The Knife’s Olof Dreijer (fka Oni Ayhun) links with Colombian percussionist/vocalist Diva Cruz on a killer trio of galvanized club trax RIYL Arca, Nídia, Fever Ray, DJ K, Basement Jaxx
Almost clipping the heels of a remix for Björk & Rosalía’s ‘Oral’, the ‘Brujas’ EP is the ruggedest and most colourful drop of Dreijer’s recent return to the ‘floor, as initiated with the ‘Rosa Rugosa’ EP for Hessle Audio in 2023. A feel for prevailing club currency and stereotypical Swedish grasp of nagging hooks is heightened by Diva Cruz’ drum and voice energies, bringing a livewire thrust that nods to DJ Babatr’s Venezuelan Raptor house as much as DJ K’s Brazilian funk bruxaria, UKF and electro house.
The pair deploy three cuts that squirm with sexy suss and the hope of better times, as Cruz outlines: "I dream to empower everyone who feels outside the box with my lyrics. It is so sad to see children singing and dancing to music made by male artists whose lyrics degrade women, and on top of that, they win prestigious awards while doing so. I dream for a better world and especially Latin America, which needs to change the macho perspective and work together for a better world for everyone.”
On all three counts Cruz brings the live drums that have lit up Fever Ray and Robyn’s live shows to Dreijer’s squealing top lines and production heft, resulting in something like prime-era Basement Jaxx in the anthemic lead ‘Acuyuye’, before screwing off on squashed meters in the distorted bruxaria of ‘Black Queen’ and resembling the sloshing tresillo patterns of Príncipe in the cold slay of ‘Brujas’.
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The Knife’s Olof Dreijer (fka Oni Ayhun) links with Colombian percussionist/vocalist Diva Cruz on a killer trio of galvanized club trax RIYL Arca, Nídia, Fever Ray, DJ K, Basement Jaxx
Almost clipping the heels of a remix for Björk & Rosalía’s ‘Oral’, the ‘Brujas’ EP is the ruggedest and most colourful drop of Dreijer’s recent return to the ‘floor, as initiated with the ‘Rosa Rugosa’ EP for Hessle Audio in 2023. A feel for prevailing club currency and stereotypical Swedish grasp of nagging hooks is heightened by Diva Cruz’ drum and voice energies, bringing a livewire thrust that nods to DJ Babatr’s Venezuelan Raptor house as much as DJ K’s Brazilian funk bruxaria, UKF and electro house.
The pair deploy three cuts that squirm with sexy suss and the hope of better times, as Cruz outlines: "I dream to empower everyone who feels outside the box with my lyrics. It is so sad to see children singing and dancing to music made by male artists whose lyrics degrade women, and on top of that, they win prestigious awards while doing so. I dream for a better world and especially Latin America, which needs to change the macho perspective and work together for a better world for everyone.”
On all three counts Cruz brings the live drums that have lit up Fever Ray and Robyn’s live shows to Dreijer’s squealing top lines and production heft, resulting in something like prime-era Basement Jaxx in the anthemic lead ‘Acuyuye’, before screwing off on squashed meters in the distorted bruxaria of ‘Black Queen’ and resembling the sloshing tresillo patterns of Príncipe in the cold slay of ‘Brujas’.
The Knife’s Olof Dreijer (fka Oni Ayhun) links with Colombian percussionist/vocalist Diva Cruz on a killer trio of galvanized club trax RIYL Arca, Nídia, Fever Ray, DJ K, Basement Jaxx
Almost clipping the heels of a remix for Björk & Rosalía’s ‘Oral’, the ‘Brujas’ EP is the ruggedest and most colourful drop of Dreijer’s recent return to the ‘floor, as initiated with the ‘Rosa Rugosa’ EP for Hessle Audio in 2023. A feel for prevailing club currency and stereotypical Swedish grasp of nagging hooks is heightened by Diva Cruz’ drum and voice energies, bringing a livewire thrust that nods to DJ Babatr’s Venezuelan Raptor house as much as DJ K’s Brazilian funk bruxaria, UKF and electro house.
The pair deploy three cuts that squirm with sexy suss and the hope of better times, as Cruz outlines: "I dream to empower everyone who feels outside the box with my lyrics. It is so sad to see children singing and dancing to music made by male artists whose lyrics degrade women, and on top of that, they win prestigious awards while doing so. I dream for a better world and especially Latin America, which needs to change the macho perspective and work together for a better world for everyone.”
On all three counts Cruz brings the live drums that have lit up Fever Ray and Robyn’s live shows to Dreijer’s squealing top lines and production heft, resulting in something like prime-era Basement Jaxx in the anthemic lead ‘Acuyuye’, before screwing off on squashed meters in the distorted bruxaria of ‘Black Queen’ and resembling the sloshing tresillo patterns of Príncipe in the cold slay of ‘Brujas’.
The Knife’s Olof Dreijer (fka Oni Ayhun) links with Colombian percussionist/vocalist Diva Cruz on a killer trio of galvanized club trax RIYL Arca, Nídia, Fever Ray, DJ K, Basement Jaxx
Almost clipping the heels of a remix for Björk & Rosalía’s ‘Oral’, the ‘Brujas’ EP is the ruggedest and most colourful drop of Dreijer’s recent return to the ‘floor, as initiated with the ‘Rosa Rugosa’ EP for Hessle Audio in 2023. A feel for prevailing club currency and stereotypical Swedish grasp of nagging hooks is heightened by Diva Cruz’ drum and voice energies, bringing a livewire thrust that nods to DJ Babatr’s Venezuelan Raptor house as much as DJ K’s Brazilian funk bruxaria, UKF and electro house.
The pair deploy three cuts that squirm with sexy suss and the hope of better times, as Cruz outlines: "I dream to empower everyone who feels outside the box with my lyrics. It is so sad to see children singing and dancing to music made by male artists whose lyrics degrade women, and on top of that, they win prestigious awards while doing so. I dream for a better world and especially Latin America, which needs to change the macho perspective and work together for a better world for everyone.”
On all three counts Cruz brings the live drums that have lit up Fever Ray and Robyn’s live shows to Dreijer’s squealing top lines and production heft, resulting in something like prime-era Basement Jaxx in the anthemic lead ‘Acuyuye’, before screwing off on squashed meters in the distorted bruxaria of ‘Black Queen’ and resembling the sloshing tresillo patterns of Príncipe in the cold slay of ‘Brujas’.
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The Knife’s Olof Dreijer (fka Oni Ayhun) links with Colombian percussionist/vocalist Diva Cruz on a killer trio of galvanized club trax RIYL Arca, Nídia, Fever Ray, DJ K, Basement Jaxx
Almost clipping the heels of a remix for Björk & Rosalía’s ‘Oral’, the ‘Brujas’ EP is the ruggedest and most colourful drop of Dreijer’s recent return to the ‘floor, as initiated with the ‘Rosa Rugosa’ EP for Hessle Audio in 2023. A feel for prevailing club currency and stereotypical Swedish grasp of nagging hooks is heightened by Diva Cruz’ drum and voice energies, bringing a livewire thrust that nods to DJ Babatr’s Venezuelan Raptor house as much as DJ K’s Brazilian funk bruxaria, UKF and electro house.
The pair deploy three cuts that squirm with sexy suss and the hope of better times, as Cruz outlines: "I dream to empower everyone who feels outside the box with my lyrics. It is so sad to see children singing and dancing to music made by male artists whose lyrics degrade women, and on top of that, they win prestigious awards while doing so. I dream for a better world and especially Latin America, which needs to change the macho perspective and work together for a better world for everyone.”
On all three counts Cruz brings the live drums that have lit up Fever Ray and Robyn’s live shows to Dreijer’s squealing top lines and production heft, resulting in something like prime-era Basement Jaxx in the anthemic lead ‘Acuyuye’, before screwing off on squashed meters in the distorted bruxaria of ‘Black Queen’ and resembling the sloshing tresillo patterns of Príncipe in the cold slay of ‘Brujas’.