Fatima Al Qadiri
Asiatisch
Boomkat Product Review:
Fatima Al Qadiri's highly anticipated and awesome debut LP, 'Asiatisch' finds a natural home in the once again ascendant Hyperdub catalogue. Since 2011, the Senegal-born visual artist and composer has consistently wowed with her unique art and practice weaving memories of a childhood spent in Kuwait with a taste for hyper-local styles such as East London Sino-Grime, Chicago Footwork, Kurdish Dabke and Egyptian Rai, coupled with the kind of forward, vaporous and illusive sonics of up-to-the-second, rhizomic styles such as Seapunk and the micro-genres covered in online hub, DiS magazine. Previous records have touched on sacred Arabic music and she's also collaborated with Visionist, beside her role in the hotly-tipped Future Brown group. Which brings us to 'Asiatisch', her most substantial and arguably definitive statement to date. Very much a product of its epoch, the album seeks rich inspiration from China, both melodically, lyrically and in the way it favours ultra-synthetic colours and timbres more than anything else. It's hardly a cynical move, expecting fame in The East, but shares more in common with the way Jammer, Rapid, or Wonder were possibly inspired to make exotic, escapist Sino-Grime riddims in the early '00s by the looming economic beacon of the HSBC tower on Canary Wharf - a major symbol for the perceived economic allure, mystery, and technologically advanced culture of Asia spied from their relative "ghetto" in Bow, E3. There's a strong, literal vocal presence across the record, from the knowing, computerised Mandarin of Helen Fung on opener 'Shanzai' (trans: "Imitation" or "pirated goods"), thru the wistful phrasing of 'Szechuan' and the curious 'Forbidden City', to a shockingly affective cover of Prince and The Family's 'Nothing Compares 2 U', but also more subtly in the myriad synthesiser chorales which perfuse the glinting, syncopated steel, glass and plastic contours of each track. For us at least, it's gonna be up there with the best albums of 2014, but we can easily see its strange, enigmatic charms spilling across everyones listening lives.
View more
Boomkat Product Review:
Fatima Al Qadiri's highly anticipated and awesome debut LP, 'Asiatisch' finds a natural home in the once again ascendant Hyperdub catalogue. Since 2011, the Senegal-born visual artist and composer has consistently wowed with her unique art and practice weaving memories of a childhood spent in Kuwait with a taste for hyper-local styles such as East London Sino-Grime, Chicago Footwork, Kurdish Dabke and Egyptian Rai, coupled with the kind of forward, vaporous and illusive sonics of up-to-the-second, rhizomic styles such as Seapunk and the micro-genres covered in online hub, DiS magazine. Previous records have touched on sacred Arabic music and she's also collaborated with Visionist, beside her role in the hotly-tipped Future Brown group. Which brings us to 'Asiatisch', her most substantial and arguably definitive statement to date. Very much a product of its epoch, the album seeks rich inspiration from China, both melodically, lyrically and in the way it favours ultra-synthetic colours and timbres more than anything else. It's hardly a cynical move, expecting fame in The East, but shares more in common with the way Jammer, Rapid, or Wonder were possibly inspired to make exotic, escapist Sino-Grime riddims in the early '00s by the looming economic beacon of the HSBC tower on Canary Wharf - a major symbol for the perceived economic allure, mystery, and technologically advanced culture of Asia spied from their relative "ghetto" in Bow, E3. There's a strong, literal vocal presence across the record, from the knowing, computerised Mandarin of Helen Fung on opener 'Shanzai' (trans: "Imitation" or "pirated goods"), thru the wistful phrasing of 'Szechuan' and the curious 'Forbidden City', to a shockingly affective cover of Prince and The Family's 'Nothing Compares 2 U', but also more subtly in the myriad synthesiser chorales which perfuse the glinting, syncopated steel, glass and plastic contours of each track. For us at least, it's gonna be up there with the best albums of 2014, but we can easily see its strange, enigmatic charms spilling across everyones listening lives.
Boomkat Product Review:
Fatima Al Qadiri's highly anticipated and awesome debut LP, 'Asiatisch' finds a natural home in the once again ascendant Hyperdub catalogue. Since 2011, the Senegal-born visual artist and composer has consistently wowed with her unique art and practice weaving memories of a childhood spent in Kuwait with a taste for hyper-local styles such as East London Sino-Grime, Chicago Footwork, Kurdish Dabke and Egyptian Rai, coupled with the kind of forward, vaporous and illusive sonics of up-to-the-second, rhizomic styles such as Seapunk and the micro-genres covered in online hub, DiS magazine. Previous records have touched on sacred Arabic music and she's also collaborated with Visionist, beside her role in the hotly-tipped Future Brown group. Which brings us to 'Asiatisch', her most substantial and arguably definitive statement to date. Very much a product of its epoch, the album seeks rich inspiration from China, both melodically, lyrically and in the way it favours ultra-synthetic colours and timbres more than anything else. It's hardly a cynical move, expecting fame in The East, but shares more in common with the way Jammer, Rapid, or Wonder were possibly inspired to make exotic, escapist Sino-Grime riddims in the early '00s by the looming economic beacon of the HSBC tower on Canary Wharf - a major symbol for the perceived economic allure, mystery, and technologically advanced culture of Asia spied from their relative "ghetto" in Bow, E3. There's a strong, literal vocal presence across the record, from the knowing, computerised Mandarin of Helen Fung on opener 'Shanzai' (trans: "Imitation" or "pirated goods"), thru the wistful phrasing of 'Szechuan' and the curious 'Forbidden City', to a shockingly affective cover of Prince and The Family's 'Nothing Compares 2 U', but also more subtly in the myriad synthesiser chorales which perfuse the glinting, syncopated steel, glass and plastic contours of each track. For us at least, it's gonna be up there with the best albums of 2014, but we can easily see its strange, enigmatic charms spilling across everyones listening lives.
Boomkat Product Review:
Fatima Al Qadiri's highly anticipated and awesome debut LP, 'Asiatisch' finds a natural home in the once again ascendant Hyperdub catalogue. Since 2011, the Senegal-born visual artist and composer has consistently wowed with her unique art and practice weaving memories of a childhood spent in Kuwait with a taste for hyper-local styles such as East London Sino-Grime, Chicago Footwork, Kurdish Dabke and Egyptian Rai, coupled with the kind of forward, vaporous and illusive sonics of up-to-the-second, rhizomic styles such as Seapunk and the micro-genres covered in online hub, DiS magazine. Previous records have touched on sacred Arabic music and she's also collaborated with Visionist, beside her role in the hotly-tipped Future Brown group. Which brings us to 'Asiatisch', her most substantial and arguably definitive statement to date. Very much a product of its epoch, the album seeks rich inspiration from China, both melodically, lyrically and in the way it favours ultra-synthetic colours and timbres more than anything else. It's hardly a cynical move, expecting fame in The East, but shares more in common with the way Jammer, Rapid, or Wonder were possibly inspired to make exotic, escapist Sino-Grime riddims in the early '00s by the looming economic beacon of the HSBC tower on Canary Wharf - a major symbol for the perceived economic allure, mystery, and technologically advanced culture of Asia spied from their relative "ghetto" in Bow, E3. There's a strong, literal vocal presence across the record, from the knowing, computerised Mandarin of Helen Fung on opener 'Shanzai' (trans: "Imitation" or "pirated goods"), thru the wistful phrasing of 'Szechuan' and the curious 'Forbidden City', to a shockingly affective cover of Prince and The Family's 'Nothing Compares 2 U', but also more subtly in the myriad synthesiser chorales which perfuse the glinting, syncopated steel, glass and plastic contours of each track. For us at least, it's gonna be up there with the best albums of 2014, but we can easily see its strange, enigmatic charms spilling across everyones listening lives.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Fatima Al Qadiri's highly anticipated and awesome debut LP, 'Asiatisch' finds a natural home in the once again ascendant Hyperdub catalogue. Since 2011, the Senegal-born visual artist and composer has consistently wowed with her unique art and practice weaving memories of a childhood spent in Kuwait with a taste for hyper-local styles such as East London Sino-Grime, Chicago Footwork, Kurdish Dabke and Egyptian Rai, coupled with the kind of forward, vaporous and illusive sonics of up-to-the-second, rhizomic styles such as Seapunk and the micro-genres covered in online hub, DiS magazine. Previous records have touched on sacred Arabic music and she's also collaborated with Visionist, beside her role in the hotly-tipped Future Brown group. Which brings us to 'Asiatisch', her most substantial and arguably definitive statement to date. Very much a product of its epoch, the album seeks rich inspiration from China, both melodically, lyrically and in the way it favours ultra-synthetic colours and timbres more than anything else. It's hardly a cynical move, expecting fame in The East, but shares more in common with the way Jammer, Rapid, or Wonder were possibly inspired to make exotic, escapist Sino-Grime riddims in the early '00s by the looming economic beacon of the HSBC tower on Canary Wharf - a major symbol for the perceived economic allure, mystery, and technologically advanced culture of Asia spied from their relative "ghetto" in Bow, E3. There's a strong, literal vocal presence across the record, from the knowing, computerised Mandarin of Helen Fung on opener 'Shanzai' (trans: "Imitation" or "pirated goods"), thru the wistful phrasing of 'Szechuan' and the curious 'Forbidden City', to a shockingly affective cover of Prince and The Family's 'Nothing Compares 2 U', but also more subtly in the myriad synthesiser chorales which perfuse the glinting, syncopated steel, glass and plastic contours of each track. For us at least, it's gonna be up there with the best albums of 2014, but we can easily see its strange, enigmatic charms spilling across everyones listening lives.
More from Fatima Al Qadiri:
-
FREE MP3 WITH VINYLFatima Al Qadiri Medieval Femme Hyperdub Electronic- MP3
- FLAC
- WAV
- LP
- CD
-
Fatima Al Qadiri Atlantics (Soundtrack) MILAN Early Electronic / Soundtracks
- LP
- CD
-
FREE MP3 WITH VINYLFatima Al Qadiri Shaneera EP Hyperdub Electronic
- MP3
- FLAC
- WAV
- 12"
-
Fatima Al Qadiri Alkahaf Hyperdub Electronic
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLFatima Al Qadiri Brute Hyperdub Electronic
- MP3
- FLAC
- WAV
- LP
- CD
More from Hyperdub:
-
Proc Fiskal Siren Spine Sysex Hyperdub Electronic
- MP3
- FLAC
- WAV
- 2LP (Black Vinyl)
- CD
-
FREE MP3 WITH VINYLLee Gamble A Million Pieces Of You EP Hyperdub Electronic
- MP3
- FLAC
- WAV
- 12" (Black Vinyl)
-
Fiyahdred Anyway EP Hyperdub Electronic
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLAya im hole Hyperdub Electronic
- MP3
- FLAC
- WAV
- Book
-
Fiyahdred Anyway (Do It) Hyperdub Electronic
- MP3
- FLAC
- WAV
People who bought this also bought:
-
Dat Oven Icy Lake Night Slugs/Fade to Mind Grime / Fwd
- MP3
- FLAC
- 12"
-
FREE MP3 WITH VINYLBeneath Vobes EP PAN Grime / Fwd
- MP3
- FLAC
- Colour 12"
-
BOK BOK Your Charizmatic Self Night Slugs Grime / Fwd
- MP3
- FLAC
- 2LP
-
FREE MP3 WITH VINYLWEN Signals Keysound Grime / Fwd
- MP3
- FLAC
- CD
-
WEN Commotion EP Keysound Grime / Fwd
- MP3
- FLAC
-
BOK BOK Southside EP Night Slugs Grime / Fwd
- MP3
- FLAC
-
Mr. Mitch The Room Where I Belong Gobstopper Records Grime / Fwd
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLMistress Hollygrove Halcyon Veil Grime / Fwd
- MP3
- FLAC
- WAV
- 12"
-
Kassem Mosse / Simone White Three Versions Honest Jon's Records Electronic
- MP3
- FLAC
- 12"
-
FREE MP3 WITH VINYLANDY STOTT Faith In Strangers Modern Love Electronic
- MP3
- FLAC
- WAV
- Colour 2LP