40th anniversary edition of a gnarled, chimeric goth and post-punk touchstone, over-easy on the expressive melodrama, and pioneering in its exploration of gender in context of punk and noise rock musicks - RIYL This Mortal Coil, Swans, Keiji Haino.
Cinder & Cindytalk’s 1984 debut LP ‘Camouflage Heart’ is canon to goth rock and critical to its dark bloom during the sound’s most vital years. It endures in the kvlt imagination more than a generation later on the basis of its outright, looming netherworldliness and shapeshifting forms that do not sit easily within preordained brackets, then or now. It still stands out from all crowds, clearly warranting this remastered reissue via Dais and, likely to come with it, a new wave of ears to their blacklit majesty.
Led by alt.musik luminary Cinder - whose work spans punk band The Freeze thru to This Mortal Coil and hardcore ‘90s rave as Bambule - and so named for the alt.Barbie, “Sindy” doll; Cindytalk marked their name high on the wall of goth with ‘Camouflage Heart’, and its pained twists between ragged rock, somewhat recalling early Swans, in album opener ‘It’s Luxury’, to properly bombed out shivers on ‘Disintegrate’ that echoes aspects of folk laments and opera as much as Einstürzende Neubauten’s industrial scapes.
The album’s main body is a flux of creeping tension and febrile release, pursuing hunches for a music that best represented Cinder’s transness in both the lyrics and sonic viscerality, and which can now be heard as key precedents for the most tortured works of Gretchen Aury in the modern, chthonic DIY rhizome, as the album wrenches senses from the primality of ‘Instinct (Backtosense)’, and spine-arching death rock in ‘Memories of Skin and Snow’, to the transfixing menace of ‘The Spirit Behind the Circus Dream’, and the stunning play of sylvan gloom and clawing anguish to ‘Everybody Is Christ.’
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40th anniversary edition of a gnarled, chimeric goth and post-punk touchstone, over-easy on the expressive melodrama, and pioneering in its exploration of gender in context of punk and noise rock musicks - RIYL This Mortal Coil, Swans, Keiji Haino.
Cinder & Cindytalk’s 1984 debut LP ‘Camouflage Heart’ is canon to goth rock and critical to its dark bloom during the sound’s most vital years. It endures in the kvlt imagination more than a generation later on the basis of its outright, looming netherworldliness and shapeshifting forms that do not sit easily within preordained brackets, then or now. It still stands out from all crowds, clearly warranting this remastered reissue via Dais and, likely to come with it, a new wave of ears to their blacklit majesty.
Led by alt.musik luminary Cinder - whose work spans punk band The Freeze thru to This Mortal Coil and hardcore ‘90s rave as Bambule - and so named for the alt.Barbie, “Sindy” doll; Cindytalk marked their name high on the wall of goth with ‘Camouflage Heart’, and its pained twists between ragged rock, somewhat recalling early Swans, in album opener ‘It’s Luxury’, to properly bombed out shivers on ‘Disintegrate’ that echoes aspects of folk laments and opera as much as Einstürzende Neubauten’s industrial scapes.
The album’s main body is a flux of creeping tension and febrile release, pursuing hunches for a music that best represented Cinder’s transness in both the lyrics and sonic viscerality, and which can now be heard as key precedents for the most tortured works of Gretchen Aury in the modern, chthonic DIY rhizome, as the album wrenches senses from the primality of ‘Instinct (Backtosense)’, and spine-arching death rock in ‘Memories of Skin and Snow’, to the transfixing menace of ‘The Spirit Behind the Circus Dream’, and the stunning play of sylvan gloom and clawing anguish to ‘Everybody Is Christ.’
40th anniversary edition of a gnarled, chimeric goth and post-punk touchstone, over-easy on the expressive melodrama, and pioneering in its exploration of gender in context of punk and noise rock musicks - RIYL This Mortal Coil, Swans, Keiji Haino.
Cinder & Cindytalk’s 1984 debut LP ‘Camouflage Heart’ is canon to goth rock and critical to its dark bloom during the sound’s most vital years. It endures in the kvlt imagination more than a generation later on the basis of its outright, looming netherworldliness and shapeshifting forms that do not sit easily within preordained brackets, then or now. It still stands out from all crowds, clearly warranting this remastered reissue via Dais and, likely to come with it, a new wave of ears to their blacklit majesty.
Led by alt.musik luminary Cinder - whose work spans punk band The Freeze thru to This Mortal Coil and hardcore ‘90s rave as Bambule - and so named for the alt.Barbie, “Sindy” doll; Cindytalk marked their name high on the wall of goth with ‘Camouflage Heart’, and its pained twists between ragged rock, somewhat recalling early Swans, in album opener ‘It’s Luxury’, to properly bombed out shivers on ‘Disintegrate’ that echoes aspects of folk laments and opera as much as Einstürzende Neubauten’s industrial scapes.
The album’s main body is a flux of creeping tension and febrile release, pursuing hunches for a music that best represented Cinder’s transness in both the lyrics and sonic viscerality, and which can now be heard as key precedents for the most tortured works of Gretchen Aury in the modern, chthonic DIY rhizome, as the album wrenches senses from the primality of ‘Instinct (Backtosense)’, and spine-arching death rock in ‘Memories of Skin and Snow’, to the transfixing menace of ‘The Spirit Behind the Circus Dream’, and the stunning play of sylvan gloom and clawing anguish to ‘Everybody Is Christ.’
40th anniversary edition of a gnarled, chimeric goth and post-punk touchstone, over-easy on the expressive melodrama, and pioneering in its exploration of gender in context of punk and noise rock musicks - RIYL This Mortal Coil, Swans, Keiji Haino.
Cinder & Cindytalk’s 1984 debut LP ‘Camouflage Heart’ is canon to goth rock and critical to its dark bloom during the sound’s most vital years. It endures in the kvlt imagination more than a generation later on the basis of its outright, looming netherworldliness and shapeshifting forms that do not sit easily within preordained brackets, then or now. It still stands out from all crowds, clearly warranting this remastered reissue via Dais and, likely to come with it, a new wave of ears to their blacklit majesty.
Led by alt.musik luminary Cinder - whose work spans punk band The Freeze thru to This Mortal Coil and hardcore ‘90s rave as Bambule - and so named for the alt.Barbie, “Sindy” doll; Cindytalk marked their name high on the wall of goth with ‘Camouflage Heart’, and its pained twists between ragged rock, somewhat recalling early Swans, in album opener ‘It’s Luxury’, to properly bombed out shivers on ‘Disintegrate’ that echoes aspects of folk laments and opera as much as Einstürzende Neubauten’s industrial scapes.
The album’s main body is a flux of creeping tension and febrile release, pursuing hunches for a music that best represented Cinder’s transness in both the lyrics and sonic viscerality, and which can now be heard as key precedents for the most tortured works of Gretchen Aury in the modern, chthonic DIY rhizome, as the album wrenches senses from the primality of ‘Instinct (Backtosense)’, and spine-arching death rock in ‘Memories of Skin and Snow’, to the transfixing menace of ‘The Spirit Behind the Circus Dream’, and the stunning play of sylvan gloom and clawing anguish to ‘Everybody Is Christ.’
Transparent vinyl.
Estimated Release Date: 23 May 2025
Please note that shipping dates for pre-orders are estimated and are subject to change
40th anniversary edition of a gnarled, chimeric goth and post-punk touchstone, over-easy on the expressive melodrama, and pioneering in its exploration of gender in context of punk and noise rock musicks - RIYL This Mortal Coil, Swans, Keiji Haino.
Cinder & Cindytalk’s 1984 debut LP ‘Camouflage Heart’ is canon to goth rock and critical to its dark bloom during the sound’s most vital years. It endures in the kvlt imagination more than a generation later on the basis of its outright, looming netherworldliness and shapeshifting forms that do not sit easily within preordained brackets, then or now. It still stands out from all crowds, clearly warranting this remastered reissue via Dais and, likely to come with it, a new wave of ears to their blacklit majesty.
Led by alt.musik luminary Cinder - whose work spans punk band The Freeze thru to This Mortal Coil and hardcore ‘90s rave as Bambule - and so named for the alt.Barbie, “Sindy” doll; Cindytalk marked their name high on the wall of goth with ‘Camouflage Heart’, and its pained twists between ragged rock, somewhat recalling early Swans, in album opener ‘It’s Luxury’, to properly bombed out shivers on ‘Disintegrate’ that echoes aspects of folk laments and opera as much as Einstürzende Neubauten’s industrial scapes.
The album’s main body is a flux of creeping tension and febrile release, pursuing hunches for a music that best represented Cinder’s transness in both the lyrics and sonic viscerality, and which can now be heard as key precedents for the most tortured works of Gretchen Aury in the modern, chthonic DIY rhizome, as the album wrenches senses from the primality of ‘Instinct (Backtosense)’, and spine-arching death rock in ‘Memories of Skin and Snow’, to the transfixing menace of ‘The Spirit Behind the Circus Dream’, and the stunning play of sylvan gloom and clawing anguish to ‘Everybody Is Christ.’