French composer/sound artist/researcher/improvisor Hugo Lioret generates engaging variegations of field recordings processed with Buchla 208c and Supercollider, for Superpang...
Drawing on a background steeped in training for drums and sound design learned at the Hague’s renowned Institute of Sonology, and studies in pedagogy at INA GRM, Paris, Lioret’s ostensibly abstract music is distinguished by attention to strange timbres, gripping textures and shearing dynamic on ‘Artificial Biota’. His characterful animations of the rare Buchla synth and up-to-the-moment SuperCollider software range from resonating drones to more fractious noise squabble and scree, prone to shift from chaos to calm in the blink of an ear, spitting us out into zones of precise high register suspense or subaquatic sensations with a quality sure to pique the interests of weirdos and fans of Dave Burraston’s systems based music as NYZ.
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French composer/sound artist/researcher/improvisor Hugo Lioret generates engaging variegations of field recordings processed with Buchla 208c and Supercollider, for Superpang...
Drawing on a background steeped in training for drums and sound design learned at the Hague’s renowned Institute of Sonology, and studies in pedagogy at INA GRM, Paris, Lioret’s ostensibly abstract music is distinguished by attention to strange timbres, gripping textures and shearing dynamic on ‘Artificial Biota’. His characterful animations of the rare Buchla synth and up-to-the-moment SuperCollider software range from resonating drones to more fractious noise squabble and scree, prone to shift from chaos to calm in the blink of an ear, spitting us out into zones of precise high register suspense or subaquatic sensations with a quality sure to pique the interests of weirdos and fans of Dave Burraston’s systems based music as NYZ.
French composer/sound artist/researcher/improvisor Hugo Lioret generates engaging variegations of field recordings processed with Buchla 208c and Supercollider, for Superpang...
Drawing on a background steeped in training for drums and sound design learned at the Hague’s renowned Institute of Sonology, and studies in pedagogy at INA GRM, Paris, Lioret’s ostensibly abstract music is distinguished by attention to strange timbres, gripping textures and shearing dynamic on ‘Artificial Biota’. His characterful animations of the rare Buchla synth and up-to-the-moment SuperCollider software range from resonating drones to more fractious noise squabble and scree, prone to shift from chaos to calm in the blink of an ear, spitting us out into zones of precise high register suspense or subaquatic sensations with a quality sure to pique the interests of weirdos and fans of Dave Burraston’s systems based music as NYZ.
French composer/sound artist/researcher/improvisor Hugo Lioret generates engaging variegations of field recordings processed with Buchla 208c and Supercollider, for Superpang...
Drawing on a background steeped in training for drums and sound design learned at the Hague’s renowned Institute of Sonology, and studies in pedagogy at INA GRM, Paris, Lioret’s ostensibly abstract music is distinguished by attention to strange timbres, gripping textures and shearing dynamic on ‘Artificial Biota’. His characterful animations of the rare Buchla synth and up-to-the-moment SuperCollider software range from resonating drones to more fractious noise squabble and scree, prone to shift from chaos to calm in the blink of an ear, spitting us out into zones of precise high register suspense or subaquatic sensations with a quality sure to pique the interests of weirdos and fans of Dave Burraston’s systems based music as NYZ.