Billed as a sequel to 2019's 'Crush', 'Cascade' finds Sam Shepherd returning to the dancefloor and imagining Manchester's record shops to fuel a set of twitchy, tilted neo-house bangers.
Produced in the Californian desert while Shepherd was in-between sync and scoring jobs, 'Cascade' is his attempt to reconcile the past with the future. He grew up in Manchester where he passed the time skimming through record shops and flicking over local radio, and those early memories are referenced here: 'Key103' is named after his favorite station, and 'Afflecks Palace' after the legendary indoor market. And if you caught the advance singles 'Birth4000' and 'Del Oro' you'll have an idea where this one's headed, although mixes up the bolshy festival cuts with deeper gear. 'Ocotillo' is a highlight, a Reichian kosmische synth jammer that waits a good six minutes before launching into its cheeky beat, and 'Afflect Palace' is sufficiently squelchy to remind us fondly of the glory days of Skam. There's even an ambient track tacked on the end for good measure.
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Billed as a sequel to 2019's 'Crush', 'Cascade' finds Sam Shepherd returning to the dancefloor and imagining Manchester's record shops to fuel a set of twitchy, tilted neo-house bangers.
Produced in the Californian desert while Shepherd was in-between sync and scoring jobs, 'Cascade' is his attempt to reconcile the past with the future. He grew up in Manchester where he passed the time skimming through record shops and flicking over local radio, and those early memories are referenced here: 'Key103' is named after his favorite station, and 'Afflecks Palace' after the legendary indoor market. And if you caught the advance singles 'Birth4000' and 'Del Oro' you'll have an idea where this one's headed, although mixes up the bolshy festival cuts with deeper gear. 'Ocotillo' is a highlight, a Reichian kosmische synth jammer that waits a good six minutes before launching into its cheeky beat, and 'Afflect Palace' is sufficiently squelchy to remind us fondly of the glory days of Skam. There's even an ambient track tacked on the end for good measure.
Billed as a sequel to 2019's 'Crush', 'Cascade' finds Sam Shepherd returning to the dancefloor and imagining Manchester's record shops to fuel a set of twitchy, tilted neo-house bangers.
Produced in the Californian desert while Shepherd was in-between sync and scoring jobs, 'Cascade' is his attempt to reconcile the past with the future. He grew up in Manchester where he passed the time skimming through record shops and flicking over local radio, and those early memories are referenced here: 'Key103' is named after his favorite station, and 'Afflecks Palace' after the legendary indoor market. And if you caught the advance singles 'Birth4000' and 'Del Oro' you'll have an idea where this one's headed, although mixes up the bolshy festival cuts with deeper gear. 'Ocotillo' is a highlight, a Reichian kosmische synth jammer that waits a good six minutes before launching into its cheeky beat, and 'Afflect Palace' is sufficiently squelchy to remind us fondly of the glory days of Skam. There's even an ambient track tacked on the end for good measure.
Billed as a sequel to 2019's 'Crush', 'Cascade' finds Sam Shepherd returning to the dancefloor and imagining Manchester's record shops to fuel a set of twitchy, tilted neo-house bangers.
Produced in the Californian desert while Shepherd was in-between sync and scoring jobs, 'Cascade' is his attempt to reconcile the past with the future. He grew up in Manchester where he passed the time skimming through record shops and flicking over local radio, and those early memories are referenced here: 'Key103' is named after his favorite station, and 'Afflecks Palace' after the legendary indoor market. And if you caught the advance singles 'Birth4000' and 'Del Oro' you'll have an idea where this one's headed, although mixes up the bolshy festival cuts with deeper gear. 'Ocotillo' is a highlight, a Reichian kosmische synth jammer that waits a good six minutes before launching into its cheeky beat, and 'Afflect Palace' is sufficiently squelchy to remind us fondly of the glory days of Skam. There's even an ambient track tacked on the end for good measure.
Gatefold sleeve. Includes landscape artwork print by Akiko Nakayama. Includes a download of the album dropped to your account.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Billed as a sequel to 2019's 'Crush', 'Cascade' finds Sam Shepherd returning to the dancefloor and imagining Manchester's record shops to fuel a set of twitchy, tilted neo-house bangers.
Produced in the Californian desert while Shepherd was in-between sync and scoring jobs, 'Cascade' is his attempt to reconcile the past with the future. He grew up in Manchester where he passed the time skimming through record shops and flicking over local radio, and those early memories are referenced here: 'Key103' is named after his favorite station, and 'Afflecks Palace' after the legendary indoor market. And if you caught the advance singles 'Birth4000' and 'Del Oro' you'll have an idea where this one's headed, although mixes up the bolshy festival cuts with deeper gear. 'Ocotillo' is a highlight, a Reichian kosmische synth jammer that waits a good six minutes before launching into its cheeky beat, and 'Afflect Palace' is sufficiently squelchy to remind us fondly of the glory days of Skam. There's even an ambient track tacked on the end for good measure.
Universal sparkle vinyl housed in gatefold sleeve. Includes landscape exclusive artwork print by Akiko Nakayama. Includes a download of the album dropped to your account.
Out of Stock
Billed as a sequel to 2019's 'Crush', 'Cascade' finds Sam Shepherd returning to the dancefloor and imagining Manchester's record shops to fuel a set of twitchy, tilted neo-house bangers.
Produced in the Californian desert while Shepherd was in-between sync and scoring jobs, 'Cascade' is his attempt to reconcile the past with the future. He grew up in Manchester where he passed the time skimming through record shops and flicking over local radio, and those early memories are referenced here: 'Key103' is named after his favorite station, and 'Afflecks Palace' after the legendary indoor market. And if you caught the advance singles 'Birth4000' and 'Del Oro' you'll have an idea where this one's headed, although mixes up the bolshy festival cuts with deeper gear. 'Ocotillo' is a highlight, a Reichian kosmische synth jammer that waits a good six minutes before launching into its cheeky beat, and 'Afflect Palace' is sufficiently squelchy to remind us fondly of the glory days of Skam. There's even an ambient track tacked on the end for good measure.
Housed in printed gatefold digisleeve
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Billed as a sequel to 2019's 'Crush', 'Cascade' finds Sam Shepherd returning to the dancefloor and imagining Manchester's record shops to fuel a set of twitchy, tilted neo-house bangers.
Produced in the Californian desert while Shepherd was in-between sync and scoring jobs, 'Cascade' is his attempt to reconcile the past with the future. He grew up in Manchester where he passed the time skimming through record shops and flicking over local radio, and those early memories are referenced here: 'Key103' is named after his favorite station, and 'Afflecks Palace' after the legendary indoor market. And if you caught the advance singles 'Birth4000' and 'Del Oro' you'll have an idea where this one's headed, although mixes up the bolshy festival cuts with deeper gear. 'Ocotillo' is a highlight, a Reichian kosmische synth jammer that waits a good six minutes before launching into its cheeky beat, and 'Afflect Palace' is sufficiently squelchy to remind us fondly of the glory days of Skam. There's even an ambient track tacked on the end for good measure.