Stefano Pilia & Valerio Tricoli
Cantor Park
Concréte and shoegaze collide on this beautiful album from Stefano Pilia & Valerio Tricoli, on a highly atmospheric tip somewhere between Neil Young’s ‘Dead Man’, early Mogwai and Giuseppe Ielasi’s ferric avant-blues.
Pilia and Tricoli have been playing together for long enough to instinctively know how to react to each other's improvisations. "Cantor Park" features Pilia playing live on guitar and modular synth, reacting to Tricoli's freeform tape manipulations. Tricoli eventually took the recordings to his studio in Munich, where he sculpted them into a balanced album. The duo were initially informed by mathematician Georg Cantor’s theories of the infinite, forming modern concréte soundscapes that bristle with cosmic energy. Tricoli's tape flexes set an initial pace, and Pilia joins with warbling drones, adding crashing waves of shimmering, lonesome guitar.
Pilia's love of harmonic romanticism is shown, but always tempered by Tricoli's keen processes and disruptive tape techniques. Similarly, Tricoli's relatively austere psychedelic sounds - reflected on the mindboggling "Say Goodbye To The Wind" - are lightened by Pilia's post-rock sensibilities. It's billed as their most spontaneous piece of work, and the lightness certainly feels like both artists out of their comfort zone - in the best way imaginable.
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Concréte and shoegaze collide on this beautiful album from Stefano Pilia & Valerio Tricoli, on a highly atmospheric tip somewhere between Neil Young’s ‘Dead Man’, early Mogwai and Giuseppe Ielasi’s ferric avant-blues.
Pilia and Tricoli have been playing together for long enough to instinctively know how to react to each other's improvisations. "Cantor Park" features Pilia playing live on guitar and modular synth, reacting to Tricoli's freeform tape manipulations. Tricoli eventually took the recordings to his studio in Munich, where he sculpted them into a balanced album. The duo were initially informed by mathematician Georg Cantor’s theories of the infinite, forming modern concréte soundscapes that bristle with cosmic energy. Tricoli's tape flexes set an initial pace, and Pilia joins with warbling drones, adding crashing waves of shimmering, lonesome guitar.
Pilia's love of harmonic romanticism is shown, but always tempered by Tricoli's keen processes and disruptive tape techniques. Similarly, Tricoli's relatively austere psychedelic sounds - reflected on the mindboggling "Say Goodbye To The Wind" - are lightened by Pilia's post-rock sensibilities. It's billed as their most spontaneous piece of work, and the lightness certainly feels like both artists out of their comfort zone - in the best way imaginable.
Concréte and shoegaze collide on this beautiful album from Stefano Pilia & Valerio Tricoli, on a highly atmospheric tip somewhere between Neil Young’s ‘Dead Man’, early Mogwai and Giuseppe Ielasi’s ferric avant-blues.
Pilia and Tricoli have been playing together for long enough to instinctively know how to react to each other's improvisations. "Cantor Park" features Pilia playing live on guitar and modular synth, reacting to Tricoli's freeform tape manipulations. Tricoli eventually took the recordings to his studio in Munich, where he sculpted them into a balanced album. The duo were initially informed by mathematician Georg Cantor’s theories of the infinite, forming modern concréte soundscapes that bristle with cosmic energy. Tricoli's tape flexes set an initial pace, and Pilia joins with warbling drones, adding crashing waves of shimmering, lonesome guitar.
Pilia's love of harmonic romanticism is shown, but always tempered by Tricoli's keen processes and disruptive tape techniques. Similarly, Tricoli's relatively austere psychedelic sounds - reflected on the mindboggling "Say Goodbye To The Wind" - are lightened by Pilia's post-rock sensibilities. It's billed as their most spontaneous piece of work, and the lightness certainly feels like both artists out of their comfort zone - in the best way imaginable.
Concréte and shoegaze collide on this beautiful album from Stefano Pilia & Valerio Tricoli, on a highly atmospheric tip somewhere between Neil Young’s ‘Dead Man’, early Mogwai and Giuseppe Ielasi’s ferric avant-blues.
Pilia and Tricoli have been playing together for long enough to instinctively know how to react to each other's improvisations. "Cantor Park" features Pilia playing live on guitar and modular synth, reacting to Tricoli's freeform tape manipulations. Tricoli eventually took the recordings to his studio in Munich, where he sculpted them into a balanced album. The duo were initially informed by mathematician Georg Cantor’s theories of the infinite, forming modern concréte soundscapes that bristle with cosmic energy. Tricoli's tape flexes set an initial pace, and Pilia joins with warbling drones, adding crashing waves of shimmering, lonesome guitar.
Pilia's love of harmonic romanticism is shown, but always tempered by Tricoli's keen processes and disruptive tape techniques. Similarly, Tricoli's relatively austere psychedelic sounds - reflected on the mindboggling "Say Goodbye To The Wind" - are lightened by Pilia's post-rock sensibilities. It's billed as their most spontaneous piece of work, and the lightness certainly feels like both artists out of their comfort zone - in the best way imaginable.
Black vinyl LP.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Concréte and shoegaze collide on this beautiful album from Stefano Pilia & Valerio Tricoli, on a highly atmospheric tip somewhere between Neil Young’s ‘Dead Man’, early Mogwai and Giuseppe Ielasi’s ferric avant-blues.
Pilia and Tricoli have been playing together for long enough to instinctively know how to react to each other's improvisations. "Cantor Park" features Pilia playing live on guitar and modular synth, reacting to Tricoli's freeform tape manipulations. Tricoli eventually took the recordings to his studio in Munich, where he sculpted them into a balanced album. The duo were initially informed by mathematician Georg Cantor’s theories of the infinite, forming modern concréte soundscapes that bristle with cosmic energy. Tricoli's tape flexes set an initial pace, and Pilia joins with warbling drones, adding crashing waves of shimmering, lonesome guitar.
Pilia's love of harmonic romanticism is shown, but always tempered by Tricoli's keen processes and disruptive tape techniques. Similarly, Tricoli's relatively austere psychedelic sounds - reflected on the mindboggling "Say Goodbye To The Wind" - are lightened by Pilia's post-rock sensibilities. It's billed as their most spontaneous piece of work, and the lightness certainly feels like both artists out of their comfort zone - in the best way imaginable.
Limited edition blue coloured vinyl.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Concréte and shoegaze collide on this beautiful album from Stefano Pilia & Valerio Tricoli, on a highly atmospheric tip somewhere between Neil Young’s ‘Dead Man’, early Mogwai and Giuseppe Ielasi’s ferric avant-blues.
Pilia and Tricoli have been playing together for long enough to instinctively know how to react to each other's improvisations. "Cantor Park" features Pilia playing live on guitar and modular synth, reacting to Tricoli's freeform tape manipulations. Tricoli eventually took the recordings to his studio in Munich, where he sculpted them into a balanced album. The duo were initially informed by mathematician Georg Cantor’s theories of the infinite, forming modern concréte soundscapes that bristle with cosmic energy. Tricoli's tape flexes set an initial pace, and Pilia joins with warbling drones, adding crashing waves of shimmering, lonesome guitar.
Pilia's love of harmonic romanticism is shown, but always tempered by Tricoli's keen processes and disruptive tape techniques. Similarly, Tricoli's relatively austere psychedelic sounds - reflected on the mindboggling "Say Goodbye To The Wind" - are lightened by Pilia's post-rock sensibilities. It's billed as their most spontaneous piece of work, and the lightness certainly feels like both artists out of their comfort zone - in the best way imaginable.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Concréte and shoegaze collide on this beautiful album from Stefano Pilia & Valerio Tricoli, on a highly atmospheric tip somewhere between Neil Young’s ‘Dead Man’, early Mogwai and Giuseppe Ielasi’s ferric avant-blues.
Pilia and Tricoli have been playing together for long enough to instinctively know how to react to each other's improvisations. "Cantor Park" features Pilia playing live on guitar and modular synth, reacting to Tricoli's freeform tape manipulations. Tricoli eventually took the recordings to his studio in Munich, where he sculpted them into a balanced album. The duo were initially informed by mathematician Georg Cantor’s theories of the infinite, forming modern concréte soundscapes that bristle with cosmic energy. Tricoli's tape flexes set an initial pace, and Pilia joins with warbling drones, adding crashing waves of shimmering, lonesome guitar.
Pilia's love of harmonic romanticism is shown, but always tempered by Tricoli's keen processes and disruptive tape techniques. Similarly, Tricoli's relatively austere psychedelic sounds - reflected on the mindboggling "Say Goodbye To The Wind" - are lightened by Pilia's post-rock sensibilities. It's billed as their most spontaneous piece of work, and the lightness certainly feels like both artists out of their comfort zone - in the best way imaginable.