Black Rave Culture
Deeply upfront, Afro-American dance heat from D.C. trio Amal, James Bangura, and DJ Nativesun aka Black Rave Culture for AceMoMa’s Haus of Altr
Weaving new spins on classic US/UK techno formats, Black Rave Culture diffract aspects of Detroit, NYC/Jersey, and Baltimore club styles and UK jungle into a fresh and driving sound that seeks to redress US dance music’s roots, reclaiming the sound from usurpers and dilettantes, while carrying the torch forward.
Across its 10 tracks they veer wicked and with a vital blend of discipline and adrenalizing keenness, unleashing killer jungle techno rushes in the title tune, ‘Cool It’ and ‘Break Bang’, plus a class sort of jungle meets glyding drill bass mutation in ‘Trips To London,’ while testing out a limber sort of dubbed UKG flex in ‘Columbia Rd Uptown’, and bridging the Jersey/Sheffield speed garage divide in ‘The Funky Dub’, whereas ‘Homies Dub’ hits a killler sort of B-More bounce with tungsten-tipped trap snares, and ‘Africa 808’ lands to our ears at the intersection of A Guy Called Gerald, Karizma, and 4Hero.
TIP!
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Deeply upfront, Afro-American dance heat from D.C. trio Amal, James Bangura, and DJ Nativesun aka Black Rave Culture for AceMoMa’s Haus of Altr
Weaving new spins on classic US/UK techno formats, Black Rave Culture diffract aspects of Detroit, NYC/Jersey, and Baltimore club styles and UK jungle into a fresh and driving sound that seeks to redress US dance music’s roots, reclaiming the sound from usurpers and dilettantes, while carrying the torch forward.
Across its 10 tracks they veer wicked and with a vital blend of discipline and adrenalizing keenness, unleashing killer jungle techno rushes in the title tune, ‘Cool It’ and ‘Break Bang’, plus a class sort of jungle meets glyding drill bass mutation in ‘Trips To London,’ while testing out a limber sort of dubbed UKG flex in ‘Columbia Rd Uptown’, and bridging the Jersey/Sheffield speed garage divide in ‘The Funky Dub’, whereas ‘Homies Dub’ hits a killler sort of B-More bounce with tungsten-tipped trap snares, and ‘Africa 808’ lands to our ears at the intersection of A Guy Called Gerald, Karizma, and 4Hero.
TIP!
Deeply upfront, Afro-American dance heat from D.C. trio Amal, James Bangura, and DJ Nativesun aka Black Rave Culture for AceMoMa’s Haus of Altr
Weaving new spins on classic US/UK techno formats, Black Rave Culture diffract aspects of Detroit, NYC/Jersey, and Baltimore club styles and UK jungle into a fresh and driving sound that seeks to redress US dance music’s roots, reclaiming the sound from usurpers and dilettantes, while carrying the torch forward.
Across its 10 tracks they veer wicked and with a vital blend of discipline and adrenalizing keenness, unleashing killer jungle techno rushes in the title tune, ‘Cool It’ and ‘Break Bang’, plus a class sort of jungle meets glyding drill bass mutation in ‘Trips To London,’ while testing out a limber sort of dubbed UKG flex in ‘Columbia Rd Uptown’, and bridging the Jersey/Sheffield speed garage divide in ‘The Funky Dub’, whereas ‘Homies Dub’ hits a killler sort of B-More bounce with tungsten-tipped trap snares, and ‘Africa 808’ lands to our ears at the intersection of A Guy Called Gerald, Karizma, and 4Hero.
TIP!
Deeply upfront, Afro-American dance heat from D.C. trio Amal, James Bangura, and DJ Nativesun aka Black Rave Culture for AceMoMa’s Haus of Altr
Weaving new spins on classic US/UK techno formats, Black Rave Culture diffract aspects of Detroit, NYC/Jersey, and Baltimore club styles and UK jungle into a fresh and driving sound that seeks to redress US dance music’s roots, reclaiming the sound from usurpers and dilettantes, while carrying the torch forward.
Across its 10 tracks they veer wicked and with a vital blend of discipline and adrenalizing keenness, unleashing killer jungle techno rushes in the title tune, ‘Cool It’ and ‘Break Bang’, plus a class sort of jungle meets glyding drill bass mutation in ‘Trips To London,’ while testing out a limber sort of dubbed UKG flex in ‘Columbia Rd Uptown’, and bridging the Jersey/Sheffield speed garage divide in ‘The Funky Dub’, whereas ‘Homies Dub’ hits a killler sort of B-More bounce with tungsten-tipped trap snares, and ‘Africa 808’ lands to our ears at the intersection of A Guy Called Gerald, Karizma, and 4Hero.
TIP!