Duster's Clay Parton produced a single solo album when the band went on hiatus in 2000. Originally released in 2006, 'Birds in the Ground' is a fuzzy set of DIY indie pop that's struck through with the anxieties of a distant age.
Slowcore legends Duster took a dip back in 2000, halting action until 2018 when they reformed, reissuing their classic albums and penning new material. Parton's initial reaction to the break was to keep writing alone, dubbing his songs to a four-track in his home studio and coming up with the solo moniker Eiafawn (Everything is all fucked up and what not). And if you've heard Duster, you'll know reasonably what to expect - 'Birds in the Ground' is everything you know and love about the band in miniature, diluted by a layered production process that owes more to Eliott Smith.
'The Coffin Was So Light I Thought It Might Float Away' catches Parton at his best, barreling from reversed drums and wonky electronics into strummy indie-pop that snowballs into dense, distorted melancholia. Parton's production process is ear-catching throughout, whether he's banging lo-fi drums over detuned guitars on 'The Voice of Music' or futzing with synths and tape effects on closer 'Modulator Hustle'. Good stuff.
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Duster's Clay Parton produced a single solo album when the band went on hiatus in 2000. Originally released in 2006, 'Birds in the Ground' is a fuzzy set of DIY indie pop that's struck through with the anxieties of a distant age.
Slowcore legends Duster took a dip back in 2000, halting action until 2018 when they reformed, reissuing their classic albums and penning new material. Parton's initial reaction to the break was to keep writing alone, dubbing his songs to a four-track in his home studio and coming up with the solo moniker Eiafawn (Everything is all fucked up and what not). And if you've heard Duster, you'll know reasonably what to expect - 'Birds in the Ground' is everything you know and love about the band in miniature, diluted by a layered production process that owes more to Eliott Smith.
'The Coffin Was So Light I Thought It Might Float Away' catches Parton at his best, barreling from reversed drums and wonky electronics into strummy indie-pop that snowballs into dense, distorted melancholia. Parton's production process is ear-catching throughout, whether he's banging lo-fi drums over detuned guitars on 'The Voice of Music' or futzing with synths and tape effects on closer 'Modulator Hustle'. Good stuff.
Duster's Clay Parton produced a single solo album when the band went on hiatus in 2000. Originally released in 2006, 'Birds in the Ground' is a fuzzy set of DIY indie pop that's struck through with the anxieties of a distant age.
Slowcore legends Duster took a dip back in 2000, halting action until 2018 when they reformed, reissuing their classic albums and penning new material. Parton's initial reaction to the break was to keep writing alone, dubbing his songs to a four-track in his home studio and coming up with the solo moniker Eiafawn (Everything is all fucked up and what not). And if you've heard Duster, you'll know reasonably what to expect - 'Birds in the Ground' is everything you know and love about the band in miniature, diluted by a layered production process that owes more to Eliott Smith.
'The Coffin Was So Light I Thought It Might Float Away' catches Parton at his best, barreling from reversed drums and wonky electronics into strummy indie-pop that snowballs into dense, distorted melancholia. Parton's production process is ear-catching throughout, whether he's banging lo-fi drums over detuned guitars on 'The Voice of Music' or futzing with synths and tape effects on closer 'Modulator Hustle'. Good stuff.
Duster's Clay Parton produced a single solo album when the band went on hiatus in 2000. Originally released in 2006, 'Birds in the Ground' is a fuzzy set of DIY indie pop that's struck through with the anxieties of a distant age.
Slowcore legends Duster took a dip back in 2000, halting action until 2018 when they reformed, reissuing their classic albums and penning new material. Parton's initial reaction to the break was to keep writing alone, dubbing his songs to a four-track in his home studio and coming up with the solo moniker Eiafawn (Everything is all fucked up and what not). And if you've heard Duster, you'll know reasonably what to expect - 'Birds in the Ground' is everything you know and love about the band in miniature, diluted by a layered production process that owes more to Eliott Smith.
'The Coffin Was So Light I Thought It Might Float Away' catches Parton at his best, barreling from reversed drums and wonky electronics into strummy indie-pop that snowballs into dense, distorted melancholia. Parton's production process is ear-catching throughout, whether he's banging lo-fi drums over detuned guitars on 'The Voice of Music' or futzing with synths and tape effects on closer 'Modulator Hustle'. Good stuff.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Duster's Clay Parton produced a single solo album when the band went on hiatus in 2000. Originally released in 2006, 'Birds in the Ground' is a fuzzy set of DIY indie pop that's struck through with the anxieties of a distant age.
Slowcore legends Duster took a dip back in 2000, halting action until 2018 when they reformed, reissuing their classic albums and penning new material. Parton's initial reaction to the break was to keep writing alone, dubbing his songs to a four-track in his home studio and coming up with the solo moniker Eiafawn (Everything is all fucked up and what not). And if you've heard Duster, you'll know reasonably what to expect - 'Birds in the Ground' is everything you know and love about the band in miniature, diluted by a layered production process that owes more to Eliott Smith.
'The Coffin Was So Light I Thought It Might Float Away' catches Parton at his best, barreling from reversed drums and wonky electronics into strummy indie-pop that snowballs into dense, distorted melancholia. Parton's production process is ear-catching throughout, whether he's banging lo-fi drums over detuned guitars on 'The Voice of Music' or futzing with synths and tape effects on closer 'Modulator Hustle'. Good stuff.
"Bunny White" coloured vinyl.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Duster's Clay Parton produced a single solo album when the band went on hiatus in 2000. Originally released in 2006, 'Birds in the Ground' is a fuzzy set of DIY indie pop that's struck through with the anxieties of a distant age.
Slowcore legends Duster took a dip back in 2000, halting action until 2018 when they reformed, reissuing their classic albums and penning new material. Parton's initial reaction to the break was to keep writing alone, dubbing his songs to a four-track in his home studio and coming up with the solo moniker Eiafawn (Everything is all fucked up and what not). And if you've heard Duster, you'll know reasonably what to expect - 'Birds in the Ground' is everything you know and love about the band in miniature, diluted by a layered production process that owes more to Eliott Smith.
'The Coffin Was So Light I Thought It Might Float Away' catches Parton at his best, barreling from reversed drums and wonky electronics into strummy indie-pop that snowballs into dense, distorted melancholia. Parton's production process is ear-catching throughout, whether he's banging lo-fi drums over detuned guitars on 'The Voice of Music' or futzing with synths and tape effects on closer 'Modulator Hustle'. Good stuff.
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Duster's Clay Parton produced a single solo album when the band went on hiatus in 2000. Originally released in 2006, 'Birds in the Ground' is a fuzzy set of DIY indie pop that's struck through with the anxieties of a distant age.
Slowcore legends Duster took a dip back in 2000, halting action until 2018 when they reformed, reissuing their classic albums and penning new material. Parton's initial reaction to the break was to keep writing alone, dubbing his songs to a four-track in his home studio and coming up with the solo moniker Eiafawn (Everything is all fucked up and what not). And if you've heard Duster, you'll know reasonably what to expect - 'Birds in the Ground' is everything you know and love about the band in miniature, diluted by a layered production process that owes more to Eliott Smith.
'The Coffin Was So Light I Thought It Might Float Away' catches Parton at his best, barreling from reversed drums and wonky electronics into strummy indie-pop that snowballs into dense, distorted melancholia. Parton's production process is ear-catching throughout, whether he's banging lo-fi drums over detuned guitars on 'The Voice of Music' or futzing with synths and tape effects on closer 'Modulator Hustle'. Good stuff.