Common Era
Long needed reissue of Belong’s underrated shoegaze-goth downstrokes for Kranky, 2011, starring Turk Dietrich and mastered by his Second Woman bandmate Josh Eustis (Telefon Tel Aviv) for resounding appeal - RIYL MBV, early Lush, that Pluramon dreampop album, The Jesus and Mary Chain, Tropic of Cancer, MJ Guider, Faith-era The Cure.
Perched midway between the original thing and its contemporary reverberations, the 2011 release of ‘Common Era’ marked Belong as outstanding in their field. The nine tracks work on a knife-edge balance of motorik, psychy thrusts and swooning shoegaze pop, wreathed in distortion with the sort of tactility that has also set Turk Dietrich’s work apart in his Second Woman duo with Josh Eustis, whose master here ideally mounts the album on the imagination and help it souse the senses.
Discerning fiends will into the thundering bliss out ‘Come See’ and placed in a state of suspended negative ecstasy for its duration, taking in the ToC-like plangency of ’Never Came Close’, smudged echoes of The Cure in ‘A Walk’, keeling levels of emotion on ‘Perfect Life’, and the beautifully blizzarding depth perception of ‘Keep Still’, right the to the bittersweet blister of ‘Make Me Return’ and full sunk closer ‘Very Careful’.
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Long needed reissue of Belong’s underrated shoegaze-goth downstrokes for Kranky, 2011, starring Turk Dietrich and mastered by his Second Woman bandmate Josh Eustis (Telefon Tel Aviv) for resounding appeal - RIYL MBV, early Lush, that Pluramon dreampop album, The Jesus and Mary Chain, Tropic of Cancer, MJ Guider, Faith-era The Cure.
Perched midway between the original thing and its contemporary reverberations, the 2011 release of ‘Common Era’ marked Belong as outstanding in their field. The nine tracks work on a knife-edge balance of motorik, psychy thrusts and swooning shoegaze pop, wreathed in distortion with the sort of tactility that has also set Turk Dietrich’s work apart in his Second Woman duo with Josh Eustis, whose master here ideally mounts the album on the imagination and help it souse the senses.
Discerning fiends will into the thundering bliss out ‘Come See’ and placed in a state of suspended negative ecstasy for its duration, taking in the ToC-like plangency of ’Never Came Close’, smudged echoes of The Cure in ‘A Walk’, keeling levels of emotion on ‘Perfect Life’, and the beautifully blizzarding depth perception of ‘Keep Still’, right the to the bittersweet blister of ‘Make Me Return’ and full sunk closer ‘Very Careful’.
Long needed reissue of Belong’s underrated shoegaze-goth downstrokes for Kranky, 2011, starring Turk Dietrich and mastered by his Second Woman bandmate Josh Eustis (Telefon Tel Aviv) for resounding appeal - RIYL MBV, early Lush, that Pluramon dreampop album, The Jesus and Mary Chain, Tropic of Cancer, MJ Guider, Faith-era The Cure.
Perched midway between the original thing and its contemporary reverberations, the 2011 release of ‘Common Era’ marked Belong as outstanding in their field. The nine tracks work on a knife-edge balance of motorik, psychy thrusts and swooning shoegaze pop, wreathed in distortion with the sort of tactility that has also set Turk Dietrich’s work apart in his Second Woman duo with Josh Eustis, whose master here ideally mounts the album on the imagination and help it souse the senses.
Discerning fiends will into the thundering bliss out ‘Come See’ and placed in a state of suspended negative ecstasy for its duration, taking in the ToC-like plangency of ’Never Came Close’, smudged echoes of The Cure in ‘A Walk’, keeling levels of emotion on ‘Perfect Life’, and the beautifully blizzarding depth perception of ‘Keep Still’, right the to the bittersweet blister of ‘Make Me Return’ and full sunk closer ‘Very Careful’.
Long needed reissue of Belong’s underrated shoegaze-goth downstrokes for Kranky, 2011, starring Turk Dietrich and mastered by his Second Woman bandmate Josh Eustis (Telefon Tel Aviv) for resounding appeal - RIYL MBV, early Lush, that Pluramon dreampop album, The Jesus and Mary Chain, Tropic of Cancer, MJ Guider, Faith-era The Cure.
Perched midway between the original thing and its contemporary reverberations, the 2011 release of ‘Common Era’ marked Belong as outstanding in their field. The nine tracks work on a knife-edge balance of motorik, psychy thrusts and swooning shoegaze pop, wreathed in distortion with the sort of tactility that has also set Turk Dietrich’s work apart in his Second Woman duo with Josh Eustis, whose master here ideally mounts the album on the imagination and help it souse the senses.
Discerning fiends will into the thundering bliss out ‘Come See’ and placed in a state of suspended negative ecstasy for its duration, taking in the ToC-like plangency of ’Never Came Close’, smudged echoes of The Cure in ‘A Walk’, keeling levels of emotion on ‘Perfect Life’, and the beautifully blizzarding depth perception of ‘Keep Still’, right the to the bittersweet blister of ‘Make Me Return’ and full sunk closer ‘Very Careful’.
2024 Re-issue
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Long needed reissue of Belong’s underrated shoegaze-goth downstrokes for Kranky, 2011, starring Turk Dietrich and mastered by his Second Woman bandmate Josh Eustis (Telefon Tel Aviv) for resounding appeal - RIYL MBV, early Lush, that Pluramon dreampop album, The Jesus and Mary Chain, Tropic of Cancer, MJ Guider, Faith-era The Cure.
Perched midway between the original thing and its contemporary reverberations, the 2011 release of ‘Common Era’ marked Belong as outstanding in their field. The nine tracks work on a knife-edge balance of motorik, psychy thrusts and swooning shoegaze pop, wreathed in distortion with the sort of tactility that has also set Turk Dietrich’s work apart in his Second Woman duo with Josh Eustis, whose master here ideally mounts the album on the imagination and help it souse the senses.
Discerning fiends will into the thundering bliss out ‘Come See’ and placed in a state of suspended negative ecstasy for its duration, taking in the ToC-like plangency of ’Never Came Close’, smudged echoes of The Cure in ‘A Walk’, keeling levels of emotion on ‘Perfect Life’, and the beautifully blizzarding depth perception of ‘Keep Still’, right the to the bittersweet blister of ‘Make Me Return’ and full sunk closer ‘Very Careful’.