Cancelled Faces (Original Score)
Ohal
Cancelled Faces (Original Score)
Boomkat Product Review:
Bittersweet synth themes for the eponymous movie
“Ohal’s score follows these intertwined narratives with two corresponding sets of sounds. The main narrative, set against a backdrop of urban density, self-doubt and paranoia, is driven by cold synthesizers and melancholic melodies anchored by counterpoint and harmonic pathos.
The secondary plot functions as an allegory to the first one. An exploration of the oppressed body through the story of the fall of Jerusalem in 70 CE, the narrative frames a lawless landscape where the fourth wall is broken and theater and dance take the place of traditional cinematic dialogue. The journey through Jerusalem is arranged for marimba, clarinet, and strings, relying heavily on overtones and delay to create momentary interruptions that emphasize covert emotional content.”
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Boomkat Product Review:
Bittersweet synth themes for the eponymous movie
“Ohal’s score follows these intertwined narratives with two corresponding sets of sounds. The main narrative, set against a backdrop of urban density, self-doubt and paranoia, is driven by cold synthesizers and melancholic melodies anchored by counterpoint and harmonic pathos.
The secondary plot functions as an allegory to the first one. An exploration of the oppressed body through the story of the fall of Jerusalem in 70 CE, the narrative frames a lawless landscape where the fourth wall is broken and theater and dance take the place of traditional cinematic dialogue. The journey through Jerusalem is arranged for marimba, clarinet, and strings, relying heavily on overtones and delay to create momentary interruptions that emphasize covert emotional content.”
Boomkat Product Review:
Bittersweet synth themes for the eponymous movie
“Ohal’s score follows these intertwined narratives with two corresponding sets of sounds. The main narrative, set against a backdrop of urban density, self-doubt and paranoia, is driven by cold synthesizers and melancholic melodies anchored by counterpoint and harmonic pathos.
The secondary plot functions as an allegory to the first one. An exploration of the oppressed body through the story of the fall of Jerusalem in 70 CE, the narrative frames a lawless landscape where the fourth wall is broken and theater and dance take the place of traditional cinematic dialogue. The journey through Jerusalem is arranged for marimba, clarinet, and strings, relying heavily on overtones and delay to create momentary interruptions that emphasize covert emotional content.”
Boomkat Product Review:
Bittersweet synth themes for the eponymous movie
“Ohal’s score follows these intertwined narratives with two corresponding sets of sounds. The main narrative, set against a backdrop of urban density, self-doubt and paranoia, is driven by cold synthesizers and melancholic melodies anchored by counterpoint and harmonic pathos.
The secondary plot functions as an allegory to the first one. An exploration of the oppressed body through the story of the fall of Jerusalem in 70 CE, the narrative frames a lawless landscape where the fourth wall is broken and theater and dance take the place of traditional cinematic dialogue. The journey through Jerusalem is arranged for marimba, clarinet, and strings, relying heavily on overtones and delay to create momentary interruptions that emphasize covert emotional content.”
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