Coolicon
Chris Carter and Cosey Fanni Tutti have spent the last couple of years absorbed in collaboration (chiefly with Nik Void in Carter Tutti Void) and laying the body/ghost of Throbbing Gristle to rest, so it’s really good to have them back functioning as a self-contained duo, the well-practiced configuration that’s yielded so much distinctive and prophetic material in the past. ‘Coolicon-A’ is brilliant, a dense, Fourth World technoscape that reminds us of late Clock DVA and early 90s, heatsick cyberfunk offerings from Richard H Kirk, Dean Dennis, et al, but rendered in a more sophisticated, intense sonic vocabulary befitting of 2013. ‘Coolicon-Fusion’ continues down the route of humid post-industrial psychedelia, but this time privileging space over density, with Cosey’s mournful cornet and lonestar guitar lines echoing through the void.
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Chris Carter and Cosey Fanni Tutti have spent the last couple of years absorbed in collaboration (chiefly with Nik Void in Carter Tutti Void) and laying the body/ghost of Throbbing Gristle to rest, so it’s really good to have them back functioning as a self-contained duo, the well-practiced configuration that’s yielded so much distinctive and prophetic material in the past. ‘Coolicon-A’ is brilliant, a dense, Fourth World technoscape that reminds us of late Clock DVA and early 90s, heatsick cyberfunk offerings from Richard H Kirk, Dean Dennis, et al, but rendered in a more sophisticated, intense sonic vocabulary befitting of 2013. ‘Coolicon-Fusion’ continues down the route of humid post-industrial psychedelia, but this time privileging space over density, with Cosey’s mournful cornet and lonestar guitar lines echoing through the void.
Chris Carter and Cosey Fanni Tutti have spent the last couple of years absorbed in collaboration (chiefly with Nik Void in Carter Tutti Void) and laying the body/ghost of Throbbing Gristle to rest, so it’s really good to have them back functioning as a self-contained duo, the well-practiced configuration that’s yielded so much distinctive and prophetic material in the past. ‘Coolicon-A’ is brilliant, a dense, Fourth World technoscape that reminds us of late Clock DVA and early 90s, heatsick cyberfunk offerings from Richard H Kirk, Dean Dennis, et al, but rendered in a more sophisticated, intense sonic vocabulary befitting of 2013. ‘Coolicon-Fusion’ continues down the route of humid post-industrial psychedelia, but this time privileging space over density, with Cosey’s mournful cornet and lonestar guitar lines echoing through the void.
Chris Carter and Cosey Fanni Tutti have spent the last couple of years absorbed in collaboration (chiefly with Nik Void in Carter Tutti Void) and laying the body/ghost of Throbbing Gristle to rest, so it’s really good to have them back functioning as a self-contained duo, the well-practiced configuration that’s yielded so much distinctive and prophetic material in the past. ‘Coolicon-A’ is brilliant, a dense, Fourth World technoscape that reminds us of late Clock DVA and early 90s, heatsick cyberfunk offerings from Richard H Kirk, Dean Dennis, et al, but rendered in a more sophisticated, intense sonic vocabulary befitting of 2013. ‘Coolicon-Fusion’ continues down the route of humid post-industrial psychedelia, but this time privileging space over density, with Cosey’s mournful cornet and lonestar guitar lines echoing through the void.