San Fran’s mutant dembow don, DJ Juanny, returns to NAAFI with a different name but the same brilliant sidespin on Latin-meets-UK club pressure
Since his ’Suchito’ EP debut as Juanny Depp for NAAFI in 2021, which still gets rinsed around our way, the artist has switched his moniker to DJ Juanny, and continued to slay with a slew of self-released gems that bind his US-Honduran heritage with a love of upfront UK rave music. Direct as they come, but riddled with killer details in craftily satisfying arrangements, Juanny’s music is basically some of the best in his field.
‘CEIBA’ proves the point with a super tight 3 minutes of club music that bridges his ‘90s cultural fascinations and Anglophilic tendencies with up-to-the-second club needs, literally dialling in vintage phone keypad tones on emphatically accentuated dembow snares that knit into a brisk slant on oingy boingy grime and dubstep as much as UKF, sealed in place with virulent electro lead and darkside pads to properly rude, chef’s kiss effect bound to hit hard with fans of Florentino or Lao as much as Pangaea and Peverelist.
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San Fran’s mutant dembow don, DJ Juanny, returns to NAAFI with a different name but the same brilliant sidespin on Latin-meets-UK club pressure
Since his ’Suchito’ EP debut as Juanny Depp for NAAFI in 2021, which still gets rinsed around our way, the artist has switched his moniker to DJ Juanny, and continued to slay with a slew of self-released gems that bind his US-Honduran heritage with a love of upfront UK rave music. Direct as they come, but riddled with killer details in craftily satisfying arrangements, Juanny’s music is basically some of the best in his field.
‘CEIBA’ proves the point with a super tight 3 minutes of club music that bridges his ‘90s cultural fascinations and Anglophilic tendencies with up-to-the-second club needs, literally dialling in vintage phone keypad tones on emphatically accentuated dembow snares that knit into a brisk slant on oingy boingy grime and dubstep as much as UKF, sealed in place with virulent electro lead and darkside pads to properly rude, chef’s kiss effect bound to hit hard with fans of Florentino or Lao as much as Pangaea and Peverelist.
San Fran’s mutant dembow don, DJ Juanny, returns to NAAFI with a different name but the same brilliant sidespin on Latin-meets-UK club pressure
Since his ’Suchito’ EP debut as Juanny Depp for NAAFI in 2021, which still gets rinsed around our way, the artist has switched his moniker to DJ Juanny, and continued to slay with a slew of self-released gems that bind his US-Honduran heritage with a love of upfront UK rave music. Direct as they come, but riddled with killer details in craftily satisfying arrangements, Juanny’s music is basically some of the best in his field.
‘CEIBA’ proves the point with a super tight 3 minutes of club music that bridges his ‘90s cultural fascinations and Anglophilic tendencies with up-to-the-second club needs, literally dialling in vintage phone keypad tones on emphatically accentuated dembow snares that knit into a brisk slant on oingy boingy grime and dubstep as much as UKF, sealed in place with virulent electro lead and darkside pads to properly rude, chef’s kiss effect bound to hit hard with fans of Florentino or Lao as much as Pangaea and Peverelist.
San Fran’s mutant dembow don, DJ Juanny, returns to NAAFI with a different name but the same brilliant sidespin on Latin-meets-UK club pressure
Since his ’Suchito’ EP debut as Juanny Depp for NAAFI in 2021, which still gets rinsed around our way, the artist has switched his moniker to DJ Juanny, and continued to slay with a slew of self-released gems that bind his US-Honduran heritage with a love of upfront UK rave music. Direct as they come, but riddled with killer details in craftily satisfying arrangements, Juanny’s music is basically some of the best in his field.
‘CEIBA’ proves the point with a super tight 3 minutes of club music that bridges his ‘90s cultural fascinations and Anglophilic tendencies with up-to-the-second club needs, literally dialling in vintage phone keypad tones on emphatically accentuated dembow snares that knit into a brisk slant on oingy boingy grime and dubstep as much as UKF, sealed in place with virulent electro lead and darkside pads to properly rude, chef’s kiss effect bound to hit hard with fans of Florentino or Lao as much as Pangaea and Peverelist.