Padna is Nat Hawks, and working from his Brooklyn base he’s responsible for a whole heap of hard-to-obtain limited-run oddities, so props to Preservation for sending the message to the wider world. ‘Burnt Offerings’ might not be Hawks’ debut, but it works as a fantastic invitation to his musical world, dragging us through drifting synthesizer drones, cavernous instrumental ambience, 78rpm piano, delicately plucked guitar and the sort of hiccupping electronic tomfoolery you’d rather expect on a Black To Comm record. This is psychedelic stuff for sure, and probably not for the uninitiated, but for the rest of us there’s more than enough damaged, tape-dubbed drone pop to go around.
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Padna is Nat Hawks, and working from his Brooklyn base he’s responsible for a whole heap of hard-to-obtain limited-run oddities, so props to Preservation for sending the message to the wider world. ‘Burnt Offerings’ might not be Hawks’ debut, but it works as a fantastic invitation to his musical world, dragging us through drifting synthesizer drones, cavernous instrumental ambience, 78rpm piano, delicately plucked guitar and the sort of hiccupping electronic tomfoolery you’d rather expect on a Black To Comm record. This is psychedelic stuff for sure, and probably not for the uninitiated, but for the rest of us there’s more than enough damaged, tape-dubbed drone pop to go around.
Padna is Nat Hawks, and working from his Brooklyn base he’s responsible for a whole heap of hard-to-obtain limited-run oddities, so props to Preservation for sending the message to the wider world. ‘Burnt Offerings’ might not be Hawks’ debut, but it works as a fantastic invitation to his musical world, dragging us through drifting synthesizer drones, cavernous instrumental ambience, 78rpm piano, delicately plucked guitar and the sort of hiccupping electronic tomfoolery you’d rather expect on a Black To Comm record. This is psychedelic stuff for sure, and probably not for the uninitiated, but for the rest of us there’s more than enough damaged, tape-dubbed drone pop to go around.
Padna is Nat Hawks, and working from his Brooklyn base he’s responsible for a whole heap of hard-to-obtain limited-run oddities, so props to Preservation for sending the message to the wider world. ‘Burnt Offerings’ might not be Hawks’ debut, but it works as a fantastic invitation to his musical world, dragging us through drifting synthesizer drones, cavernous instrumental ambience, 78rpm piano, delicately plucked guitar and the sort of hiccupping electronic tomfoolery you’d rather expect on a Black To Comm record. This is psychedelic stuff for sure, and probably not for the uninitiated, but for the rest of us there’s more than enough damaged, tape-dubbed drone pop to go around.
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Padna is Nat Hawks, and working from his Brooklyn base he’s responsible for a whole heap of hard-to-obtain limited-run oddities, so props to Preservation for sending the message to the wider world. ‘Burnt Offerings’ might not be Hawks’ debut, but it works as a fantastic invitation to his musical world, dragging us through drifting synthesizer drones, cavernous instrumental ambience, 78rpm piano, delicately plucked guitar and the sort of hiccupping electronic tomfoolery you’d rather expect on a Black To Comm record. This is psychedelic stuff for sure, and probably not for the uninitiated, but for the rest of us there’s more than enough damaged, tape-dubbed drone pop to go around.