After 20 years marinading in the archive, Philippe Poirier (aka Roméo Poirier's dad) & Stefan Schneider (To Rococo Rot)'s deeply classy Automne recordings resurface with a timeless, smoky, grooving quality RIYL To Rococo Rot, Jac Berrocal, Lewis, Jaki Liebzeit
Despite being recorded in 2002 by Bernd Jestram (Tarwater) at BleiBeil Studios, Berlin, the sole Automne Six recording has taken its sweet time to arrive on our plate. However, the self-titled, 10-song suite sounds like it could have been made at any point in this century, elegantly carrying a lingering, knowing sense of c.20th craft into a lighter prism of electronically-embellished studio work and vintage song-writing whose charm has only become enriched with age.
By 2002, Philippe Poirer already had decades experience under his belt for Strasbourg jazz trio Transport Terrestre ! and alongside Rodolphe Burger, who would later join him in ambient rock troupe Kat Onoma, whose sound could be heard to prefigure Stefan Schneider’s beloved To Rococo Rot and work with Kreidler. An ideal match, they were brought together for La Batie - Festival de Geneve, in 2002, and laid down this album the same year, naturally fusing themes revolving European comic book hero Corto Maltese with more grown-up reflections on romance and travel.
Future-proofed by its sleekly contoured minimalism, but singed at the edges with a toasty charm, the album sees Philippe’s husky narration underlined by syrupy, pendulous basslines and a few-glasses-deep vibes that gives a very pleasingly groggy feel, variously beckoning for a boogie with the boozy wiggle of ‘Les minces forme du monde’, snake-hipped slink of ‘Les images’, and Tolouse Low Trax-esque hustle of ‘Araka’, or a late night snugness in the Lewis-alike croon of ’Sur le sable’, along with vapourous Jan Jelinek-like jazz notes on ‘Kurz’, and smoke curl sensuality to ‘Soirée’.
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After 20 years marinading in the archive, Philippe Poirier (aka Roméo Poirier's dad) & Stefan Schneider (To Rococo Rot)'s deeply classy Automne recordings resurface with a timeless, smoky, grooving quality RIYL To Rococo Rot, Jac Berrocal, Lewis, Jaki Liebzeit
Despite being recorded in 2002 by Bernd Jestram (Tarwater) at BleiBeil Studios, Berlin, the sole Automne Six recording has taken its sweet time to arrive on our plate. However, the self-titled, 10-song suite sounds like it could have been made at any point in this century, elegantly carrying a lingering, knowing sense of c.20th craft into a lighter prism of electronically-embellished studio work and vintage song-writing whose charm has only become enriched with age.
By 2002, Philippe Poirer already had decades experience under his belt for Strasbourg jazz trio Transport Terrestre ! and alongside Rodolphe Burger, who would later join him in ambient rock troupe Kat Onoma, whose sound could be heard to prefigure Stefan Schneider’s beloved To Rococo Rot and work with Kreidler. An ideal match, they were brought together for La Batie - Festival de Geneve, in 2002, and laid down this album the same year, naturally fusing themes revolving European comic book hero Corto Maltese with more grown-up reflections on romance and travel.
Future-proofed by its sleekly contoured minimalism, but singed at the edges with a toasty charm, the album sees Philippe’s husky narration underlined by syrupy, pendulous basslines and a few-glasses-deep vibes that gives a very pleasingly groggy feel, variously beckoning for a boogie with the boozy wiggle of ‘Les minces forme du monde’, snake-hipped slink of ‘Les images’, and Tolouse Low Trax-esque hustle of ‘Araka’, or a late night snugness in the Lewis-alike croon of ’Sur le sable’, along with vapourous Jan Jelinek-like jazz notes on ‘Kurz’, and smoke curl sensuality to ‘Soirée’.
After 20 years marinading in the archive, Philippe Poirier (aka Roméo Poirier's dad) & Stefan Schneider (To Rococo Rot)'s deeply classy Automne recordings resurface with a timeless, smoky, grooving quality RIYL To Rococo Rot, Jac Berrocal, Lewis, Jaki Liebzeit
Despite being recorded in 2002 by Bernd Jestram (Tarwater) at BleiBeil Studios, Berlin, the sole Automne Six recording has taken its sweet time to arrive on our plate. However, the self-titled, 10-song suite sounds like it could have been made at any point in this century, elegantly carrying a lingering, knowing sense of c.20th craft into a lighter prism of electronically-embellished studio work and vintage song-writing whose charm has only become enriched with age.
By 2002, Philippe Poirer already had decades experience under his belt for Strasbourg jazz trio Transport Terrestre ! and alongside Rodolphe Burger, who would later join him in ambient rock troupe Kat Onoma, whose sound could be heard to prefigure Stefan Schneider’s beloved To Rococo Rot and work with Kreidler. An ideal match, they were brought together for La Batie - Festival de Geneve, in 2002, and laid down this album the same year, naturally fusing themes revolving European comic book hero Corto Maltese with more grown-up reflections on romance and travel.
Future-proofed by its sleekly contoured minimalism, but singed at the edges with a toasty charm, the album sees Philippe’s husky narration underlined by syrupy, pendulous basslines and a few-glasses-deep vibes that gives a very pleasingly groggy feel, variously beckoning for a boogie with the boozy wiggle of ‘Les minces forme du monde’, snake-hipped slink of ‘Les images’, and Tolouse Low Trax-esque hustle of ‘Araka’, or a late night snugness in the Lewis-alike croon of ’Sur le sable’, along with vapourous Jan Jelinek-like jazz notes on ‘Kurz’, and smoke curl sensuality to ‘Soirée’.
After 20 years marinading in the archive, Philippe Poirier (aka Roméo Poirier's dad) & Stefan Schneider (To Rococo Rot)'s deeply classy Automne recordings resurface with a timeless, smoky, grooving quality RIYL To Rococo Rot, Jac Berrocal, Lewis, Jaki Liebzeit
Despite being recorded in 2002 by Bernd Jestram (Tarwater) at BleiBeil Studios, Berlin, the sole Automne Six recording has taken its sweet time to arrive on our plate. However, the self-titled, 10-song suite sounds like it could have been made at any point in this century, elegantly carrying a lingering, knowing sense of c.20th craft into a lighter prism of electronically-embellished studio work and vintage song-writing whose charm has only become enriched with age.
By 2002, Philippe Poirer already had decades experience under his belt for Strasbourg jazz trio Transport Terrestre ! and alongside Rodolphe Burger, who would later join him in ambient rock troupe Kat Onoma, whose sound could be heard to prefigure Stefan Schneider’s beloved To Rococo Rot and work with Kreidler. An ideal match, they were brought together for La Batie - Festival de Geneve, in 2002, and laid down this album the same year, naturally fusing themes revolving European comic book hero Corto Maltese with more grown-up reflections on romance and travel.
Future-proofed by its sleekly contoured minimalism, but singed at the edges with a toasty charm, the album sees Philippe’s husky narration underlined by syrupy, pendulous basslines and a few-glasses-deep vibes that gives a very pleasingly groggy feel, variously beckoning for a boogie with the boozy wiggle of ‘Les minces forme du monde’, snake-hipped slink of ‘Les images’, and Tolouse Low Trax-esque hustle of ‘Araka’, or a late night snugness in the Lewis-alike croon of ’Sur le sable’, along with vapourous Jan Jelinek-like jazz notes on ‘Kurz’, and smoke curl sensuality to ‘Soirée’.
Limited edition of 300 copies. Includes printed inner sleeve.
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After 20 years marinading in the archive, Philippe Poirier (aka Roméo Poirier's dad) & Stefan Schneider (To Rococo Rot)'s deeply classy Automne recordings resurface with a timeless, smoky, grooving quality RIYL To Rococo Rot, Jac Berrocal, Lewis, Jaki Liebzeit
Despite being recorded in 2002 by Bernd Jestram (Tarwater) at BleiBeil Studios, Berlin, the sole Automne Six recording has taken its sweet time to arrive on our plate. However, the self-titled, 10-song suite sounds like it could have been made at any point in this century, elegantly carrying a lingering, knowing sense of c.20th craft into a lighter prism of electronically-embellished studio work and vintage song-writing whose charm has only become enriched with age.
By 2002, Philippe Poirer already had decades experience under his belt for Strasbourg jazz trio Transport Terrestre ! and alongside Rodolphe Burger, who would later join him in ambient rock troupe Kat Onoma, whose sound could be heard to prefigure Stefan Schneider’s beloved To Rococo Rot and work with Kreidler. An ideal match, they were brought together for La Batie - Festival de Geneve, in 2002, and laid down this album the same year, naturally fusing themes revolving European comic book hero Corto Maltese with more grown-up reflections on romance and travel.
Future-proofed by its sleekly contoured minimalism, but singed at the edges with a toasty charm, the album sees Philippe’s husky narration underlined by syrupy, pendulous basslines and a few-glasses-deep vibes that gives a very pleasingly groggy feel, variously beckoning for a boogie with the boozy wiggle of ‘Les minces forme du monde’, snake-hipped slink of ‘Les images’, and Tolouse Low Trax-esque hustle of ‘Araka’, or a late night snugness in the Lewis-alike croon of ’Sur le sable’, along with vapourous Jan Jelinek-like jazz notes on ‘Kurz’, and smoke curl sensuality to ‘Soirée’.