Upsammy tinkers with iridescent electronica styles recalling Plaid, Cylob and Kettel on her follow-up to 2020’s ‘Zoom’ album with Dekmantel
Nimbly working around intricate patterns that chime with Indonesian gamelan traditions as much as ‘90s AI and experimental techno styles, the Amsterdam resident follows her instincts to crafty places between the crystalline carillon of ‘Flutter’, the needlepoint step and off world scales of ‘Spat’, and deep blue electronica reminding us of Astrobotnia’s seminal, overlooked early trio in ‘Worm’, with Plaid-like trills and pads in ‘Metallic.’
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Upsammy tinkers with iridescent electronica styles recalling Plaid, Cylob and Kettel on her follow-up to 2020’s ‘Zoom’ album with Dekmantel
Nimbly working around intricate patterns that chime with Indonesian gamelan traditions as much as ‘90s AI and experimental techno styles, the Amsterdam resident follows her instincts to crafty places between the crystalline carillon of ‘Flutter’, the needlepoint step and off world scales of ‘Spat’, and deep blue electronica reminding us of Astrobotnia’s seminal, overlooked early trio in ‘Worm’, with Plaid-like trills and pads in ‘Metallic.’
Upsammy tinkers with iridescent electronica styles recalling Plaid, Cylob and Kettel on her follow-up to 2020’s ‘Zoom’ album with Dekmantel
Nimbly working around intricate patterns that chime with Indonesian gamelan traditions as much as ‘90s AI and experimental techno styles, the Amsterdam resident follows her instincts to crafty places between the crystalline carillon of ‘Flutter’, the needlepoint step and off world scales of ‘Spat’, and deep blue electronica reminding us of Astrobotnia’s seminal, overlooked early trio in ‘Worm’, with Plaid-like trills and pads in ‘Metallic.’
Upsammy tinkers with iridescent electronica styles recalling Plaid, Cylob and Kettel on her follow-up to 2020’s ‘Zoom’ album with Dekmantel
Nimbly working around intricate patterns that chime with Indonesian gamelan traditions as much as ‘90s AI and experimental techno styles, the Amsterdam resident follows her instincts to crafty places between the crystalline carillon of ‘Flutter’, the needlepoint step and off world scales of ‘Spat’, and deep blue electronica reminding us of Astrobotnia’s seminal, overlooked early trio in ‘Worm’, with Plaid-like trills and pads in ‘Metallic.’
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Upsammy tinkers with iridescent electronica styles recalling Plaid, Cylob and Kettel on her follow-up to 2020’s ‘Zoom’ album with Dekmantel
Nimbly working around intricate patterns that chime with Indonesian gamelan traditions as much as ‘90s AI and experimental techno styles, the Amsterdam resident follows her instincts to crafty places between the crystalline carillon of ‘Flutter’, the needlepoint step and off world scales of ‘Spat’, and deep blue electronica reminding us of Astrobotnia’s seminal, overlooked early trio in ‘Worm’, with Plaid-like trills and pads in ‘Metallic.’