Wonderfully bittersweet modern composition from Oliver Leith, who piqued our attention with an ace debut for Herbert’s Accidental, and grabs it again with his puckered melodies and keening tunings for SN Variations
Where his introductory EP was off-kilter lush, there’s a more aspartame flavour and rubbery harmonic feel to ‘Balloon’ that puckers up somewhere in our minds between The Automatics Group and Markus Floats on the first piece, and Entr’acte’s six swords enigma in the expressively sharp electronics of the second. ‘Balloon III’ is given to a more stately procession of curdled melodies and dead strange harmonics that appear to incrementally ascend across the track, and ’Slide’ drips with the prototypical algorithmic slime of Æ circa LP5 and EP7. 100% one to keep an ear on, this guy.
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Wonderfully bittersweet modern composition from Oliver Leith, who piqued our attention with an ace debut for Herbert’s Accidental, and grabs it again with his puckered melodies and keening tunings for SN Variations
Where his introductory EP was off-kilter lush, there’s a more aspartame flavour and rubbery harmonic feel to ‘Balloon’ that puckers up somewhere in our minds between The Automatics Group and Markus Floats on the first piece, and Entr’acte’s six swords enigma in the expressively sharp electronics of the second. ‘Balloon III’ is given to a more stately procession of curdled melodies and dead strange harmonics that appear to incrementally ascend across the track, and ’Slide’ drips with the prototypical algorithmic slime of Æ circa LP5 and EP7. 100% one to keep an ear on, this guy.
Wonderfully bittersweet modern composition from Oliver Leith, who piqued our attention with an ace debut for Herbert’s Accidental, and grabs it again with his puckered melodies and keening tunings for SN Variations
Where his introductory EP was off-kilter lush, there’s a more aspartame flavour and rubbery harmonic feel to ‘Balloon’ that puckers up somewhere in our minds between The Automatics Group and Markus Floats on the first piece, and Entr’acte’s six swords enigma in the expressively sharp electronics of the second. ‘Balloon III’ is given to a more stately procession of curdled melodies and dead strange harmonics that appear to incrementally ascend across the track, and ’Slide’ drips with the prototypical algorithmic slime of Æ circa LP5 and EP7. 100% one to keep an ear on, this guy.
Wonderfully bittersweet modern composition from Oliver Leith, who piqued our attention with an ace debut for Herbert’s Accidental, and grabs it again with his puckered melodies and keening tunings for SN Variations
Where his introductory EP was off-kilter lush, there’s a more aspartame flavour and rubbery harmonic feel to ‘Balloon’ that puckers up somewhere in our minds between The Automatics Group and Markus Floats on the first piece, and Entr’acte’s six swords enigma in the expressively sharp electronics of the second. ‘Balloon III’ is given to a more stately procession of curdled melodies and dead strange harmonics that appear to incrementally ascend across the track, and ’Slide’ drips with the prototypical algorithmic slime of Æ circa LP5 and EP7. 100% one to keep an ear on, this guy.
Red vinyl 10".
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Wonderfully bittersweet modern composition from Oliver Leith, who piqued our attention with an ace debut for Herbert’s Accidental, and grabs it again with his puckered melodies and keening tunings for SN Variations
Where his introductory EP was off-kilter lush, there’s a more aspartame flavour and rubbery harmonic feel to ‘Balloon’ that puckers up somewhere in our minds between The Automatics Group and Markus Floats on the first piece, and Entr’acte’s six swords enigma in the expressively sharp electronics of the second. ‘Balloon III’ is given to a more stately procession of curdled melodies and dead strange harmonics that appear to incrementally ascend across the track, and ’Slide’ drips with the prototypical algorithmic slime of Æ circa LP5 and EP7. 100% one to keep an ear on, this guy.