Pangaea goes in with ’92-style ‘ardcore pressure on Bone Sucka, plus a stripe of pumping Belgian techno-meets-UK bleep in Proxy, unleashing two of the strongest cuts on Hessle Audio in years.
The ruffkut and deviant breakbeats of Bone Sucka instantly recalls the rolige of one of our favourite Panagea cuts - Inna Mind [2011] - but the filigree mixing trickery and layered sound design defines the distance his productions have come since that relatively early strike.
Proxy on the other hand metes out a tufted jack working somewhere between the muscularity of early Belgian techno and the hypnotic pressure of SoYo bleep bouncers, but with an up-to-date, mid-fi gaze that will draw you deep in during the late hours.
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Pangaea goes in with ’92-style ‘ardcore pressure on Bone Sucka, plus a stripe of pumping Belgian techno-meets-UK bleep in Proxy, unleashing two of the strongest cuts on Hessle Audio in years.
The ruffkut and deviant breakbeats of Bone Sucka instantly recalls the rolige of one of our favourite Panagea cuts - Inna Mind [2011] - but the filigree mixing trickery and layered sound design defines the distance his productions have come since that relatively early strike.
Proxy on the other hand metes out a tufted jack working somewhere between the muscularity of early Belgian techno and the hypnotic pressure of SoYo bleep bouncers, but with an up-to-date, mid-fi gaze that will draw you deep in during the late hours.
Pangaea goes in with ’92-style ‘ardcore pressure on Bone Sucka, plus a stripe of pumping Belgian techno-meets-UK bleep in Proxy, unleashing two of the strongest cuts on Hessle Audio in years.
The ruffkut and deviant breakbeats of Bone Sucka instantly recalls the rolige of one of our favourite Panagea cuts - Inna Mind [2011] - but the filigree mixing trickery and layered sound design defines the distance his productions have come since that relatively early strike.
Proxy on the other hand metes out a tufted jack working somewhere between the muscularity of early Belgian techno and the hypnotic pressure of SoYo bleep bouncers, but with an up-to-date, mid-fi gaze that will draw you deep in during the late hours.
Pangaea goes in with ’92-style ‘ardcore pressure on Bone Sucka, plus a stripe of pumping Belgian techno-meets-UK bleep in Proxy, unleashing two of the strongest cuts on Hessle Audio in years.
The ruffkut and deviant breakbeats of Bone Sucka instantly recalls the rolige of one of our favourite Panagea cuts - Inna Mind [2011] - but the filigree mixing trickery and layered sound design defines the distance his productions have come since that relatively early strike.
Proxy on the other hand metes out a tufted jack working somewhere between the muscularity of early Belgian techno and the hypnotic pressure of SoYo bleep bouncers, but with an up-to-date, mid-fi gaze that will draw you deep in during the late hours.
Back in stock. Repress w/ generic black outer sleeve.
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Pangaea goes in with ’92-style ‘ardcore pressure on Bone Sucka, plus a stripe of pumping Belgian techno-meets-UK bleep in Proxy, unleashing two of the strongest cuts on Hessle Audio in years.
The ruffkut and deviant breakbeats of Bone Sucka instantly recalls the rolige of one of our favourite Panagea cuts - Inna Mind [2011] - but the filigree mixing trickery and layered sound design defines the distance his productions have come since that relatively early strike.
Proxy on the other hand metes out a tufted jack working somewhere between the muscularity of early Belgian techno and the hypnotic pressure of SoYo bleep bouncers, but with an up-to-date, mid-fi gaze that will draw you deep in during the late hours.