High-grade algorithmic earworms from one of the most curious in the field, generated for adventurous London label Great Curve
Exploring ideas on asymmetry, Fields follows in the wayward mode of his long streak of aces for likes of Superpang and Conditional with a playful spurt of six parts full of unusually bendy, pitching properties and elusive geometry primed to pique the interests of Autechre nuts.
Pranging out with the title tune’s slippery semi-melodic qualities, the session buckles between the squabbling organs-like tones and alien lug plucks of ‘Wiggle’, to a sort of downbeat Autechrian hip hop slope on ‘Pent Up’ and ‘Boltzmann’, to follow lines of unsprung music box melodic thought in ‘Knotted Tines’, and the standout for us, a gorgeously curdled patch of metallic fizz in ‘Don’t Panic’ that stimulates the parts of your head that other music just doesn’t reach.
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High-grade algorithmic earworms from one of the most curious in the field, generated for adventurous London label Great Curve
Exploring ideas on asymmetry, Fields follows in the wayward mode of his long streak of aces for likes of Superpang and Conditional with a playful spurt of six parts full of unusually bendy, pitching properties and elusive geometry primed to pique the interests of Autechre nuts.
Pranging out with the title tune’s slippery semi-melodic qualities, the session buckles between the squabbling organs-like tones and alien lug plucks of ‘Wiggle’, to a sort of downbeat Autechrian hip hop slope on ‘Pent Up’ and ‘Boltzmann’, to follow lines of unsprung music box melodic thought in ‘Knotted Tines’, and the standout for us, a gorgeously curdled patch of metallic fizz in ‘Don’t Panic’ that stimulates the parts of your head that other music just doesn’t reach.
High-grade algorithmic earworms from one of the most curious in the field, generated for adventurous London label Great Curve
Exploring ideas on asymmetry, Fields follows in the wayward mode of his long streak of aces for likes of Superpang and Conditional with a playful spurt of six parts full of unusually bendy, pitching properties and elusive geometry primed to pique the interests of Autechre nuts.
Pranging out with the title tune’s slippery semi-melodic qualities, the session buckles between the squabbling organs-like tones and alien lug plucks of ‘Wiggle’, to a sort of downbeat Autechrian hip hop slope on ‘Pent Up’ and ‘Boltzmann’, to follow lines of unsprung music box melodic thought in ‘Knotted Tines’, and the standout for us, a gorgeously curdled patch of metallic fizz in ‘Don’t Panic’ that stimulates the parts of your head that other music just doesn’t reach.
High-grade algorithmic earworms from one of the most curious in the field, generated for adventurous London label Great Curve
Exploring ideas on asymmetry, Fields follows in the wayward mode of his long streak of aces for likes of Superpang and Conditional with a playful spurt of six parts full of unusually bendy, pitching properties and elusive geometry primed to pique the interests of Autechre nuts.
Pranging out with the title tune’s slippery semi-melodic qualities, the session buckles between the squabbling organs-like tones and alien lug plucks of ‘Wiggle’, to a sort of downbeat Autechrian hip hop slope on ‘Pent Up’ and ‘Boltzmann’, to follow lines of unsprung music box melodic thought in ‘Knotted Tines’, and the standout for us, a gorgeously curdled patch of metallic fizz in ‘Don’t Panic’ that stimulates the parts of your head that other music just doesn’t reach.
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High-grade algorithmic earworms from one of the most curious in the field, generated for adventurous London label Great Curve
Exploring ideas on asymmetry, Fields follows in the wayward mode of his long streak of aces for likes of Superpang and Conditional with a playful spurt of six parts full of unusually bendy, pitching properties and elusive geometry primed to pique the interests of Autechre nuts.
Pranging out with the title tune’s slippery semi-melodic qualities, the session buckles between the squabbling organs-like tones and alien lug plucks of ‘Wiggle’, to a sort of downbeat Autechrian hip hop slope on ‘Pent Up’ and ‘Boltzmann’, to follow lines of unsprung music box melodic thought in ‘Knotted Tines’, and the standout for us, a gorgeously curdled patch of metallic fizz in ‘Don’t Panic’ that stimulates the parts of your head that other music just doesn’t reach.