Another highlight of (James) Holden's 'The Inheritors' comes prepped for the DJs. It's one of the album's finest examples of Holden's quintessentially eldritch take on dance music; a strange, lilting curio spiralling pentatonic motifs in a gritty, off-kilter groove. The original is delineated to three parts for ritual use: the tool is most potent, threading Shimble's glossolalic gibberish through crooked modular sequences in an hypnotic tangle of strangely organic textures and shifty, frayed syncopation; The dub is groggy, vocal obliterated to spitting fragments filtered thru the groove with a frayed quality, whilst the 'Gibbersolo' reveals Shimble as a sort of spannered, Coil-like modular ELpH who's eaten one too many magic beans. Really good stuff.
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Another highlight of (James) Holden's 'The Inheritors' comes prepped for the DJs. It's one of the album's finest examples of Holden's quintessentially eldritch take on dance music; a strange, lilting curio spiralling pentatonic motifs in a gritty, off-kilter groove. The original is delineated to three parts for ritual use: the tool is most potent, threading Shimble's glossolalic gibberish through crooked modular sequences in an hypnotic tangle of strangely organic textures and shifty, frayed syncopation; The dub is groggy, vocal obliterated to spitting fragments filtered thru the groove with a frayed quality, whilst the 'Gibbersolo' reveals Shimble as a sort of spannered, Coil-like modular ELpH who's eaten one too many magic beans. Really good stuff.
Another highlight of (James) Holden's 'The Inheritors' comes prepped for the DJs. It's one of the album's finest examples of Holden's quintessentially eldritch take on dance music; a strange, lilting curio spiralling pentatonic motifs in a gritty, off-kilter groove. The original is delineated to three parts for ritual use: the tool is most potent, threading Shimble's glossolalic gibberish through crooked modular sequences in an hypnotic tangle of strangely organic textures and shifty, frayed syncopation; The dub is groggy, vocal obliterated to spitting fragments filtered thru the groove with a frayed quality, whilst the 'Gibbersolo' reveals Shimble as a sort of spannered, Coil-like modular ELpH who's eaten one too many magic beans. Really good stuff.
Another highlight of (James) Holden's 'The Inheritors' comes prepped for the DJs. It's one of the album's finest examples of Holden's quintessentially eldritch take on dance music; a strange, lilting curio spiralling pentatonic motifs in a gritty, off-kilter groove. The original is delineated to three parts for ritual use: the tool is most potent, threading Shimble's glossolalic gibberish through crooked modular sequences in an hypnotic tangle of strangely organic textures and shifty, frayed syncopation; The dub is groggy, vocal obliterated to spitting fragments filtered thru the groove with a frayed quality, whilst the 'Gibbersolo' reveals Shimble as a sort of spannered, Coil-like modular ELpH who's eaten one too many magic beans. Really good stuff.
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Another highlight of (James) Holden's 'The Inheritors' comes prepped for the DJs. It's one of the album's finest examples of Holden's quintessentially eldritch take on dance music; a strange, lilting curio spiralling pentatonic motifs in a gritty, off-kilter groove. The original is delineated to three parts for ritual use: the tool is most potent, threading Shimble's glossolalic gibberish through crooked modular sequences in an hypnotic tangle of strangely organic textures and shifty, frayed syncopation; The dub is groggy, vocal obliterated to spitting fragments filtered thru the groove with a frayed quality, whilst the 'Gibbersolo' reveals Shimble as a sort of spannered, Coil-like modular ELpH who's eaten one too many magic beans. Really good stuff.