Chord / Gong! (with Carles Santos)
New York, 1978, kindred composers Philip Corner and Carles Santos meet at the Bösendorfer piano of Charlemagne Palestine to record four-hand piano versions of Corner’s pieces “Chord” and “Gong!”.
"The result is a long-flowing distillation of the source of the two composers’ affinity: avant-garde practice of austere artistic devotion at play with perfect imperfections of the uncontainable human spirit."
A small cassette edition appeared in the late 1980’s and is now presented in a new digital restoration by Stephan Mathieu, alongside a limited edition of 300 vinyl records cut by Lupo."
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New York, 1978, kindred composers Philip Corner and Carles Santos meet at the Bösendorfer piano of Charlemagne Palestine to record four-hand piano versions of Corner’s pieces “Chord” and “Gong!”.
"The result is a long-flowing distillation of the source of the two composers’ affinity: avant-garde practice of austere artistic devotion at play with perfect imperfections of the uncontainable human spirit."
A small cassette edition appeared in the late 1980’s and is now presented in a new digital restoration by Stephan Mathieu, alongside a limited edition of 300 vinyl records cut by Lupo."
New York, 1978, kindred composers Philip Corner and Carles Santos meet at the Bösendorfer piano of Charlemagne Palestine to record four-hand piano versions of Corner’s pieces “Chord” and “Gong!”.
"The result is a long-flowing distillation of the source of the two composers’ affinity: avant-garde practice of austere artistic devotion at play with perfect imperfections of the uncontainable human spirit."
A small cassette edition appeared in the late 1980’s and is now presented in a new digital restoration by Stephan Mathieu, alongside a limited edition of 300 vinyl records cut by Lupo."
New York, 1978, kindred composers Philip Corner and Carles Santos meet at the Bösendorfer piano of Charlemagne Palestine to record four-hand piano versions of Corner’s pieces “Chord” and “Gong!”.
"The result is a long-flowing distillation of the source of the two composers’ affinity: avant-garde practice of austere artistic devotion at play with perfect imperfections of the uncontainable human spirit."
A small cassette edition appeared in the late 1980’s and is now presented in a new digital restoration by Stephan Mathieu, alongside a limited edition of 300 vinyl records cut by Lupo."
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New York, 1978, kindred composers Philip Corner and Carles Santos meet at the Bösendorfer piano of Charlemagne Palestine to record four-hand piano versions of Corner’s pieces “Chord” and “Gong!”.
"The result is a long-flowing distillation of the source of the two composers’ affinity: avant-garde practice of austere artistic devotion at play with perfect imperfections of the uncontainable human spirit."
A small cassette edition appeared in the late 1980’s and is now presented in a new digital restoration by Stephan Mathieu, alongside a limited edition of 300 vinyl records cut by Lupo."