Cooper Crain, Dan Quinlivan, and Rob Frye head for the horizon on their newest Bitchin Bajas buggy, leading on from a 2016 tour and series of collaborative live releases with Bonnie “Prince” Billy and Olivia Wyatt.
Sharing its title with a chain of Tex-Mex restaurants in the USA, Bajas Fresh catches the trio at their earthiest and lushly psychedelic, naturally sprawling their classically-schooled, dilated vision of krautrock, kosmiche and North American drone and space jazz traditions across seven tracks.
Notably, they embed a beautifully sanguine cover of Sun Ra’s Angels and Demons at Play in the album’s sequence, sweat-lodged among the astral coordinates of Circles On Circles and the windswept jazz of Yonaguni featuring Ghost’s Masaki Batoh, before syncing with a rich history of transcendental drone exploration in the magnificent, side-long and sidereal scope of 2303, where they consolidate contributions from Nick Broste (Trombone), and Ben LaMar Gay (Cornet) into its deeply anaesthetising harmonic smudge.
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Cooper Crain, Dan Quinlivan, and Rob Frye head for the horizon on their newest Bitchin Bajas buggy, leading on from a 2016 tour and series of collaborative live releases with Bonnie “Prince” Billy and Olivia Wyatt.
Sharing its title with a chain of Tex-Mex restaurants in the USA, Bajas Fresh catches the trio at their earthiest and lushly psychedelic, naturally sprawling their classically-schooled, dilated vision of krautrock, kosmiche and North American drone and space jazz traditions across seven tracks.
Notably, they embed a beautifully sanguine cover of Sun Ra’s Angels and Demons at Play in the album’s sequence, sweat-lodged among the astral coordinates of Circles On Circles and the windswept jazz of Yonaguni featuring Ghost’s Masaki Batoh, before syncing with a rich history of transcendental drone exploration in the magnificent, side-long and sidereal scope of 2303, where they consolidate contributions from Nick Broste (Trombone), and Ben LaMar Gay (Cornet) into its deeply anaesthetising harmonic smudge.
Cooper Crain, Dan Quinlivan, and Rob Frye head for the horizon on their newest Bitchin Bajas buggy, leading on from a 2016 tour and series of collaborative live releases with Bonnie “Prince” Billy and Olivia Wyatt.
Sharing its title with a chain of Tex-Mex restaurants in the USA, Bajas Fresh catches the trio at their earthiest and lushly psychedelic, naturally sprawling their classically-schooled, dilated vision of krautrock, kosmiche and North American drone and space jazz traditions across seven tracks.
Notably, they embed a beautifully sanguine cover of Sun Ra’s Angels and Demons at Play in the album’s sequence, sweat-lodged among the astral coordinates of Circles On Circles and the windswept jazz of Yonaguni featuring Ghost’s Masaki Batoh, before syncing with a rich history of transcendental drone exploration in the magnificent, side-long and sidereal scope of 2303, where they consolidate contributions from Nick Broste (Trombone), and Ben LaMar Gay (Cornet) into its deeply anaesthetising harmonic smudge.
Cooper Crain, Dan Quinlivan, and Rob Frye head for the horizon on their newest Bitchin Bajas buggy, leading on from a 2016 tour and series of collaborative live releases with Bonnie “Prince” Billy and Olivia Wyatt.
Sharing its title with a chain of Tex-Mex restaurants in the USA, Bajas Fresh catches the trio at their earthiest and lushly psychedelic, naturally sprawling their classically-schooled, dilated vision of krautrock, kosmiche and North American drone and space jazz traditions across seven tracks.
Notably, they embed a beautifully sanguine cover of Sun Ra’s Angels and Demons at Play in the album’s sequence, sweat-lodged among the astral coordinates of Circles On Circles and the windswept jazz of Yonaguni featuring Ghost’s Masaki Batoh, before syncing with a rich history of transcendental drone exploration in the magnificent, side-long and sidereal scope of 2303, where they consolidate contributions from Nick Broste (Trombone), and Ben LaMar Gay (Cornet) into its deeply anaesthetising harmonic smudge.
2LP. Half-speed lacquer cut at Abbey Road. Colour inners
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Cooper Crain, Dan Quinlivan, and Rob Frye head for the horizon on their newest Bitchin Bajas buggy, leading on from a 2016 tour and series of collaborative live releases with Bonnie “Prince” Billy and Olivia Wyatt.
Sharing its title with a chain of Tex-Mex restaurants in the USA, Bajas Fresh catches the trio at their earthiest and lushly psychedelic, naturally sprawling their classically-schooled, dilated vision of krautrock, kosmiche and North American drone and space jazz traditions across seven tracks.
Notably, they embed a beautifully sanguine cover of Sun Ra’s Angels and Demons at Play in the album’s sequence, sweat-lodged among the astral coordinates of Circles On Circles and the windswept jazz of Yonaguni featuring Ghost’s Masaki Batoh, before syncing with a rich history of transcendental drone exploration in the magnificent, side-long and sidereal scope of 2303, where they consolidate contributions from Nick Broste (Trombone), and Ben LaMar Gay (Cornet) into its deeply anaesthetising harmonic smudge.