Bristolian blooz soul at its best; Jabu clear their cache of satisfyingly raw and uncut demos in a mixtape on their own label chasing up sessions by Lil Mofo and Franco Franco.
Comprising sketches, demos and interludes from the cutting room floor and nooks of their HD, ‘Boiling Wells (Demos 2019-22)’ depicts Jabu’s Alex Rendall (Young Echo), Amos Childs (Killing Sound, 0$VMV$M), and Jasmine Butt (Jay Glass Dubs) paradoxically at their most direct, uncut, yet elusive in a showreel tapestry of one-take vocals stitched with synth improvisations and field recorder snapshots of local ephemera.
In the process, shorn of lacquer or gloss, the results come to resemble the best unpolished qualities of Hype Williams’ H-pop or even 0PN’s Vaporwave prototypes as Chuck Person, but with a particular brand of Brizzle melancholia and flashes of smudged D&B that’s been their calling card for a decade of releases with everyone from Ossia’s No Corner to the Young Echo cult.
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Bristolian blooz soul at its best; Jabu clear their cache of satisfyingly raw and uncut demos in a mixtape on their own label chasing up sessions by Lil Mofo and Franco Franco.
Comprising sketches, demos and interludes from the cutting room floor and nooks of their HD, ‘Boiling Wells (Demos 2019-22)’ depicts Jabu’s Alex Rendall (Young Echo), Amos Childs (Killing Sound, 0$VMV$M), and Jasmine Butt (Jay Glass Dubs) paradoxically at their most direct, uncut, yet elusive in a showreel tapestry of one-take vocals stitched with synth improvisations and field recorder snapshots of local ephemera.
In the process, shorn of lacquer or gloss, the results come to resemble the best unpolished qualities of Hype Williams’ H-pop or even 0PN’s Vaporwave prototypes as Chuck Person, but with a particular brand of Brizzle melancholia and flashes of smudged D&B that’s been their calling card for a decade of releases with everyone from Ossia’s No Corner to the Young Echo cult.
Bristolian blooz soul at its best; Jabu clear their cache of satisfyingly raw and uncut demos in a mixtape on their own label chasing up sessions by Lil Mofo and Franco Franco.
Comprising sketches, demos and interludes from the cutting room floor and nooks of their HD, ‘Boiling Wells (Demos 2019-22)’ depicts Jabu’s Alex Rendall (Young Echo), Amos Childs (Killing Sound, 0$VMV$M), and Jasmine Butt (Jay Glass Dubs) paradoxically at their most direct, uncut, yet elusive in a showreel tapestry of one-take vocals stitched with synth improvisations and field recorder snapshots of local ephemera.
In the process, shorn of lacquer or gloss, the results come to resemble the best unpolished qualities of Hype Williams’ H-pop or even 0PN’s Vaporwave prototypes as Chuck Person, but with a particular brand of Brizzle melancholia and flashes of smudged D&B that’s been their calling card for a decade of releases with everyone from Ossia’s No Corner to the Young Echo cult.
Bristolian blooz soul at its best; Jabu clear their cache of satisfyingly raw and uncut demos in a mixtape on their own label chasing up sessions by Lil Mofo and Franco Franco.
Comprising sketches, demos and interludes from the cutting room floor and nooks of their HD, ‘Boiling Wells (Demos 2019-22)’ depicts Jabu’s Alex Rendall (Young Echo), Amos Childs (Killing Sound, 0$VMV$M), and Jasmine Butt (Jay Glass Dubs) paradoxically at their most direct, uncut, yet elusive in a showreel tapestry of one-take vocals stitched with synth improvisations and field recorder snapshots of local ephemera.
In the process, shorn of lacquer or gloss, the results come to resemble the best unpolished qualities of Hype Williams’ H-pop or even 0PN’s Vaporwave prototypes as Chuck Person, but with a particular brand of Brizzle melancholia and flashes of smudged D&B that’s been their calling card for a decade of releases with everyone from Ossia’s No Corner to the Young Echo cult.