Cepheid Variables
A Cepheid variable is a type of star that pulsates radially, varying in both diameter and temperature, producing changes in brightness with a well-defined stable period and amplitude. This piece is an exploration on pulsating sounds, field recordings and samples. It is inspired by the way pulsating forms can help measure time, distances and serve as beacons. Where there is chaos, a pulsar remains as the only stable source of information.
"I believe that through longform pieces, the sounds that make up a composition are able to develop a more intimate dialogue with the listener. They come with a mindset of letting the sounds evolve at their own pace, sometimes with unusual rhythms and tempos. Working on a longform piece can be bit challenging, but ultimately a very rewarding process. The time to explore and fully develop the qualities of melodies or monotonous sounds is within the process of creating a soundscape. I think that some sounds can become more interesting through deep listening. Our ears begin to re-interpret a long lasting sound, and multiple, hidden tonalities, either imagined or existent, begin to emerge, giving the piece a quality of never being quite the same on each hearing."
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A Cepheid variable is a type of star that pulsates radially, varying in both diameter and temperature, producing changes in brightness with a well-defined stable period and amplitude. This piece is an exploration on pulsating sounds, field recordings and samples. It is inspired by the way pulsating forms can help measure time, distances and serve as beacons. Where there is chaos, a pulsar remains as the only stable source of information.
"I believe that through longform pieces, the sounds that make up a composition are able to develop a more intimate dialogue with the listener. They come with a mindset of letting the sounds evolve at their own pace, sometimes with unusual rhythms and tempos. Working on a longform piece can be bit challenging, but ultimately a very rewarding process. The time to explore and fully develop the qualities of melodies or monotonous sounds is within the process of creating a soundscape. I think that some sounds can become more interesting through deep listening. Our ears begin to re-interpret a long lasting sound, and multiple, hidden tonalities, either imagined or existent, begin to emerge, giving the piece a quality of never being quite the same on each hearing."
A Cepheid variable is a type of star that pulsates radially, varying in both diameter and temperature, producing changes in brightness with a well-defined stable period and amplitude. This piece is an exploration on pulsating sounds, field recordings and samples. It is inspired by the way pulsating forms can help measure time, distances and serve as beacons. Where there is chaos, a pulsar remains as the only stable source of information.
"I believe that through longform pieces, the sounds that make up a composition are able to develop a more intimate dialogue with the listener. They come with a mindset of letting the sounds evolve at their own pace, sometimes with unusual rhythms and tempos. Working on a longform piece can be bit challenging, but ultimately a very rewarding process. The time to explore and fully develop the qualities of melodies or monotonous sounds is within the process of creating a soundscape. I think that some sounds can become more interesting through deep listening. Our ears begin to re-interpret a long lasting sound, and multiple, hidden tonalities, either imagined or existent, begin to emerge, giving the piece a quality of never being quite the same on each hearing."
A Cepheid variable is a type of star that pulsates radially, varying in both diameter and temperature, producing changes in brightness with a well-defined stable period and amplitude. This piece is an exploration on pulsating sounds, field recordings and samples. It is inspired by the way pulsating forms can help measure time, distances and serve as beacons. Where there is chaos, a pulsar remains as the only stable source of information.
"I believe that through longform pieces, the sounds that make up a composition are able to develop a more intimate dialogue with the listener. They come with a mindset of letting the sounds evolve at their own pace, sometimes with unusual rhythms and tempos. Working on a longform piece can be bit challenging, but ultimately a very rewarding process. The time to explore and fully develop the qualities of melodies or monotonous sounds is within the process of creating a soundscape. I think that some sounds can become more interesting through deep listening. Our ears begin to re-interpret a long lasting sound, and multiple, hidden tonalities, either imagined or existent, begin to emerge, giving the piece a quality of never being quite the same on each hearing."