Baudelaire’s ‘Les Fleurs du Mal’ set to stark solo keys, with skeletal, unadorned production by Susanna and Deathprod giving crystal clear focus to the vocals that really brings the poetry’s timeless, dark realism/fantasy to life with perfectly tempered, immersively minimalist but opulent style of musical dramaturgy and staging...
“Like much of Baudelaire’s work, Susanna’s music probes the limits of desire, and confronts the simultaneous wonder and meaningless of existence. He is often considered one of the first modern poets, whose urban observations frequently dipped into fantasy, sensuality, fevered imagings and eerie horror. Susanna’s selection of ten texts from his masterwork The Flowers of Evil (translated by Anthony Mortimer) cover the full spectrum of Baudelaire’s conflicted expression.
Here you’ll find a creepy cast of witches, pagans, wolves, perverts, thugs, ghosts, vampires and demons. The songs struggle with lust and saintliness, angels and demons, tenderness and sadism, and the relentless march of time, the destroyer. Beauty with an edge of strangeness. Sin as a swallowing abyss. In Susanna’s haunting settings and performance, the poetry of Baudelaire has found its ideal transmitter.”
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Baudelaire’s ‘Les Fleurs du Mal’ set to stark solo keys, with skeletal, unadorned production by Susanna and Deathprod giving crystal clear focus to the vocals that really brings the poetry’s timeless, dark realism/fantasy to life with perfectly tempered, immersively minimalist but opulent style of musical dramaturgy and staging...
“Like much of Baudelaire’s work, Susanna’s music probes the limits of desire, and confronts the simultaneous wonder and meaningless of existence. He is often considered one of the first modern poets, whose urban observations frequently dipped into fantasy, sensuality, fevered imagings and eerie horror. Susanna’s selection of ten texts from his masterwork The Flowers of Evil (translated by Anthony Mortimer) cover the full spectrum of Baudelaire’s conflicted expression.
Here you’ll find a creepy cast of witches, pagans, wolves, perverts, thugs, ghosts, vampires and demons. The songs struggle with lust and saintliness, angels and demons, tenderness and sadism, and the relentless march of time, the destroyer. Beauty with an edge of strangeness. Sin as a swallowing abyss. In Susanna’s haunting settings and performance, the poetry of Baudelaire has found its ideal transmitter.”
Baudelaire’s ‘Les Fleurs du Mal’ set to stark solo keys, with skeletal, unadorned production by Susanna and Deathprod giving crystal clear focus to the vocals that really brings the poetry’s timeless, dark realism/fantasy to life with perfectly tempered, immersively minimalist but opulent style of musical dramaturgy and staging...
“Like much of Baudelaire’s work, Susanna’s music probes the limits of desire, and confronts the simultaneous wonder and meaningless of existence. He is often considered one of the first modern poets, whose urban observations frequently dipped into fantasy, sensuality, fevered imagings and eerie horror. Susanna’s selection of ten texts from his masterwork The Flowers of Evil (translated by Anthony Mortimer) cover the full spectrum of Baudelaire’s conflicted expression.
Here you’ll find a creepy cast of witches, pagans, wolves, perverts, thugs, ghosts, vampires and demons. The songs struggle with lust and saintliness, angels and demons, tenderness and sadism, and the relentless march of time, the destroyer. Beauty with an edge of strangeness. Sin as a swallowing abyss. In Susanna’s haunting settings and performance, the poetry of Baudelaire has found its ideal transmitter.”
Baudelaire’s ‘Les Fleurs du Mal’ set to stark solo keys, with skeletal, unadorned production by Susanna and Deathprod giving crystal clear focus to the vocals that really brings the poetry’s timeless, dark realism/fantasy to life with perfectly tempered, immersively minimalist but opulent style of musical dramaturgy and staging...
“Like much of Baudelaire’s work, Susanna’s music probes the limits of desire, and confronts the simultaneous wonder and meaningless of existence. He is often considered one of the first modern poets, whose urban observations frequently dipped into fantasy, sensuality, fevered imagings and eerie horror. Susanna’s selection of ten texts from his masterwork The Flowers of Evil (translated by Anthony Mortimer) cover the full spectrum of Baudelaire’s conflicted expression.
Here you’ll find a creepy cast of witches, pagans, wolves, perverts, thugs, ghosts, vampires and demons. The songs struggle with lust and saintliness, angels and demons, tenderness and sadism, and the relentless march of time, the destroyer. Beauty with an edge of strangeness. Sin as a swallowing abyss. In Susanna’s haunting settings and performance, the poetry of Baudelaire has found its ideal transmitter.”
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This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Baudelaire’s ‘Les Fleurs du Mal’ set to stark solo keys, with skeletal, unadorned production by Susanna and Deathprod giving crystal clear focus to the vocals that really brings the poetry’s timeless, dark realism/fantasy to life with perfectly tempered, immersively minimalist but opulent style of musical dramaturgy and staging...
“Like much of Baudelaire’s work, Susanna’s music probes the limits of desire, and confronts the simultaneous wonder and meaningless of existence. He is often considered one of the first modern poets, whose urban observations frequently dipped into fantasy, sensuality, fevered imagings and eerie horror. Susanna’s selection of ten texts from his masterwork The Flowers of Evil (translated by Anthony Mortimer) cover the full spectrum of Baudelaire’s conflicted expression.
Here you’ll find a creepy cast of witches, pagans, wolves, perverts, thugs, ghosts, vampires and demons. The songs struggle with lust and saintliness, angels and demons, tenderness and sadism, and the relentless march of time, the destroyer. Beauty with an edge of strangeness. Sin as a swallowing abyss. In Susanna’s haunting settings and performance, the poetry of Baudelaire has found its ideal transmitter.”
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Baudelaire’s ‘Les Fleurs du Mal’ set to stark solo keys, with skeletal, unadorned production by Susanna and Deathprod giving crystal clear focus to the vocals that really brings the poetry’s timeless, dark realism/fantasy to life with perfectly tempered, immersively minimalist but opulent style of musical dramaturgy and staging...
“Like much of Baudelaire’s work, Susanna’s music probes the limits of desire, and confronts the simultaneous wonder and meaningless of existence. He is often considered one of the first modern poets, whose urban observations frequently dipped into fantasy, sensuality, fevered imagings and eerie horror. Susanna’s selection of ten texts from his masterwork The Flowers of Evil (translated by Anthony Mortimer) cover the full spectrum of Baudelaire’s conflicted expression.
Here you’ll find a creepy cast of witches, pagans, wolves, perverts, thugs, ghosts, vampires and demons. The songs struggle with lust and saintliness, angels and demons, tenderness and sadism, and the relentless march of time, the destroyer. Beauty with an edge of strangeness. Sin as a swallowing abyss. In Susanna’s haunting settings and performance, the poetry of Baudelaire has found its ideal transmitter.”