Because of a Flower
Ana Roxanne follows up the short-and-sweet "~~~" with this devastatingly beautiful full-length for Kranky, joining the dots between the label's past and present with heartbreaking sounds that remind us of Labradford, Windy & Carl, Grouper and beyond.
The album was written over the last five years, when the LA-based, Oakland-raised artist released that debut EP. While that record was initially dropped quietly, it was eventually picked up and reissued by Matthewdavid's Leaving Records last year, bringing her almost spiritual vocal-led sounds to a much wider audience.
Ana Roxanne grew up obsessed with her mom's collection of 80s and 90s R&B CDs, singing along to them obsessively while simultaneously training her voice more rigorously as part of a church choir. Years later, she was introduced to Hindustani classical music and her connection to her voice and its potential shifted drastically. When she returned to Oakland, she began to refine her craft studying at the prestigious Mills College, learning to work with synthesizers and becoming obsessed with the deep devotional music of Alice Coltrane. And all of these sounds - these connecting threads - are present on "Because of a Flower".
The album is remarkable in its sublime coherence. Roxanne blends styles, influences and cultural reference points so seamlessly it's almost like reading a diary or a book of poems. From the beginning of the album, which opens on a spoken word piece snipped from a harmony textbook, we're transported to a different world. As billowing drones drift peacefully into view, Roxanne's voice echoes above like kisses from a distant reality. This is deeply personal music, and Roxanne is unafraid to bear her soul and assuredly reflect her identity as an intersex person, imbuing her sounds with a vulnerable sincerity that's impossible to fake.
From there, we're ushered lovingly through songs that unify different elements (muted guitar phrases, fragile drum machine loops, disintegrating film snippets) beneath Ana Roxanne's spine-tingling vocals but retain a rare cohesion. Each track is markedly different, but the album hangs together so perfectly it's almost impossible to separate a single moment from the sublime whole.
It is many things and one complete entity simultaneously. Anyone who's been enthralled by Kranky's classic sounds, from Labradford to Windy & Carl to Grouper, absolutely needs to grab this immediately; utterly unmissable music and one of the best records of its ilk we've heard this year.
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Ana Roxanne follows up the short-and-sweet "~~~" with this devastatingly beautiful full-length for Kranky, joining the dots between the label's past and present with heartbreaking sounds that remind us of Labradford, Windy & Carl, Grouper and beyond.
The album was written over the last five years, when the LA-based, Oakland-raised artist released that debut EP. While that record was initially dropped quietly, it was eventually picked up and reissued by Matthewdavid's Leaving Records last year, bringing her almost spiritual vocal-led sounds to a much wider audience.
Ana Roxanne grew up obsessed with her mom's collection of 80s and 90s R&B CDs, singing along to them obsessively while simultaneously training her voice more rigorously as part of a church choir. Years later, she was introduced to Hindustani classical music and her connection to her voice and its potential shifted drastically. When she returned to Oakland, she began to refine her craft studying at the prestigious Mills College, learning to work with synthesizers and becoming obsessed with the deep devotional music of Alice Coltrane. And all of these sounds - these connecting threads - are present on "Because of a Flower".
The album is remarkable in its sublime coherence. Roxanne blends styles, influences and cultural reference points so seamlessly it's almost like reading a diary or a book of poems. From the beginning of the album, which opens on a spoken word piece snipped from a harmony textbook, we're transported to a different world. As billowing drones drift peacefully into view, Roxanne's voice echoes above like kisses from a distant reality. This is deeply personal music, and Roxanne is unafraid to bear her soul and assuredly reflect her identity as an intersex person, imbuing her sounds with a vulnerable sincerity that's impossible to fake.
From there, we're ushered lovingly through songs that unify different elements (muted guitar phrases, fragile drum machine loops, disintegrating film snippets) beneath Ana Roxanne's spine-tingling vocals but retain a rare cohesion. Each track is markedly different, but the album hangs together so perfectly it's almost impossible to separate a single moment from the sublime whole.
It is many things and one complete entity simultaneously. Anyone who's been enthralled by Kranky's classic sounds, from Labradford to Windy & Carl to Grouper, absolutely needs to grab this immediately; utterly unmissable music and one of the best records of its ilk we've heard this year.
Ana Roxanne follows up the short-and-sweet "~~~" with this devastatingly beautiful full-length for Kranky, joining the dots between the label's past and present with heartbreaking sounds that remind us of Labradford, Windy & Carl, Grouper and beyond.
The album was written over the last five years, when the LA-based, Oakland-raised artist released that debut EP. While that record was initially dropped quietly, it was eventually picked up and reissued by Matthewdavid's Leaving Records last year, bringing her almost spiritual vocal-led sounds to a much wider audience.
Ana Roxanne grew up obsessed with her mom's collection of 80s and 90s R&B CDs, singing along to them obsessively while simultaneously training her voice more rigorously as part of a church choir. Years later, she was introduced to Hindustani classical music and her connection to her voice and its potential shifted drastically. When she returned to Oakland, she began to refine her craft studying at the prestigious Mills College, learning to work with synthesizers and becoming obsessed with the deep devotional music of Alice Coltrane. And all of these sounds - these connecting threads - are present on "Because of a Flower".
The album is remarkable in its sublime coherence. Roxanne blends styles, influences and cultural reference points so seamlessly it's almost like reading a diary or a book of poems. From the beginning of the album, which opens on a spoken word piece snipped from a harmony textbook, we're transported to a different world. As billowing drones drift peacefully into view, Roxanne's voice echoes above like kisses from a distant reality. This is deeply personal music, and Roxanne is unafraid to bear her soul and assuredly reflect her identity as an intersex person, imbuing her sounds with a vulnerable sincerity that's impossible to fake.
From there, we're ushered lovingly through songs that unify different elements (muted guitar phrases, fragile drum machine loops, disintegrating film snippets) beneath Ana Roxanne's spine-tingling vocals but retain a rare cohesion. Each track is markedly different, but the album hangs together so perfectly it's almost impossible to separate a single moment from the sublime whole.
It is many things and one complete entity simultaneously. Anyone who's been enthralled by Kranky's classic sounds, from Labradford to Windy & Carl to Grouper, absolutely needs to grab this immediately; utterly unmissable music and one of the best records of its ilk we've heard this year.
Ana Roxanne follows up the short-and-sweet "~~~" with this devastatingly beautiful full-length for Kranky, joining the dots between the label's past and present with heartbreaking sounds that remind us of Labradford, Windy & Carl, Grouper and beyond.
The album was written over the last five years, when the LA-based, Oakland-raised artist released that debut EP. While that record was initially dropped quietly, it was eventually picked up and reissued by Matthewdavid's Leaving Records last year, bringing her almost spiritual vocal-led sounds to a much wider audience.
Ana Roxanne grew up obsessed with her mom's collection of 80s and 90s R&B CDs, singing along to them obsessively while simultaneously training her voice more rigorously as part of a church choir. Years later, she was introduced to Hindustani classical music and her connection to her voice and its potential shifted drastically. When she returned to Oakland, she began to refine her craft studying at the prestigious Mills College, learning to work with synthesizers and becoming obsessed with the deep devotional music of Alice Coltrane. And all of these sounds - these connecting threads - are present on "Because of a Flower".
The album is remarkable in its sublime coherence. Roxanne blends styles, influences and cultural reference points so seamlessly it's almost like reading a diary or a book of poems. From the beginning of the album, which opens on a spoken word piece snipped from a harmony textbook, we're transported to a different world. As billowing drones drift peacefully into view, Roxanne's voice echoes above like kisses from a distant reality. This is deeply personal music, and Roxanne is unafraid to bear her soul and assuredly reflect her identity as an intersex person, imbuing her sounds with a vulnerable sincerity that's impossible to fake.
From there, we're ushered lovingly through songs that unify different elements (muted guitar phrases, fragile drum machine loops, disintegrating film snippets) beneath Ana Roxanne's spine-tingling vocals but retain a rare cohesion. Each track is markedly different, but the album hangs together so perfectly it's almost impossible to separate a single moment from the sublime whole.
It is many things and one complete entity simultaneously. Anyone who's been enthralled by Kranky's classic sounds, from Labradford to Windy & Carl to Grouper, absolutely needs to grab this immediately; utterly unmissable music and one of the best records of its ilk we've heard this year.
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Ana Roxanne follows up the short-and-sweet "~~~" with this devastatingly beautiful full-length for Kranky, joining the dots between the label's past and present with heartbreaking sounds that remind us of Labradford, Windy & Carl, Grouper and beyond.
The album was written over the last five years, when the LA-based, Oakland-raised artist released that debut EP. While that record was initially dropped quietly, it was eventually picked up and reissued by Matthewdavid's Leaving Records last year, bringing her almost spiritual vocal-led sounds to a much wider audience.
Ana Roxanne grew up obsessed with her mom's collection of 80s and 90s R&B CDs, singing along to them obsessively while simultaneously training her voice more rigorously as part of a church choir. Years later, she was introduced to Hindustani classical music and her connection to her voice and its potential shifted drastically. When she returned to Oakland, she began to refine her craft studying at the prestigious Mills College, learning to work with synthesizers and becoming obsessed with the deep devotional music of Alice Coltrane. And all of these sounds - these connecting threads - are present on "Because of a Flower".
The album is remarkable in its sublime coherence. Roxanne blends styles, influences and cultural reference points so seamlessly it's almost like reading a diary or a book of poems. From the beginning of the album, which opens on a spoken word piece snipped from a harmony textbook, we're transported to a different world. As billowing drones drift peacefully into view, Roxanne's voice echoes above like kisses from a distant reality. This is deeply personal music, and Roxanne is unafraid to bear her soul and assuredly reflect her identity as an intersex person, imbuing her sounds with a vulnerable sincerity that's impossible to fake.
From there, we're ushered lovingly through songs that unify different elements (muted guitar phrases, fragile drum machine loops, disintegrating film snippets) beneath Ana Roxanne's spine-tingling vocals but retain a rare cohesion. Each track is markedly different, but the album hangs together so perfectly it's almost impossible to separate a single moment from the sublime whole.
It is many things and one complete entity simultaneously. Anyone who's been enthralled by Kranky's classic sounds, from Labradford to Windy & Carl to Grouper, absolutely needs to grab this immediately; utterly unmissable music and one of the best records of its ilk we've heard this year.
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Ana Roxanne follows up the short-and-sweet "~~~" with this devastatingly beautiful full-length for Kranky, joining the dots between the label's past and present with heartbreaking sounds that remind us of Labradford, Windy & Carl, Grouper and beyond.
The album was written over the last five years, when the LA-based, Oakland-raised artist released that debut EP. While that record was initially dropped quietly, it was eventually picked up and reissued by Matthewdavid's Leaving Records last year, bringing her almost spiritual vocal-led sounds to a much wider audience.
Ana Roxanne grew up obsessed with her mom's collection of 80s and 90s R&B CDs, singing along to them obsessively while simultaneously training her voice more rigorously as part of a church choir. Years later, she was introduced to Hindustani classical music and her connection to her voice and its potential shifted drastically. When she returned to Oakland, she began to refine her craft studying at the prestigious Mills College, learning to work with synthesizers and becoming obsessed with the deep devotional music of Alice Coltrane. And all of these sounds - these connecting threads - are present on "Because of a Flower".
The album is remarkable in its sublime coherence. Roxanne blends styles, influences and cultural reference points so seamlessly it's almost like reading a diary or a book of poems. From the beginning of the album, which opens on a spoken word piece snipped from a harmony textbook, we're transported to a different world. As billowing drones drift peacefully into view, Roxanne's voice echoes above like kisses from a distant reality. This is deeply personal music, and Roxanne is unafraid to bear her soul and assuredly reflect her identity as an intersex person, imbuing her sounds with a vulnerable sincerity that's impossible to fake.
From there, we're ushered lovingly through songs that unify different elements (muted guitar phrases, fragile drum machine loops, disintegrating film snippets) beneath Ana Roxanne's spine-tingling vocals but retain a rare cohesion. Each track is markedly different, but the album hangs together so perfectly it's almost impossible to separate a single moment from the sublime whole.
It is many things and one complete entity simultaneously. Anyone who's been enthralled by Kranky's classic sounds, from Labradford to Windy & Carl to Grouper, absolutely needs to grab this immediately; utterly unmissable music and one of the best records of its ilk we've heard this year.