Mille Plateaux / Raster legend Andreas Tilliander on a full Fourth World jazz deployment in collab with Fire! Orchestra’s trumpet player Goran Kajfeš, landing somewhere between Hassell and Eno’s ‘Possible Musics’, the exotic ecologies of Toshinori Kondo and the simmering electronics of David Moufang & co’s Conjoint.
For years, Tilliander's been figuring out his place in the electronic landscape, first as a laptop minimalist with releases on Mille Plateaux and Raster Noton, then as a dub futurist, marking out ambient territory with his Mokira releases for Type and minting the acidub subgenre as TM404, then splitting a credit with Om Unit on the Acid Test-released 'In the Afterworld’. 'In Cmin' conjures a deeper mood altogether.
Commanding his usual arsenal of analog boxes and tape delays, Tilliander redraws the boundaries of his sound with celebrated trumpet player and bandleader Goran Kajfeš, who's worked with Fire! Orchestra, Tropiques, Nacka Forum and too many others to mention. Both artists are Swedish legends in their own right, both recipients of Grammi awards, and find a point of perfect harmony on this moody, atmospheric session.
Playing his father's flute, Kajfeš takes the lead on 'Montes Caucasus', swirling Balkan folk memories around Tilliander's pattered percussion and 303 . The subtlety of Tilliander's production is striking, his electronic treatments almost melting into the background, vibrating gently below Kajfeš' tape-altered melodies. On 'More Than Words' he allows the rhythm to suggest itself with metallic hi-hat flurries and oud twangs while Kajfeš’ moonlit Fourth World phrases provide the ideal foil, coming off like a worthy successor to Jon Hassell's hallowed ECM sessions.
The duo head deeper into the cosmos on the flip, imagining the soundtrack to Dysnomia, the titular 'Moon of Eris' that's all elasticated Chain Reaction-strength slapback twangs, TR-808 taps and opiated jazz wails. It’s deep, heady, evocative gear of the highest order.
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Mille Plateaux / Raster legend Andreas Tilliander on a full Fourth World jazz deployment in collab with Fire! Orchestra’s trumpet player Goran Kajfeš, landing somewhere between Hassell and Eno’s ‘Possible Musics’, the exotic ecologies of Toshinori Kondo and the simmering electronics of David Moufang & co’s Conjoint.
For years, Tilliander's been figuring out his place in the electronic landscape, first as a laptop minimalist with releases on Mille Plateaux and Raster Noton, then as a dub futurist, marking out ambient territory with his Mokira releases for Type and minting the acidub subgenre as TM404, then splitting a credit with Om Unit on the Acid Test-released 'In the Afterworld’. 'In Cmin' conjures a deeper mood altogether.
Commanding his usual arsenal of analog boxes and tape delays, Tilliander redraws the boundaries of his sound with celebrated trumpet player and bandleader Goran Kajfeš, who's worked with Fire! Orchestra, Tropiques, Nacka Forum and too many others to mention. Both artists are Swedish legends in their own right, both recipients of Grammi awards, and find a point of perfect harmony on this moody, atmospheric session.
Playing his father's flute, Kajfeš takes the lead on 'Montes Caucasus', swirling Balkan folk memories around Tilliander's pattered percussion and 303 . The subtlety of Tilliander's production is striking, his electronic treatments almost melting into the background, vibrating gently below Kajfeš' tape-altered melodies. On 'More Than Words' he allows the rhythm to suggest itself with metallic hi-hat flurries and oud twangs while Kajfeš’ moonlit Fourth World phrases provide the ideal foil, coming off like a worthy successor to Jon Hassell's hallowed ECM sessions.
The duo head deeper into the cosmos on the flip, imagining the soundtrack to Dysnomia, the titular 'Moon of Eris' that's all elasticated Chain Reaction-strength slapback twangs, TR-808 taps and opiated jazz wails. It’s deep, heady, evocative gear of the highest order.
Mille Plateaux / Raster legend Andreas Tilliander on a full Fourth World jazz deployment in collab with Fire! Orchestra’s trumpet player Goran Kajfeš, landing somewhere between Hassell and Eno’s ‘Possible Musics’, the exotic ecologies of Toshinori Kondo and the simmering electronics of David Moufang & co’s Conjoint.
For years, Tilliander's been figuring out his place in the electronic landscape, first as a laptop minimalist with releases on Mille Plateaux and Raster Noton, then as a dub futurist, marking out ambient territory with his Mokira releases for Type and minting the acidub subgenre as TM404, then splitting a credit with Om Unit on the Acid Test-released 'In the Afterworld’. 'In Cmin' conjures a deeper mood altogether.
Commanding his usual arsenal of analog boxes and tape delays, Tilliander redraws the boundaries of his sound with celebrated trumpet player and bandleader Goran Kajfeš, who's worked with Fire! Orchestra, Tropiques, Nacka Forum and too many others to mention. Both artists are Swedish legends in their own right, both recipients of Grammi awards, and find a point of perfect harmony on this moody, atmospheric session.
Playing his father's flute, Kajfeš takes the lead on 'Montes Caucasus', swirling Balkan folk memories around Tilliander's pattered percussion and 303 . The subtlety of Tilliander's production is striking, his electronic treatments almost melting into the background, vibrating gently below Kajfeš' tape-altered melodies. On 'More Than Words' he allows the rhythm to suggest itself with metallic hi-hat flurries and oud twangs while Kajfeš’ moonlit Fourth World phrases provide the ideal foil, coming off like a worthy successor to Jon Hassell's hallowed ECM sessions.
The duo head deeper into the cosmos on the flip, imagining the soundtrack to Dysnomia, the titular 'Moon of Eris' that's all elasticated Chain Reaction-strength slapback twangs, TR-808 taps and opiated jazz wails. It’s deep, heady, evocative gear of the highest order.
Mille Plateaux / Raster legend Andreas Tilliander on a full Fourth World jazz deployment in collab with Fire! Orchestra’s trumpet player Goran Kajfeš, landing somewhere between Hassell and Eno’s ‘Possible Musics’, the exotic ecologies of Toshinori Kondo and the simmering electronics of David Moufang & co’s Conjoint.
For years, Tilliander's been figuring out his place in the electronic landscape, first as a laptop minimalist with releases on Mille Plateaux and Raster Noton, then as a dub futurist, marking out ambient territory with his Mokira releases for Type and minting the acidub subgenre as TM404, then splitting a credit with Om Unit on the Acid Test-released 'In the Afterworld’. 'In Cmin' conjures a deeper mood altogether.
Commanding his usual arsenal of analog boxes and tape delays, Tilliander redraws the boundaries of his sound with celebrated trumpet player and bandleader Goran Kajfeš, who's worked with Fire! Orchestra, Tropiques, Nacka Forum and too many others to mention. Both artists are Swedish legends in their own right, both recipients of Grammi awards, and find a point of perfect harmony on this moody, atmospheric session.
Playing his father's flute, Kajfeš takes the lead on 'Montes Caucasus', swirling Balkan folk memories around Tilliander's pattered percussion and 303 . The subtlety of Tilliander's production is striking, his electronic treatments almost melting into the background, vibrating gently below Kajfeš' tape-altered melodies. On 'More Than Words' he allows the rhythm to suggest itself with metallic hi-hat flurries and oud twangs while Kajfeš’ moonlit Fourth World phrases provide the ideal foil, coming off like a worthy successor to Jon Hassell's hallowed ECM sessions.
The duo head deeper into the cosmos on the flip, imagining the soundtrack to Dysnomia, the titular 'Moon of Eris' that's all elasticated Chain Reaction-strength slapback twangs, TR-808 taps and opiated jazz wails. It’s deep, heady, evocative gear of the highest order.
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Mille Plateaux / Raster legend Andreas Tilliander on a full Fourth World jazz deployment in collab with Fire! Orchestra’s trumpet player Goran Kajfeš, landing somewhere between Hassell and Eno’s ‘Possible Musics’, the exotic ecologies of Toshinori Kondo and the simmering electronics of David Moufang & co’s Conjoint.
For years, Tilliander's been figuring out his place in the electronic landscape, first as a laptop minimalist with releases on Mille Plateaux and Raster Noton, then as a dub futurist, marking out ambient territory with his Mokira releases for Type and minting the acidub subgenre as TM404, then splitting a credit with Om Unit on the Acid Test-released 'In the Afterworld’. 'In Cmin' conjures a deeper mood altogether.
Commanding his usual arsenal of analog boxes and tape delays, Tilliander redraws the boundaries of his sound with celebrated trumpet player and bandleader Goran Kajfeš, who's worked with Fire! Orchestra, Tropiques, Nacka Forum and too many others to mention. Both artists are Swedish legends in their own right, both recipients of Grammi awards, and find a point of perfect harmony on this moody, atmospheric session.
Playing his father's flute, Kajfeš takes the lead on 'Montes Caucasus', swirling Balkan folk memories around Tilliander's pattered percussion and 303 . The subtlety of Tilliander's production is striking, his electronic treatments almost melting into the background, vibrating gently below Kajfeš' tape-altered melodies. On 'More Than Words' he allows the rhythm to suggest itself with metallic hi-hat flurries and oud twangs while Kajfeš’ moonlit Fourth World phrases provide the ideal foil, coming off like a worthy successor to Jon Hassell's hallowed ECM sessions.
The duo head deeper into the cosmos on the flip, imagining the soundtrack to Dysnomia, the titular 'Moon of Eris' that's all elasticated Chain Reaction-strength slapback twangs, TR-808 taps and opiated jazz wails. It’s deep, heady, evocative gear of the highest order.