissecting and restitching aspects of “deconstructed jungle, weirdo techno and ambient structures” in a way we’ve come to expect from Lee Gamble and his UIQ gang.
The results are buffed to a high sheen redolent of cinematic sound design vernacular between the gyring proprioceptions of their ‘crY (Live)’, the pointillist broken techno precision of ‘crY’ and warped breakbeat hardcore ballistics in ‘Appointment Scheduling System’, before knuckling down to the jagged techno freak ‘multi-functional prosthetic hand (L version)’. Emma DJ supplies a fleet-hoofed rework of ‘crY’ replete with auto-tuned bleating; Katatonic Silentio takes it down a cyber wormhole; and Active Benz’s Klahrk recalibrates it to sort of brittle jungle hustle.
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Emma DJ, Katatonic Silencio, Klahrk and more lend remixes to Glass’s debut set of crystal cut sound designer dance deconstructions on Florentine label, OOH-Sounds
Probing the parameters of contemporary music production, ‘crY’ is presented as a response to the constraints of commodified music. In it, French duo Glass apply obsessive detailing to familiar dance tropes, dissecting and restitching aspects of “deconstructed jungle, weirdo techno and ambient structures” in a way we’ve come to expect from Lee Gamble and his UIQ gang.
The results are buffed to a high sheen redolent of cinematic sound design vernacular between the gyring proprioceptions of their ‘crY (Live)’, the pointillist broken techno precision of ‘crY’ and warped breakbeat hardcore ballistics in ‘Appointment Scheduling System’, before knuckling down to the jagged techno freak ‘multi-functional prosthetic hand (L version)’. Emma DJ supplies a fleet-hoofed rework of ‘crY’ replete with auto-tuned bleating; Katatonic Silentio takes it down a cyber wormhole; and Active Benz’s Klahrk recalibrates it to sort of brittle jungle hustle.
Emma DJ, Katatonic Silencio, Klahrk and more lend remixes to Glass’s debut set of crystal cut sound designer dance deconstructions on Florentine label, OOH-Sounds
Probing the parameters of contemporary music production, ‘crY’ is presented as a response to the constraints of commodified music. In it, French duo Glass apply obsessive detailing to familiar dance tropes, dissecting and restitching aspects of “deconstructed jungle, weirdo techno and ambient structures” in a way we’ve come to expect from Lee Gamble and his UIQ gang.
The results are buffed to a high sheen redolent of cinematic sound design vernacular between the gyring proprioceptions of their ‘crY (Live)’, the pointillist broken techno precision of ‘crY’ and warped breakbeat hardcore ballistics in ‘Appointment Scheduling System’, before knuckling down to the jagged techno freak ‘multi-functional prosthetic hand (L version)’. Emma DJ supplies a fleet-hoofed rework of ‘crY’ replete with auto-tuned bleating; Katatonic Silentio takes it down a cyber wormhole; and Active Benz’s Klahrk recalibrates it to sort of brittle jungle hustle.
Emma DJ, Katatonic Silencio, Klahrk and more lend remixes to Glass’s debut set of crystal cut sound designer dance deconstructions on Florentine label, OOH-Sounds
Probing the parameters of contemporary music production, ‘crY’ is presented as a response to the constraints of commodified music. In it, French duo Glass apply obsessive detailing to familiar dance tropes, dissecting and restitching aspects of “deconstructed jungle, weirdo techno and ambient structures” in a way we’ve come to expect from Lee Gamble and his UIQ gang.
The results are buffed to a high sheen redolent of cinematic sound design vernacular between the gyring proprioceptions of their ‘crY (Live)’, the pointillist broken techno precision of ‘crY’ and warped breakbeat hardcore ballistics in ‘Appointment Scheduling System’, before knuckling down to the jagged techno freak ‘multi-functional prosthetic hand (L version)’. Emma DJ supplies a fleet-hoofed rework of ‘crY’ replete with auto-tuned bleating; Katatonic Silentio takes it down a cyber wormhole; and Active Benz’s Klahrk recalibrates it to sort of brittle jungle hustle.
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Emma DJ, Katatonic Silencio, Klahrk and more lend remixes to Glass’s debut set of crystal cut sound designer dance deconstructions on Florentine label, OOH-Sounds
Probing the parameters of contemporary music production, ‘crY’ is presented as a response to the constraints of commodified music. In it, French duo Glass apply obsessive detailing to familiar dance tropes, dissecting and restitching aspects of “deconstructed jungle, weirdo techno and ambient structures” in a way we’ve come to expect from Lee Gamble and his UIQ gang.
The results are buffed to a high sheen redolent of cinematic sound design vernacular between the gyring proprioceptions of their ‘crY (Live)’, the pointillist broken techno precision of ‘crY’ and warped breakbeat hardcore ballistics in ‘Appointment Scheduling System’, before knuckling down to the jagged techno freak ‘multi-functional prosthetic hand (L version)’. Emma DJ supplies a fleet-hoofed rework of ‘crY’ replete with auto-tuned bleating; Katatonic Silentio takes it down a cyber wormhole; and Active Benz’s Klahrk recalibrates it to sort of brittle jungle hustle.