As Gondwana, Lumisokea's Andrea Taeggi traverses expansive, imposing sound spheres for Opal Tapes. 'Aum' explores semi-organic, electro-acoustic sound on seismic, tectonic scales, crushing and sublimating ambient and industrial techno structures into spectral topographies and a sort of elemental psycho-geology permeated with crooked rhythm fissures and slow-moving, transitional tones morphing thru various stages of de-and-re-composition. The effect, at times, reminds of a more tempered take on Ben Frost's epic inclinations, a less academic relation to Kassel Jaeger's most recent GRM output, or a darker take on the intuitively unfolding texturhythms and emulsified tones of Brett Naucke's excellent 'Seed' for Spectrum Spools.
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As Gondwana, Lumisokea's Andrea Taeggi traverses expansive, imposing sound spheres for Opal Tapes. 'Aum' explores semi-organic, electro-acoustic sound on seismic, tectonic scales, crushing and sublimating ambient and industrial techno structures into spectral topographies and a sort of elemental psycho-geology permeated with crooked rhythm fissures and slow-moving, transitional tones morphing thru various stages of de-and-re-composition. The effect, at times, reminds of a more tempered take on Ben Frost's epic inclinations, a less academic relation to Kassel Jaeger's most recent GRM output, or a darker take on the intuitively unfolding texturhythms and emulsified tones of Brett Naucke's excellent 'Seed' for Spectrum Spools.
As Gondwana, Lumisokea's Andrea Taeggi traverses expansive, imposing sound spheres for Opal Tapes. 'Aum' explores semi-organic, electro-acoustic sound on seismic, tectonic scales, crushing and sublimating ambient and industrial techno structures into spectral topographies and a sort of elemental psycho-geology permeated with crooked rhythm fissures and slow-moving, transitional tones morphing thru various stages of de-and-re-composition. The effect, at times, reminds of a more tempered take on Ben Frost's epic inclinations, a less academic relation to Kassel Jaeger's most recent GRM output, or a darker take on the intuitively unfolding texturhythms and emulsified tones of Brett Naucke's excellent 'Seed' for Spectrum Spools.
As Gondwana, Lumisokea's Andrea Taeggi traverses expansive, imposing sound spheres for Opal Tapes. 'Aum' explores semi-organic, electro-acoustic sound on seismic, tectonic scales, crushing and sublimating ambient and industrial techno structures into spectral topographies and a sort of elemental psycho-geology permeated with crooked rhythm fissures and slow-moving, transitional tones morphing thru various stages of de-and-re-composition. The effect, at times, reminds of a more tempered take on Ben Frost's epic inclinations, a less academic relation to Kassel Jaeger's most recent GRM output, or a darker take on the intuitively unfolding texturhythms and emulsified tones of Brett Naucke's excellent 'Seed' for Spectrum Spools.
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As Gondwana, Lumisokea's Andrea Taeggi traverses expansive, imposing sound spheres for Opal Tapes. 'Aum' explores semi-organic, electro-acoustic sound on seismic, tectonic scales, crushing and sublimating ambient and industrial techno structures into spectral topographies and a sort of elemental psycho-geology permeated with crooked rhythm fissures and slow-moving, transitional tones morphing thru various stages of de-and-re-composition. The effect, at times, reminds of a more tempered take on Ben Frost's epic inclinations, a less academic relation to Kassel Jaeger's most recent GRM output, or a darker take on the intuitively unfolding texturhythms and emulsified tones of Brett Naucke's excellent 'Seed' for Spectrum Spools.