Body Four
Body Four
Boomkat Product Review:
If Arthur Russell was into industrial not disco, then his World Of Echo might well have sounded something like John Roberts’ Body Four, a follow-up to the excellent Plum album on Roberts’ Brunette Editions.
Wrought with the innovative, plangent minimalism and simplicity of Russell’s cello, pedal and amp studies, Roberts’ efforts are perhaps more rugged and off kilter - also recalling certain aspects of James Ferraro and Spencer Clark in its lo-fi grain - but likewise manages to wrench a captivating sense of expressive pathos from his similar set-up of cello and sequencer in each of these relatively short, smeared windows onto his personalised practice.
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Boomkat Product Review:
If Arthur Russell was into industrial not disco, then his World Of Echo might well have sounded something like John Roberts’ Body Four, a follow-up to the excellent Plum album on Roberts’ Brunette Editions.
Wrought with the innovative, plangent minimalism and simplicity of Russell’s cello, pedal and amp studies, Roberts’ efforts are perhaps more rugged and off kilter - also recalling certain aspects of James Ferraro and Spencer Clark in its lo-fi grain - but likewise manages to wrench a captivating sense of expressive pathos from his similar set-up of cello and sequencer in each of these relatively short, smeared windows onto his personalised practice.
Boomkat Product Review:
If Arthur Russell was into industrial not disco, then his World Of Echo might well have sounded something like John Roberts’ Body Four, a follow-up to the excellent Plum album on Roberts’ Brunette Editions.
Wrought with the innovative, plangent minimalism and simplicity of Russell’s cello, pedal and amp studies, Roberts’ efforts are perhaps more rugged and off kilter - also recalling certain aspects of James Ferraro and Spencer Clark in its lo-fi grain - but likewise manages to wrench a captivating sense of expressive pathos from his similar set-up of cello and sequencer in each of these relatively short, smeared windows onto his personalised practice.
Boomkat Product Review:
If Arthur Russell was into industrial not disco, then his World Of Echo might well have sounded something like John Roberts’ Body Four, a follow-up to the excellent Plum album on Roberts’ Brunette Editions.
Wrought with the innovative, plangent minimalism and simplicity of Russell’s cello, pedal and amp studies, Roberts’ efforts are perhaps more rugged and off kilter - also recalling certain aspects of James Ferraro and Spencer Clark in its lo-fi grain - but likewise manages to wrench a captivating sense of expressive pathos from his similar set-up of cello and sequencer in each of these relatively short, smeared windows onto his personalised practice.
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Boomkat Product Review:
If Arthur Russell was into industrial not disco, then his World Of Echo might well have sounded something like John Roberts’ Body Four, a follow-up to the excellent Plum album on Roberts’ Brunette Editions.
Wrought with the innovative, plangent minimalism and simplicity of Russell’s cello, pedal and amp studies, Roberts’ efforts are perhaps more rugged and off kilter - also recalling certain aspects of James Ferraro and Spencer Clark in its lo-fi grain - but likewise manages to wrench a captivating sense of expressive pathos from his similar set-up of cello and sequencer in each of these relatively short, smeared windows onto his personalised practice.
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