Transmitting from the beautiful wilds of rural Ireland, Natalia Beylis conjures an enchanting serenity in her evocation of a Koi carp’s journey from fish tank to a nearby river.
‘Coy-Koi’ lands very sweetly on the mind between the heathered shades of AFX’s Cornish ambient, BoC’s Scottish variants, or Sarah Davachi’s slow harmonic shifts, and the type of shimmering seduction that made Beylis’ own ‘Mermaids’ such a charm in 2023.
Taking the Longform Editions canvas for its widescreen potential, the artist expounds on feelings fundamental to her work, as she states “I have a deep curiosity about how humans engage with our everyday soundscapes, about the sonic realms where the unseen and unheard come alive.” In the process she takes as much time and space as needed to allow her synth tones to very glacially, naturally wash out of place and leach across the stereo colourfield with an organic appeal appropriate to the subject.
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Transmitting from the beautiful wilds of rural Ireland, Natalia Beylis conjures an enchanting serenity in her evocation of a Koi carp’s journey from fish tank to a nearby river.
‘Coy-Koi’ lands very sweetly on the mind between the heathered shades of AFX’s Cornish ambient, BoC’s Scottish variants, or Sarah Davachi’s slow harmonic shifts, and the type of shimmering seduction that made Beylis’ own ‘Mermaids’ such a charm in 2023.
Taking the Longform Editions canvas for its widescreen potential, the artist expounds on feelings fundamental to her work, as she states “I have a deep curiosity about how humans engage with our everyday soundscapes, about the sonic realms where the unseen and unheard come alive.” In the process she takes as much time and space as needed to allow her synth tones to very glacially, naturally wash out of place and leach across the stereo colourfield with an organic appeal appropriate to the subject.
Transmitting from the beautiful wilds of rural Ireland, Natalia Beylis conjures an enchanting serenity in her evocation of a Koi carp’s journey from fish tank to a nearby river.
‘Coy-Koi’ lands very sweetly on the mind between the heathered shades of AFX’s Cornish ambient, BoC’s Scottish variants, or Sarah Davachi’s slow harmonic shifts, and the type of shimmering seduction that made Beylis’ own ‘Mermaids’ such a charm in 2023.
Taking the Longform Editions canvas for its widescreen potential, the artist expounds on feelings fundamental to her work, as she states “I have a deep curiosity about how humans engage with our everyday soundscapes, about the sonic realms where the unseen and unheard come alive.” In the process she takes as much time and space as needed to allow her synth tones to very glacially, naturally wash out of place and leach across the stereo colourfield with an organic appeal appropriate to the subject.
Transmitting from the beautiful wilds of rural Ireland, Natalia Beylis conjures an enchanting serenity in her evocation of a Koi carp’s journey from fish tank to a nearby river.
‘Coy-Koi’ lands very sweetly on the mind between the heathered shades of AFX’s Cornish ambient, BoC’s Scottish variants, or Sarah Davachi’s slow harmonic shifts, and the type of shimmering seduction that made Beylis’ own ‘Mermaids’ such a charm in 2023.
Taking the Longform Editions canvas for its widescreen potential, the artist expounds on feelings fundamental to her work, as she states “I have a deep curiosity about how humans engage with our everyday soundscapes, about the sonic realms where the unseen and unheard come alive.” In the process she takes as much time and space as needed to allow her synth tones to very glacially, naturally wash out of place and leach across the stereo colourfield with an organic appeal appropriate to the subject.