Comme de Loin
Various Artists
Comme de Loin
Boomkat Product Review:
Waking dream-like compilation by the Blank Mind family and friends, stemming from the quietly ambiguous rustles of Clara de Asis’ recording ‘The Concrete Space and the Imaginary Space’
Arriving in the label’s 10th anniversary year, ‘Comme De Loin’ (From a Distance’) frames Blank Mind’s tastes at their broadest, using Clara’s 12 minute piece of insectoid scuttles and elusive timbres as the conceptual springboard for a spectrum of styles, and allowing artists to step outside their usual categories.
Curl alumnus Bianca Scout lends a haunting introduction of ambient-pop plainchant with ‘Cast,’ and we find Lack leaving the beats aside in favour of intimately textured, fluid sound designs on ‘Focus Object,’ along with a superb turn of noctilucent thizz from Rome’s Ssiege. Arcade eventually bring some groove to the equation with the gravelly slosh of ‘Icosa,’ alongside the Leila-like trip hop of ‘Kitty Jackson’ by Marjolein van der Meer & Big Hands, for Blank Mind boss Sam Purcell to ideally tie up the set with the ribboning, vaporous vignette ‘There Was Nothing.’
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Boomkat Product Review:
Waking dream-like compilation by the Blank Mind family and friends, stemming from the quietly ambiguous rustles of Clara de Asis’ recording ‘The Concrete Space and the Imaginary Space’
Arriving in the label’s 10th anniversary year, ‘Comme De Loin’ (From a Distance’) frames Blank Mind’s tastes at their broadest, using Clara’s 12 minute piece of insectoid scuttles and elusive timbres as the conceptual springboard for a spectrum of styles, and allowing artists to step outside their usual categories.
Curl alumnus Bianca Scout lends a haunting introduction of ambient-pop plainchant with ‘Cast,’ and we find Lack leaving the beats aside in favour of intimately textured, fluid sound designs on ‘Focus Object,’ along with a superb turn of noctilucent thizz from Rome’s Ssiege. Arcade eventually bring some groove to the equation with the gravelly slosh of ‘Icosa,’ alongside the Leila-like trip hop of ‘Kitty Jackson’ by Marjolein van der Meer & Big Hands, for Blank Mind boss Sam Purcell to ideally tie up the set with the ribboning, vaporous vignette ‘There Was Nothing.’
Boomkat Product Review:
Waking dream-like compilation by the Blank Mind family and friends, stemming from the quietly ambiguous rustles of Clara de Asis’ recording ‘The Concrete Space and the Imaginary Space’
Arriving in the label’s 10th anniversary year, ‘Comme De Loin’ (From a Distance’) frames Blank Mind’s tastes at their broadest, using Clara’s 12 minute piece of insectoid scuttles and elusive timbres as the conceptual springboard for a spectrum of styles, and allowing artists to step outside their usual categories.
Curl alumnus Bianca Scout lends a haunting introduction of ambient-pop plainchant with ‘Cast,’ and we find Lack leaving the beats aside in favour of intimately textured, fluid sound designs on ‘Focus Object,’ along with a superb turn of noctilucent thizz from Rome’s Ssiege. Arcade eventually bring some groove to the equation with the gravelly slosh of ‘Icosa,’ alongside the Leila-like trip hop of ‘Kitty Jackson’ by Marjolein van der Meer & Big Hands, for Blank Mind boss Sam Purcell to ideally tie up the set with the ribboning, vaporous vignette ‘There Was Nothing.’
Boomkat Product Review:
Waking dream-like compilation by the Blank Mind family and friends, stemming from the quietly ambiguous rustles of Clara de Asis’ recording ‘The Concrete Space and the Imaginary Space’
Arriving in the label’s 10th anniversary year, ‘Comme De Loin’ (From a Distance’) frames Blank Mind’s tastes at their broadest, using Clara’s 12 minute piece of insectoid scuttles and elusive timbres as the conceptual springboard for a spectrum of styles, and allowing artists to step outside their usual categories.
Curl alumnus Bianca Scout lends a haunting introduction of ambient-pop plainchant with ‘Cast,’ and we find Lack leaving the beats aside in favour of intimately textured, fluid sound designs on ‘Focus Object,’ along with a superb turn of noctilucent thizz from Rome’s Ssiege. Arcade eventually bring some groove to the equation with the gravelly slosh of ‘Icosa,’ alongside the Leila-like trip hop of ‘Kitty Jackson’ by Marjolein van der Meer & Big Hands, for Blank Mind boss Sam Purcell to ideally tie up the set with the ribboning, vaporous vignette ‘There Was Nothing.’
LP with risograph print. Edition of 200.
Out of Stock
Boomkat Product Review:
Waking dream-like compilation by the Blank Mind family and friends, stemming from the quietly ambiguous rustles of Clara de Asis’ recording ‘The Concrete Space and the Imaginary Space’
Arriving in the label’s 10th anniversary year, ‘Comme De Loin’ (From a Distance’) frames Blank Mind’s tastes at their broadest, using Clara’s 12 minute piece of insectoid scuttles and elusive timbres as the conceptual springboard for a spectrum of styles, and allowing artists to step outside their usual categories.
Curl alumnus Bianca Scout lends a haunting introduction of ambient-pop plainchant with ‘Cast,’ and we find Lack leaving the beats aside in favour of intimately textured, fluid sound designs on ‘Focus Object,’ along with a superb turn of noctilucent thizz from Rome’s Ssiege. Arcade eventually bring some groove to the equation with the gravelly slosh of ‘Icosa,’ alongside the Leila-like trip hop of ‘Kitty Jackson’ by Marjolein van der Meer & Big Hands, for Blank Mind boss Sam Purcell to ideally tie up the set with the ribboning, vaporous vignette ‘There Was Nothing.’
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