Raw yet sophisticated deep house, acid and electro clearly schooled in the classics, from Glasgow’s Stephen Lopkin
Continuing a run of Gaelic-located or themed titles for M>O>S, Clyde Built is perhaps the definitive batch of Lopkin's emotive and puristic style following ‘The Haggis Trap’ [2014] and ‘Meall a’ Bhùiridh’ [2016].
Nodding to Glasgow’s heritage as the entry point for so much imported American dance music as well as its industrial past, Lopkin forges 10 aces over two plates, with divine results inspired by Detroit classics in ‘Fragments of Yesteryear’ and ’Stupid Humans’, along with the lush house traction of ‘White Corries’, some B12-esque electro in ‘Decades’, and a heavily seductive stripe of Reese-bassed techno in ‘Fridays at Pure’, at Carl Craig-goes-Italo flavour in ‘Welcome To Nowhere’.
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Raw yet sophisticated deep house, acid and electro clearly schooled in the classics, from Glasgow’s Stephen Lopkin
Continuing a run of Gaelic-located or themed titles for M>O>S, Clyde Built is perhaps the definitive batch of Lopkin's emotive and puristic style following ‘The Haggis Trap’ [2014] and ‘Meall a’ Bhùiridh’ [2016].
Nodding to Glasgow’s heritage as the entry point for so much imported American dance music as well as its industrial past, Lopkin forges 10 aces over two plates, with divine results inspired by Detroit classics in ‘Fragments of Yesteryear’ and ’Stupid Humans’, along with the lush house traction of ‘White Corries’, some B12-esque electro in ‘Decades’, and a heavily seductive stripe of Reese-bassed techno in ‘Fridays at Pure’, at Carl Craig-goes-Italo flavour in ‘Welcome To Nowhere’.
Raw yet sophisticated deep house, acid and electro clearly schooled in the classics, from Glasgow’s Stephen Lopkin
Continuing a run of Gaelic-located or themed titles for M>O>S, Clyde Built is perhaps the definitive batch of Lopkin's emotive and puristic style following ‘The Haggis Trap’ [2014] and ‘Meall a’ Bhùiridh’ [2016].
Nodding to Glasgow’s heritage as the entry point for so much imported American dance music as well as its industrial past, Lopkin forges 10 aces over two plates, with divine results inspired by Detroit classics in ‘Fragments of Yesteryear’ and ’Stupid Humans’, along with the lush house traction of ‘White Corries’, some B12-esque electro in ‘Decades’, and a heavily seductive stripe of Reese-bassed techno in ‘Fridays at Pure’, at Carl Craig-goes-Italo flavour in ‘Welcome To Nowhere’.
Raw yet sophisticated deep house, acid and electro clearly schooled in the classics, from Glasgow’s Stephen Lopkin
Continuing a run of Gaelic-located or themed titles for M>O>S, Clyde Built is perhaps the definitive batch of Lopkin's emotive and puristic style following ‘The Haggis Trap’ [2014] and ‘Meall a’ Bhùiridh’ [2016].
Nodding to Glasgow’s heritage as the entry point for so much imported American dance music as well as its industrial past, Lopkin forges 10 aces over two plates, with divine results inspired by Detroit classics in ‘Fragments of Yesteryear’ and ’Stupid Humans’, along with the lush house traction of ‘White Corries’, some B12-esque electro in ‘Decades’, and a heavily seductive stripe of Reese-bassed techno in ‘Fridays at Pure’, at Carl Craig-goes-Italo flavour in ‘Welcome To Nowhere’.
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Raw yet sophisticated deep house, acid and electro clearly schooled in the classics, from Glasgow’s Stephen Lopkin
Continuing a run of Gaelic-located or themed titles for M>O>S, Clyde Built is perhaps the definitive batch of Lopkin's emotive and puristic style following ‘The Haggis Trap’ [2014] and ‘Meall a’ Bhùiridh’ [2016].
Nodding to Glasgow’s heritage as the entry point for so much imported American dance music as well as its industrial past, Lopkin forges 10 aces over two plates, with divine results inspired by Detroit classics in ‘Fragments of Yesteryear’ and ’Stupid Humans’, along with the lush house traction of ‘White Corries’, some B12-esque electro in ‘Decades’, and a heavily seductive stripe of Reese-bassed techno in ‘Fridays at Pure’, at Carl Craig-goes-Italo flavour in ‘Welcome To Nowhere’.