Rian Treanor
ATAXIA
Boomkat Product Review:
Rotherham rave imp Rian Treanor kicks up to Planet Mu for ‘Ataxia’, his debut album following introductory EPs with The Death of Rave and Warp’s resuscitated Arcola sublabel.
Under the title ‘ATAXIA’, chosen literally for its meaning - “the loss of control of bodily movements” - as well as its figurative, asymmetric quality, Rian sequences ramped versions of his tracks for The Death of Rave along with shockingly forward new gear that plays into his love of Dadaist vocal cut-ups. The result is an immensely playful and beguiling album, cannily messing with listeners’ sense of rhythmic anticipation in a dare-to-be-different style that’s tripped up and put a big daft grin on dancefloors everywhere from Boiler Room in Helsinki to Uganda’s Nyege Nyege Tapes festival.
Where his earlier EPs were mostly improvised, Rian spent more time shaping the tracks for ‘ATAXIA’. Taking cues from his mentor and father, eminent sound artist Mark Fell, as well a rich SoYo rave heritage, he sticks to an economical palette, making each stab, drum and pad count in the democracy of the mix. From these relatively simple, if now more refined elements, Rian’s suss comes into play in the structuring, using his background as a visual artist to create disruptive patterns of angular yet fluid syncopation and irregular symmetries that both allow for and connote a sort of hyper-natural order of chaos.
While resembling the styles of speed garage, synth-pop, bleep techno and extreme computer music that he grew up with, Rian’s pointedly mischievous approach jumbles those styles, using the tactility of Max/MSP to rejig them with more unpredictable and playfully wrong-footing effect, embracing the dancefloor’s radical potential to reprogram minds and bodies.
Concepts aside, though, ‘ATAXIA’ is a lot of fun. Rian’s dry Yorkshire humour is in full effect in the cut-up vocals of the openings and closing numbers, while the recursive ballistics of ‘B1’ are bound to tie bodies in knots, ‘C2’ advances his absorbingly intricate melodic sequencing, and the rhymelodic chicanery of ‘D2’ ranks among the most stunning, inexorably funky cuts in his catalogue.
View more
Boomkat Product Review:
Rotherham rave imp Rian Treanor kicks up to Planet Mu for ‘Ataxia’, his debut album following introductory EPs with The Death of Rave and Warp’s resuscitated Arcola sublabel.
Under the title ‘ATAXIA’, chosen literally for its meaning - “the loss of control of bodily movements” - as well as its figurative, asymmetric quality, Rian sequences ramped versions of his tracks for The Death of Rave along with shockingly forward new gear that plays into his love of Dadaist vocal cut-ups. The result is an immensely playful and beguiling album, cannily messing with listeners’ sense of rhythmic anticipation in a dare-to-be-different style that’s tripped up and put a big daft grin on dancefloors everywhere from Boiler Room in Helsinki to Uganda’s Nyege Nyege Tapes festival.
Where his earlier EPs were mostly improvised, Rian spent more time shaping the tracks for ‘ATAXIA’. Taking cues from his mentor and father, eminent sound artist Mark Fell, as well a rich SoYo rave heritage, he sticks to an economical palette, making each stab, drum and pad count in the democracy of the mix. From these relatively simple, if now more refined elements, Rian’s suss comes into play in the structuring, using his background as a visual artist to create disruptive patterns of angular yet fluid syncopation and irregular symmetries that both allow for and connote a sort of hyper-natural order of chaos.
While resembling the styles of speed garage, synth-pop, bleep techno and extreme computer music that he grew up with, Rian’s pointedly mischievous approach jumbles those styles, using the tactility of Max/MSP to rejig them with more unpredictable and playfully wrong-footing effect, embracing the dancefloor’s radical potential to reprogram minds and bodies.
Concepts aside, though, ‘ATAXIA’ is a lot of fun. Rian’s dry Yorkshire humour is in full effect in the cut-up vocals of the openings and closing numbers, while the recursive ballistics of ‘B1’ are bound to tie bodies in knots, ‘C2’ advances his absorbingly intricate melodic sequencing, and the rhymelodic chicanery of ‘D2’ ranks among the most stunning, inexorably funky cuts in his catalogue.
Boomkat Product Review:
Rotherham rave imp Rian Treanor kicks up to Planet Mu for ‘Ataxia’, his debut album following introductory EPs with The Death of Rave and Warp’s resuscitated Arcola sublabel.
Under the title ‘ATAXIA’, chosen literally for its meaning - “the loss of control of bodily movements” - as well as its figurative, asymmetric quality, Rian sequences ramped versions of his tracks for The Death of Rave along with shockingly forward new gear that plays into his love of Dadaist vocal cut-ups. The result is an immensely playful and beguiling album, cannily messing with listeners’ sense of rhythmic anticipation in a dare-to-be-different style that’s tripped up and put a big daft grin on dancefloors everywhere from Boiler Room in Helsinki to Uganda’s Nyege Nyege Tapes festival.
Where his earlier EPs were mostly improvised, Rian spent more time shaping the tracks for ‘ATAXIA’. Taking cues from his mentor and father, eminent sound artist Mark Fell, as well a rich SoYo rave heritage, he sticks to an economical palette, making each stab, drum and pad count in the democracy of the mix. From these relatively simple, if now more refined elements, Rian’s suss comes into play in the structuring, using his background as a visual artist to create disruptive patterns of angular yet fluid syncopation and irregular symmetries that both allow for and connote a sort of hyper-natural order of chaos.
While resembling the styles of speed garage, synth-pop, bleep techno and extreme computer music that he grew up with, Rian’s pointedly mischievous approach jumbles those styles, using the tactility of Max/MSP to rejig them with more unpredictable and playfully wrong-footing effect, embracing the dancefloor’s radical potential to reprogram minds and bodies.
Concepts aside, though, ‘ATAXIA’ is a lot of fun. Rian’s dry Yorkshire humour is in full effect in the cut-up vocals of the openings and closing numbers, while the recursive ballistics of ‘B1’ are bound to tie bodies in knots, ‘C2’ advances his absorbingly intricate melodic sequencing, and the rhymelodic chicanery of ‘D2’ ranks among the most stunning, inexorably funky cuts in his catalogue.
Boomkat Product Review:
Rotherham rave imp Rian Treanor kicks up to Planet Mu for ‘Ataxia’, his debut album following introductory EPs with The Death of Rave and Warp’s resuscitated Arcola sublabel.
Under the title ‘ATAXIA’, chosen literally for its meaning - “the loss of control of bodily movements” - as well as its figurative, asymmetric quality, Rian sequences ramped versions of his tracks for The Death of Rave along with shockingly forward new gear that plays into his love of Dadaist vocal cut-ups. The result is an immensely playful and beguiling album, cannily messing with listeners’ sense of rhythmic anticipation in a dare-to-be-different style that’s tripped up and put a big daft grin on dancefloors everywhere from Boiler Room in Helsinki to Uganda’s Nyege Nyege Tapes festival.
Where his earlier EPs were mostly improvised, Rian spent more time shaping the tracks for ‘ATAXIA’. Taking cues from his mentor and father, eminent sound artist Mark Fell, as well a rich SoYo rave heritage, he sticks to an economical palette, making each stab, drum and pad count in the democracy of the mix. From these relatively simple, if now more refined elements, Rian’s suss comes into play in the structuring, using his background as a visual artist to create disruptive patterns of angular yet fluid syncopation and irregular symmetries that both allow for and connote a sort of hyper-natural order of chaos.
While resembling the styles of speed garage, synth-pop, bleep techno and extreme computer music that he grew up with, Rian’s pointedly mischievous approach jumbles those styles, using the tactility of Max/MSP to rejig them with more unpredictable and playfully wrong-footing effect, embracing the dancefloor’s radical potential to reprogram minds and bodies.
Concepts aside, though, ‘ATAXIA’ is a lot of fun. Rian’s dry Yorkshire humour is in full effect in the cut-up vocals of the openings and closing numbers, while the recursive ballistics of ‘B1’ are bound to tie bodies in knots, ‘C2’ advances his absorbingly intricate melodic sequencing, and the rhymelodic chicanery of ‘D2’ ranks among the most stunning, inexorably funky cuts in his catalogue.
Back in stock
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Rotherham rave imp Rian Treanor kicks up to Planet Mu for ‘Ataxia’, his debut album following introductory EPs with The Death of Rave and Warp’s resuscitated Arcola sublabel.
Under the title ‘ATAXIA’, chosen literally for its meaning - “the loss of control of bodily movements” - as well as its figurative, asymmetric quality, Rian sequences ramped versions of his tracks for The Death of Rave along with shockingly forward new gear that plays into his love of Dadaist vocal cut-ups. The result is an immensely playful and beguiling album, cannily messing with listeners’ sense of rhythmic anticipation in a dare-to-be-different style that’s tripped up and put a big daft grin on dancefloors everywhere from Boiler Room in Helsinki to Uganda’s Nyege Nyege Tapes festival.
Where his earlier EPs were mostly improvised, Rian spent more time shaping the tracks for ‘ATAXIA’. Taking cues from his mentor and father, eminent sound artist Mark Fell, as well a rich SoYo rave heritage, he sticks to an economical palette, making each stab, drum and pad count in the democracy of the mix. From these relatively simple, if now more refined elements, Rian’s suss comes into play in the structuring, using his background as a visual artist to create disruptive patterns of angular yet fluid syncopation and irregular symmetries that both allow for and connote a sort of hyper-natural order of chaos.
While resembling the styles of speed garage, synth-pop, bleep techno and extreme computer music that he grew up with, Rian’s pointedly mischievous approach jumbles those styles, using the tactility of Max/MSP to rejig them with more unpredictable and playfully wrong-footing effect, embracing the dancefloor’s radical potential to reprogram minds and bodies.
Concepts aside, though, ‘ATAXIA’ is a lot of fun. Rian’s dry Yorkshire humour is in full effect in the cut-up vocals of the openings and closing numbers, while the recursive ballistics of ‘B1’ are bound to tie bodies in knots, ‘C2’ advances his absorbingly intricate melodic sequencing, and the rhymelodic chicanery of ‘D2’ ranks among the most stunning, inexorably funky cuts in his catalogue.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Rotherham rave imp Rian Treanor kicks up to Planet Mu for ‘Ataxia’, his debut album following introductory EPs with The Death of Rave and Warp’s resuscitated Arcola sublabel.
Under the title ‘ATAXIA’, chosen literally for its meaning - “the loss of control of bodily movements” - as well as its figurative, asymmetric quality, Rian sequences ramped versions of his tracks for The Death of Rave along with shockingly forward new gear that plays into his love of Dadaist vocal cut-ups. The result is an immensely playful and beguiling album, cannily messing with listeners’ sense of rhythmic anticipation in a dare-to-be-different style that’s tripped up and put a big daft grin on dancefloors everywhere from Boiler Room in Helsinki to Uganda’s Nyege Nyege Tapes festival.
Where his earlier EPs were mostly improvised, Rian spent more time shaping the tracks for ‘ATAXIA’. Taking cues from his mentor and father, eminent sound artist Mark Fell, as well a rich SoYo rave heritage, he sticks to an economical palette, making each stab, drum and pad count in the democracy of the mix. From these relatively simple, if now more refined elements, Rian’s suss comes into play in the structuring, using his background as a visual artist to create disruptive patterns of angular yet fluid syncopation and irregular symmetries that both allow for and connote a sort of hyper-natural order of chaos.
While resembling the styles of speed garage, synth-pop, bleep techno and extreme computer music that he grew up with, Rian’s pointedly mischievous approach jumbles those styles, using the tactility of Max/MSP to rejig them with more unpredictable and playfully wrong-footing effect, embracing the dancefloor’s radical potential to reprogram minds and bodies.
Concepts aside, though, ‘ATAXIA’ is a lot of fun. Rian’s dry Yorkshire humour is in full effect in the cut-up vocals of the openings and closing numbers, while the recursive ballistics of ‘B1’ are bound to tie bodies in knots, ‘C2’ advances his absorbingly intricate melodic sequencing, and the rhymelodic chicanery of ‘D2’ ranks among the most stunning, inexorably funky cuts in his catalogue.
More from Rian Treanor:
-
FREE MP3 WITH VINYLRian Treanor A Rational Tangle The Death Of Rave Electronic- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLRian Treanor Obstacle Scattering Planet Mu Records Ltd. Electronic
- MP3
- FLAC
- WAV
- 12"
-
FREE MP3 WITH VINYLRian Treanor File Under UK Metaplasm Planet Mu Records Ltd. Electronic
- MP3
- FLAC
- WAV
- LP
- CD
-
Rian Treanor Contraposition EP Arcola Electronic
- MP3
- FLAC
- WAV
- 12"
-
FREE MP3 WITH VINYLRian Treanor Pattern Damage The Death Of Rave Electronic
- MP3
- FLAC
- WAV
More from Planet Mu Records Ltd.:
-
DJ Manny Hypnotized Planet Mu Records Ltd. Jungle / Footwork
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLSaint Abdullah & Eomac Chasing Stateless Planet Mu Records Ltd. Electronic
- MP3
- FLAC
- WAV
- Colour LP
-
FREE MP3 WITH VINYLNondi_ Flood City Trax Planet Mu Records Ltd. Electronic
- MP3
- FLAC
- WAV
- Colour LP
-
FREE MP3 WITH VINYLJlin Perspective Planet Mu Records Ltd. Electronic
- MP3
- FLAC
- WAV
- Colour LP
- CD
-
Saint Abdullah & Eomac Lonely Is Our Non-Existent House Yard Planet Mu Records Ltd. Electronic
- MP3
- FLAC
- WAV
People who bought this also bought:
-
Aphex Twin MARCHROMT30a Edit 2b 96 Warp Records Electronic
- MP3
- FLAC
- 12"
-
Teresa Winter Oh Tina No Tina Reckno Electronic
- MP3
- FLAC
-
Not Waving Umwelt Ecstatic Electronic
- MP3
- FLAC
-
Mount Kimbie Cold Spring Fault Less Youth Warp Records Electronic
- MP3
- FLAC
- CD
-
Julia Holter Tragedy Domino Recording Co Electronic
- MP3
- FLAC
- 2LP (Black Vinyl)
- CD
-
Four Tet Rounds (Special Anniversary Edition) Domino Recording Co Electronic
- MP3
- FLAC
- WAV
- 2LP + CD
- 2CD
-
Four Tet 0181 Text Records Electronic
- MP3
- FLAC
-
Deux Filles Double Happiness LTM Recordings Electronic
- MP3
- FLAC
-
M/A/R/R/S Pump Up The Volume 4AD Electronic
- MP3
- FLAC
- WAV
-
Julia Holter Ekstasis Domino Recording Co Electronic
- MP3
- FLAC
- WAV
- 2LP