Boomkat Product Review:
Cellular Automata is the first new Dopplereffekt album in a decade! Rudolf Klorzeiger and To-Nhan kept us waiting but the anticipation pays off with some of their most striking electro architecture to date, tangibly making good on the promise of their Tetrahymena  and Delta Wave  deliveries over the interim, which, like this one were also released by Berlin’s Leisure System.
The symbiotic duo’s last album, Calabi Yau Space  remains one of the most memorable, puristic electronic records of its decade and Cellular Automata is up there with the most distinctive of its ilk in the current sphere. To outline their intentions; “Cellular Automata approaches mathematical growth and decay as an iterative process, with each data input considered individually relative to the overall model”, which broadly translates as a lofty metaphor for refinement thru increasingly searching practice; both technical research and the fine-tuned discipline of their physical, melodic inputs.
Difficult to say really how that works out from initial listens, but in aesthetic terms at least their sound is shockingly sharp and dense yet incredibly spacious, executing that unique balance of sheer technological advance and heightened emotive response in way that’s long been key to the success of their sound, encouraging listeners to revel and marvel at both the pure sonification of their sounds and equally their near-baroque classical elegance.
If you need any prompts, check out the vast harmonic structures of Cellular Automata and the tempestuous kosmische momentum of Exponential Decay at the album’s bookends, or deeper in for the uncanny stere-imaging of Gestalt Intelligence and the nerve-biting noise of Pascal’s Reunion, or the abyssal morphosis of Mandelbrot Set for the strongest sensations, but, as you’ll understand it’s definitely best consumed as whole for the most lucid yet disorienting experience.