Maiden vinyl edition of Muslimgauze’s timely 1993 missive on I Shall Sing Until My Land Is Free.
Originally issued on CD by Staalplaat adorned with the epithet “Dedicated to a united Arab response”, the 11-part ‘Betrayal’ is reissued here in its entirety, which should acutely pique interests of those into the likes of Christian Love Forum, for its heavy stylistic bias toward a strain of hypnotic atmospheres and serpentine steppers’ rhythms.
Ostensibly instrumental, save for the Arabic voices sampled and used texturally, not literally, within its shadowy matrices, the album sits firmly in a prized vein of Bryn Jones’ work, beloved for its atmospheric pressure rather than noise scuzz. We’re talking proper pearls in the likes of his sleep-stepping ‘Druse’ and its sky-razing, almost post-rock/shoegazey version, and superb hand drum loops wreathed into ‘Nabius’, and a total standout in the 10 minute masterwork ‘Ramallah’ and its longer variation.
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Maiden vinyl edition of Muslimgauze’s timely 1993 missive on I Shall Sing Until My Land Is Free.
Originally issued on CD by Staalplaat adorned with the epithet “Dedicated to a united Arab response”, the 11-part ‘Betrayal’ is reissued here in its entirety, which should acutely pique interests of those into the likes of Christian Love Forum, for its heavy stylistic bias toward a strain of hypnotic atmospheres and serpentine steppers’ rhythms.
Ostensibly instrumental, save for the Arabic voices sampled and used texturally, not literally, within its shadowy matrices, the album sits firmly in a prized vein of Bryn Jones’ work, beloved for its atmospheric pressure rather than noise scuzz. We’re talking proper pearls in the likes of his sleep-stepping ‘Druse’ and its sky-razing, almost post-rock/shoegazey version, and superb hand drum loops wreathed into ‘Nabius’, and a total standout in the 10 minute masterwork ‘Ramallah’ and its longer variation.
Maiden vinyl edition of Muslimgauze’s timely 1993 missive on I Shall Sing Until My Land Is Free.
Originally issued on CD by Staalplaat adorned with the epithet “Dedicated to a united Arab response”, the 11-part ‘Betrayal’ is reissued here in its entirety, which should acutely pique interests of those into the likes of Christian Love Forum, for its heavy stylistic bias toward a strain of hypnotic atmospheres and serpentine steppers’ rhythms.
Ostensibly instrumental, save for the Arabic voices sampled and used texturally, not literally, within its shadowy matrices, the album sits firmly in a prized vein of Bryn Jones’ work, beloved for its atmospheric pressure rather than noise scuzz. We’re talking proper pearls in the likes of his sleep-stepping ‘Druse’ and its sky-razing, almost post-rock/shoegazey version, and superb hand drum loops wreathed into ‘Nabius’, and a total standout in the 10 minute masterwork ‘Ramallah’ and its longer variation.
Remastered red and yellow colour 3LP. Cut at 45rpm and housed in a tri-fold sleeve. Edition of 300 copies.
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Maiden vinyl edition of Muslimgauze’s timely 1993 missive on I Shall Sing Until My Land Is Free.
Originally issued on CD by Staalplaat adorned with the epithet “Dedicated to a united Arab response”, the 11-part ‘Betrayal’ is reissued here in its entirety, which should acutely pique interests of those into the likes of Christian Love Forum, for its heavy stylistic bias toward a strain of hypnotic atmospheres and serpentine steppers’ rhythms.
Ostensibly instrumental, save for the Arabic voices sampled and used texturally, not literally, within its shadowy matrices, the album sits firmly in a prized vein of Bryn Jones’ work, beloved for its atmospheric pressure rather than noise scuzz. We’re talking proper pearls in the likes of his sleep-stepping ‘Druse’ and its sky-razing, almost post-rock/shoegazey version, and superb hand drum loops wreathed into ‘Nabius’, and a total standout in the 10 minute masterwork ‘Ramallah’ and its longer variation.
CD in a 6-panel digipack. All tracks written, played, and recorded by Muslimgauze in 1993. Remastered by C-drik.
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Maiden vinyl edition of Muslimgauze’s timely 1993 missive on I Shall Sing Until My Land Is Free.
Originally issued on CD by Staalplaat adorned with the epithet “Dedicated to a united Arab response”, the 11-part ‘Betrayal’ is reissued here in its entirety, which should acutely pique interests of those into the likes of Christian Love Forum, for its heavy stylistic bias toward a strain of hypnotic atmospheres and serpentine steppers’ rhythms.
Ostensibly instrumental, save for the Arabic voices sampled and used texturally, not literally, within its shadowy matrices, the album sits firmly in a prized vein of Bryn Jones’ work, beloved for its atmospheric pressure rather than noise scuzz. We’re talking proper pearls in the likes of his sleep-stepping ‘Druse’ and its sky-razing, almost post-rock/shoegazey version, and superb hand drum loops wreathed into ‘Nabius’, and a total standout in the 10 minute masterwork ‘Ramallah’ and its longer variation.