Happa jumps back in the dance with both feet for Whities’ Blue series of mutant club tackle.
After spending recent years on production for David Byrne, steadily building his PT/5 Records, and collaboration with fellow Yorkshireman 96 Back, Happa returns with devilishly detailed dance productions in his twisted style; working up a frothy airborne funk punctuated with dramatic handbrake turns and drizzly dropouts in the rattling trills of ‘Clip’, whilst ‘One Three Five’ swangs out in a sort of 2-step electro style riddled with iridescent melody and persistently in flux between weightless pads and rugged subs.
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Happa jumps back in the dance with both feet for Whities’ Blue series of mutant club tackle.
After spending recent years on production for David Byrne, steadily building his PT/5 Records, and collaboration with fellow Yorkshireman 96 Back, Happa returns with devilishly detailed dance productions in his twisted style; working up a frothy airborne funk punctuated with dramatic handbrake turns and drizzly dropouts in the rattling trills of ‘Clip’, whilst ‘One Three Five’ swangs out in a sort of 2-step electro style riddled with iridescent melody and persistently in flux between weightless pads and rugged subs.
Happa jumps back in the dance with both feet for Whities’ Blue series of mutant club tackle.
After spending recent years on production for David Byrne, steadily building his PT/5 Records, and collaboration with fellow Yorkshireman 96 Back, Happa returns with devilishly detailed dance productions in his twisted style; working up a frothy airborne funk punctuated with dramatic handbrake turns and drizzly dropouts in the rattling trills of ‘Clip’, whilst ‘One Three Five’ swangs out in a sort of 2-step electro style riddled with iridescent melody and persistently in flux between weightless pads and rugged subs.
Happa jumps back in the dance with both feet for Whities’ Blue series of mutant club tackle.
After spending recent years on production for David Byrne, steadily building his PT/5 Records, and collaboration with fellow Yorkshireman 96 Back, Happa returns with devilishly detailed dance productions in his twisted style; working up a frothy airborne funk punctuated with dramatic handbrake turns and drizzly dropouts in the rattling trills of ‘Clip’, whilst ‘One Three Five’ swangs out in a sort of 2-step electro style riddled with iridescent melody and persistently in flux between weightless pads and rugged subs.
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Happa jumps back in the dance with both feet for Whities’ Blue series of mutant club tackle.
After spending recent years on production for David Byrne, steadily building his PT/5 Records, and collaboration with fellow Yorkshireman 96 Back, Happa returns with devilishly detailed dance productions in his twisted style; working up a frothy airborne funk punctuated with dramatic handbrake turns and drizzly dropouts in the rattling trills of ‘Clip’, whilst ‘One Three Five’ swangs out in a sort of 2-step electro style riddled with iridescent melody and persistently in flux between weightless pads and rugged subs.