Boomkat Product Review:
Alek Lee treads a fine line between Chi house and acid jazz on this session for the grown-ups who’ll see it thru ‘till dawn
“Alek Lee’s second 12” on Antinote starts with an uptempo opening to a rather downtempo record. Playing with some of the genre (namely, deep house) codes like the use of a politically-aware speech or vibes, Alek Lee can’t resist to give Time his special treatment nonetheless: using some of his dubby tools and bringing in a warm trumpet he takes the song onto a rather windy road. Don’t fall for it though: Time is a red herring...
The next song is without doubt more immediately recognizable as an Alek Lee’s tune with its slightly Pink Floydian vibe and its overall jam feel. On Kesef, the musician whispers in a tunnel of sound effects, joined by his beloved melodica and a nonchalant electric guitar.
Those who dug his previous EP might want to check out Colors and its nemesis - Dark Colors - on the flip side. Borrowing some of the ingredients he put into Sfarot, Alek Lee cooks a set of two eerie dubs. On Colors, the dark and thumping instrumental backs the voice of an impossible child, a creature bred in Tel-Aviv musician’s most twisted fantasies. Meanwhile, Dark Colors paradoxically takes a much more sentimental path. No voice this time but an emotionally-drenched melodica-lead breaking through a foggy environment of ominous synths and enigmatic noises to round off Lee’s mistier record so far.”