Chaleur Humaine
Uman
Chaleur Humaine
Boomkat Product Review:
A surreal and carnivalesque lost French classique that's somewhere between Cocteau Twins, Nuno Canavarro and Leila, "Chaleur Humaine" originally emerged in 1992, the debut release of sibling duo Danielle and Didier Jean. Anyone into hypnagogic pop, fractured new age experiments or '80s FM synth soundtracks needs to hear this jaw-dislocating Rosetta stone.
Uman's music spidered out thru various new age and global sounds compilations in the 1990s, but at this point the fwd-thinking duo are mostly forgotten, and in need of re-appraisal. After three decades, "Chaleur Humaine" sounds prophetic in its use of sounds, establishing a mood that's as dreamy and pristine as Enya's canonized run, as prismatically awkward as Portland MIDI fanatics Visible Cloaks and as chilling and evocative as Richard Band's schlock horror soundtracks.
WIth a sound that teeters between identifiable pop forms and more challenging expressions that draw on experimental and new age concepts, like the lilting 'Mémoire Vive' and Badalamenti-esque 'Aubade'. it's an album that's jam-packed with gorgeous sounds that seem to refresh with each track, skating close to plasticky exotica but never drifting into parody, pre-empting the shift from DIY rawk and folk sounds into hypnagogic pop and synth modes in the mid-'00s.
The recent obsession with neo-new age forms has resulted in some avoidable lost idols, but 'Chaleur Humaine' is a serious treasure trove of ideas and raw expression that bottles the chaotic analog-to-digital era with no small amount of panache. Anyone who's enjoyed Belgian node STROOM's extraordinary stretch of quirky electro-plated lounge-pop treasures won't wanna miss this.
View more
Boomkat Product Review:
A surreal and carnivalesque lost French classique that's somewhere between Cocteau Twins, Nuno Canavarro and Leila, "Chaleur Humaine" originally emerged in 1992, the debut release of sibling duo Danielle and Didier Jean. Anyone into hypnagogic pop, fractured new age experiments or '80s FM synth soundtracks needs to hear this jaw-dislocating Rosetta stone.
Uman's music spidered out thru various new age and global sounds compilations in the 1990s, but at this point the fwd-thinking duo are mostly forgotten, and in need of re-appraisal. After three decades, "Chaleur Humaine" sounds prophetic in its use of sounds, establishing a mood that's as dreamy and pristine as Enya's canonized run, as prismatically awkward as Portland MIDI fanatics Visible Cloaks and as chilling and evocative as Richard Band's schlock horror soundtracks.
WIth a sound that teeters between identifiable pop forms and more challenging expressions that draw on experimental and new age concepts, like the lilting 'Mémoire Vive' and Badalamenti-esque 'Aubade'. it's an album that's jam-packed with gorgeous sounds that seem to refresh with each track, skating close to plasticky exotica but never drifting into parody, pre-empting the shift from DIY rawk and folk sounds into hypnagogic pop and synth modes in the mid-'00s.
The recent obsession with neo-new age forms has resulted in some avoidable lost idols, but 'Chaleur Humaine' is a serious treasure trove of ideas and raw expression that bottles the chaotic analog-to-digital era with no small amount of panache. Anyone who's enjoyed Belgian node STROOM's extraordinary stretch of quirky electro-plated lounge-pop treasures won't wanna miss this.
Boomkat Product Review:
A surreal and carnivalesque lost French classique that's somewhere between Cocteau Twins, Nuno Canavarro and Leila, "Chaleur Humaine" originally emerged in 1992, the debut release of sibling duo Danielle and Didier Jean. Anyone into hypnagogic pop, fractured new age experiments or '80s FM synth soundtracks needs to hear this jaw-dislocating Rosetta stone.
Uman's music spidered out thru various new age and global sounds compilations in the 1990s, but at this point the fwd-thinking duo are mostly forgotten, and in need of re-appraisal. After three decades, "Chaleur Humaine" sounds prophetic in its use of sounds, establishing a mood that's as dreamy and pristine as Enya's canonized run, as prismatically awkward as Portland MIDI fanatics Visible Cloaks and as chilling and evocative as Richard Band's schlock horror soundtracks.
WIth a sound that teeters between identifiable pop forms and more challenging expressions that draw on experimental and new age concepts, like the lilting 'Mémoire Vive' and Badalamenti-esque 'Aubade'. it's an album that's jam-packed with gorgeous sounds that seem to refresh with each track, skating close to plasticky exotica but never drifting into parody, pre-empting the shift from DIY rawk and folk sounds into hypnagogic pop and synth modes in the mid-'00s.
The recent obsession with neo-new age forms has resulted in some avoidable lost idols, but 'Chaleur Humaine' is a serious treasure trove of ideas and raw expression that bottles the chaotic analog-to-digital era with no small amount of panache. Anyone who's enjoyed Belgian node STROOM's extraordinary stretch of quirky electro-plated lounge-pop treasures won't wanna miss this.
Boomkat Product Review:
A surreal and carnivalesque lost French classique that's somewhere between Cocteau Twins, Nuno Canavarro and Leila, "Chaleur Humaine" originally emerged in 1992, the debut release of sibling duo Danielle and Didier Jean. Anyone into hypnagogic pop, fractured new age experiments or '80s FM synth soundtracks needs to hear this jaw-dislocating Rosetta stone.
Uman's music spidered out thru various new age and global sounds compilations in the 1990s, but at this point the fwd-thinking duo are mostly forgotten, and in need of re-appraisal. After three decades, "Chaleur Humaine" sounds prophetic in its use of sounds, establishing a mood that's as dreamy and pristine as Enya's canonized run, as prismatically awkward as Portland MIDI fanatics Visible Cloaks and as chilling and evocative as Richard Band's schlock horror soundtracks.
WIth a sound that teeters between identifiable pop forms and more challenging expressions that draw on experimental and new age concepts, like the lilting 'Mémoire Vive' and Badalamenti-esque 'Aubade'. it's an album that's jam-packed with gorgeous sounds that seem to refresh with each track, skating close to plasticky exotica but never drifting into parody, pre-empting the shift from DIY rawk and folk sounds into hypnagogic pop and synth modes in the mid-'00s.
The recent obsession with neo-new age forms has resulted in some avoidable lost idols, but 'Chaleur Humaine' is a serious treasure trove of ideas and raw expression that bottles the chaotic analog-to-digital era with no small amount of panache. Anyone who's enjoyed Belgian node STROOM's extraordinary stretch of quirky electro-plated lounge-pop treasures won't wanna miss this.
Out of Stock
Boomkat Product Review:
A surreal and carnivalesque lost French classique that's somewhere between Cocteau Twins, Nuno Canavarro and Leila, "Chaleur Humaine" originally emerged in 1992, the debut release of sibling duo Danielle and Didier Jean. Anyone into hypnagogic pop, fractured new age experiments or '80s FM synth soundtracks needs to hear this jaw-dislocating Rosetta stone.
Uman's music spidered out thru various new age and global sounds compilations in the 1990s, but at this point the fwd-thinking duo are mostly forgotten, and in need of re-appraisal. After three decades, "Chaleur Humaine" sounds prophetic in its use of sounds, establishing a mood that's as dreamy and pristine as Enya's canonized run, as prismatically awkward as Portland MIDI fanatics Visible Cloaks and as chilling and evocative as Richard Band's schlock horror soundtracks.
WIth a sound that teeters between identifiable pop forms and more challenging expressions that draw on experimental and new age concepts, like the lilting 'Mémoire Vive' and Badalamenti-esque 'Aubade'. it's an album that's jam-packed with gorgeous sounds that seem to refresh with each track, skating close to plasticky exotica but never drifting into parody, pre-empting the shift from DIY rawk and folk sounds into hypnagogic pop and synth modes in the mid-'00s.
The recent obsession with neo-new age forms has resulted in some avoidable lost idols, but 'Chaleur Humaine' is a serious treasure trove of ideas and raw expression that bottles the chaotic analog-to-digital era with no small amount of panache. Anyone who's enjoyed Belgian node STROOM's extraordinary stretch of quirky electro-plated lounge-pop treasures won't wanna miss this.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
A surreal and carnivalesque lost French classique that's somewhere between Cocteau Twins, Nuno Canavarro and Leila, "Chaleur Humaine" originally emerged in 1992, the debut release of sibling duo Danielle and Didier Jean. Anyone into hypnagogic pop, fractured new age experiments or '80s FM synth soundtracks needs to hear this jaw-dislocating Rosetta stone.
Uman's music spidered out thru various new age and global sounds compilations in the 1990s, but at this point the fwd-thinking duo are mostly forgotten, and in need of re-appraisal. After three decades, "Chaleur Humaine" sounds prophetic in its use of sounds, establishing a mood that's as dreamy and pristine as Enya's canonized run, as prismatically awkward as Portland MIDI fanatics Visible Cloaks and as chilling and evocative as Richard Band's schlock horror soundtracks.
WIth a sound that teeters between identifiable pop forms and more challenging expressions that draw on experimental and new age concepts, like the lilting 'Mémoire Vive' and Badalamenti-esque 'Aubade'. it's an album that's jam-packed with gorgeous sounds that seem to refresh with each track, skating close to plasticky exotica but never drifting into parody, pre-empting the shift from DIY rawk and folk sounds into hypnagogic pop and synth modes in the mid-'00s.
The recent obsession with neo-new age forms has resulted in some avoidable lost idols, but 'Chaleur Humaine' is a serious treasure trove of ideas and raw expression that bottles the chaotic analog-to-digital era with no small amount of panache. Anyone who's enjoyed Belgian node STROOM's extraordinary stretch of quirky electro-plated lounge-pop treasures won't wanna miss this.
More from Freedom To Spend:
-
FREE MP3 WITH VINYLPamela Z Echolocation Freedom To Spend Electronic- MP3
- FLAC
- WAV
- Colour LP
-
FREE MP3 WITH VINYLSussan Deyhim & Richard Horowitz The Invisible Road: Original Recordings, 1985–1990 Freedom To Spend Electronic
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLDanielle Boutet Pièces Freedom To Spend Electronic
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLUrsula K. Le Guin & Todd Barton Music and Poetry of the Kesh Freedom To Spend Modern Classical / Ambient
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
Neil S. Kvern Heavenly Persona Freedom To Spend Electronic
- MP3
- FLAC
- WAV
People who bought this also bought:
-
FREE MP3 WITH VINYLPauline Anna Strom Angel Tears in Sunlight RVNG Intl. Modern Classical / Ambient
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- Colour LP
- CD
-
ARTHUR RUSSELL Picture of Bunny Rabbit Audika Records / Rough Trade Modern Classical / Ambient
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- CD
-
Emahoy Tsege Mariam Gebru Emahoy Tsege Mariam Gebru Mississippi Records Modern Classical / Ambient
- MP3
- FLAC
- WAV
- Colour LP
-
FREE MP3 WITH VINYLNuno Canavarro Plux Quba Drag City Electronic
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
Arp ZEBRA Mexican Summer Electronic
- MP3
- FLAC
- WAV
- LP
-
FREE MP3 WITH VINYLMoin Moot! AD 93 Indie / Alternative
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLIsik Kural in february RVNG Intl. Folk / Roots
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- Colour LP
- CD
-
FREE MP3 WITH VINYLWojciech Rusin Syphon AD 93 Modern Classical / Ambient
- MP3
- FLAC
- WAV
- Tape
-
Madalyn Merkey Puzzle Music Mana Records Electronic
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
Warm Currency Returns Horn Of Plenty Folk / Roots
- MP3
- FLAC
- WAV
- 10" (Black Vinyl)