Some of you noise fanatics out there might recall Nancy Garcia from back in her Monotract days, playing alongside Carlos Giffoni and Roger Rimada and releasing some choice sounds via Load and Ecstatic Peace through the mid-00s. This new solo jaunt acknowledges some of that trio's oscillator-melting mayhem whilst branching out into guitar-driven alt.rock that on occasions brings to mind Free Kitten or even Magik Markers. 'These People' certainly fits the Ecstatic Peace billing, its every inch resembling something from the wider Sonic Youth family - particularly when its spiny guitars start ploughing through boutique-pedal fuzz in the closing moments. Some of the album's strongest moments are far more experimental though, embracing the kind of customised power electronics her old bandmate Giffoni revels in. Garcia pulls off that sound in stylish fashion on analogue meltdowns 'From The Kneeling', 'Midweek Silence' and the brain-pulping 'Overnight', merrily switching between these explosive, visceral moments and shambling lo-fi rock moments like 'Perfectly Framed'. Rarely do these elements intersect, yet the crunchingly dissonant song-scape 'Pulls It Out' goes some way towards addressing that, and similarly guitars link up with noise-spewing synths in glorious harmony (well, not literally) on the nine-and-a-half minute distortion fest 'Healing Sensation'. Anything goes on Be The Climb, yet this kind of erraticism suits Garcia perfectly. Recommended
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Some of you noise fanatics out there might recall Nancy Garcia from back in her Monotract days, playing alongside Carlos Giffoni and Roger Rimada and releasing some choice sounds via Load and Ecstatic Peace through the mid-00s. This new solo jaunt acknowledges some of that trio's oscillator-melting mayhem whilst branching out into guitar-driven alt.rock that on occasions brings to mind Free Kitten or even Magik Markers. 'These People' certainly fits the Ecstatic Peace billing, its every inch resembling something from the wider Sonic Youth family - particularly when its spiny guitars start ploughing through boutique-pedal fuzz in the closing moments. Some of the album's strongest moments are far more experimental though, embracing the kind of customised power electronics her old bandmate Giffoni revels in. Garcia pulls off that sound in stylish fashion on analogue meltdowns 'From The Kneeling', 'Midweek Silence' and the brain-pulping 'Overnight', merrily switching between these explosive, visceral moments and shambling lo-fi rock moments like 'Perfectly Framed'. Rarely do these elements intersect, yet the crunchingly dissonant song-scape 'Pulls It Out' goes some way towards addressing that, and similarly guitars link up with noise-spewing synths in glorious harmony (well, not literally) on the nine-and-a-half minute distortion fest 'Healing Sensation'. Anything goes on Be The Climb, yet this kind of erraticism suits Garcia perfectly. Recommended