Squirming, wavy hybrids of dream-pop, photo-trance and late ‘80s house sleaze from Katie Rose & Shawn O’Sullivan’s lowkey duo, back to match your mood on Knekelhuis
Their follow-up to 2017’s ‘Disparate Elements’ feels to consolidate the varying strands of their sound with subtly mesmerising, fluid effect, drawing the most enchanted lines between turn-of-‘90s Goa, faded Balaeric fantasies and lo-fi dreamhouse with sort of tempered ecstasy that feels of the moment.
The intoxicating fumes of Katie’s vocal balance with owing, congealed bass in their masterful arabesque of an opener ‘Dense as Smoke’ - think Muslimgauze meets The Connection Machine - and ‘Array’ trades’ in a gorgeous style of gauzy lo-fi house that sounds like Maria Minerva on a spiritual trip to Goa. ‘Only In My Mind’ hits a sultry groove of knackeerd sleephouse, with Katie’s vocal switching between cold, gynoid and pop yearning, and ‘More Than Just a Dream’ perfectly wraps up their mix of etheric gauze and mutant acid house like some stray Chris & Cosey or Psychic TV joint.
View more
Squirming, wavy hybrids of dream-pop, photo-trance and late ‘80s house sleaze from Katie Rose & Shawn O’Sullivan’s lowkey duo, back to match your mood on Knekelhuis
Their follow-up to 2017’s ‘Disparate Elements’ feels to consolidate the varying strands of their sound with subtly mesmerising, fluid effect, drawing the most enchanted lines between turn-of-‘90s Goa, faded Balaeric fantasies and lo-fi dreamhouse with sort of tempered ecstasy that feels of the moment.
The intoxicating fumes of Katie’s vocal balance with owing, congealed bass in their masterful arabesque of an opener ‘Dense as Smoke’ - think Muslimgauze meets The Connection Machine - and ‘Array’ trades’ in a gorgeous style of gauzy lo-fi house that sounds like Maria Minerva on a spiritual trip to Goa. ‘Only In My Mind’ hits a sultry groove of knackeerd sleephouse, with Katie’s vocal switching between cold, gynoid and pop yearning, and ‘More Than Just a Dream’ perfectly wraps up their mix of etheric gauze and mutant acid house like some stray Chris & Cosey or Psychic TV joint.
Squirming, wavy hybrids of dream-pop, photo-trance and late ‘80s house sleaze from Katie Rose & Shawn O’Sullivan’s lowkey duo, back to match your mood on Knekelhuis
Their follow-up to 2017’s ‘Disparate Elements’ feels to consolidate the varying strands of their sound with subtly mesmerising, fluid effect, drawing the most enchanted lines between turn-of-‘90s Goa, faded Balaeric fantasies and lo-fi dreamhouse with sort of tempered ecstasy that feels of the moment.
The intoxicating fumes of Katie’s vocal balance with owing, congealed bass in their masterful arabesque of an opener ‘Dense as Smoke’ - think Muslimgauze meets The Connection Machine - and ‘Array’ trades’ in a gorgeous style of gauzy lo-fi house that sounds like Maria Minerva on a spiritual trip to Goa. ‘Only In My Mind’ hits a sultry groove of knackeerd sleephouse, with Katie’s vocal switching between cold, gynoid and pop yearning, and ‘More Than Just a Dream’ perfectly wraps up their mix of etheric gauze and mutant acid house like some stray Chris & Cosey or Psychic TV joint.
Squirming, wavy hybrids of dream-pop, photo-trance and late ‘80s house sleaze from Katie Rose & Shawn O’Sullivan’s lowkey duo, back to match your mood on Knekelhuis
Their follow-up to 2017’s ‘Disparate Elements’ feels to consolidate the varying strands of their sound with subtly mesmerising, fluid effect, drawing the most enchanted lines between turn-of-‘90s Goa, faded Balaeric fantasies and lo-fi dreamhouse with sort of tempered ecstasy that feels of the moment.
The intoxicating fumes of Katie’s vocal balance with owing, congealed bass in their masterful arabesque of an opener ‘Dense as Smoke’ - think Muslimgauze meets The Connection Machine - and ‘Array’ trades’ in a gorgeous style of gauzy lo-fi house that sounds like Maria Minerva on a spiritual trip to Goa. ‘Only In My Mind’ hits a sultry groove of knackeerd sleephouse, with Katie’s vocal switching between cold, gynoid and pop yearning, and ‘More Than Just a Dream’ perfectly wraps up their mix of etheric gauze and mutant acid house like some stray Chris & Cosey or Psychic TV joint.
Artwork by Patrick Savile, mastered by Wouter Brandenburg.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Squirming, wavy hybrids of dream-pop, photo-trance and late ‘80s house sleaze from Katie Rose & Shawn O’Sullivan’s lowkey duo, back to match your mood on Knekelhuis
Their follow-up to 2017’s ‘Disparate Elements’ feels to consolidate the varying strands of their sound with subtly mesmerising, fluid effect, drawing the most enchanted lines between turn-of-‘90s Goa, faded Balaeric fantasies and lo-fi dreamhouse with sort of tempered ecstasy that feels of the moment.
The intoxicating fumes of Katie’s vocal balance with owing, congealed bass in their masterful arabesque of an opener ‘Dense as Smoke’ - think Muslimgauze meets The Connection Machine - and ‘Array’ trades’ in a gorgeous style of gauzy lo-fi house that sounds like Maria Minerva on a spiritual trip to Goa. ‘Only In My Mind’ hits a sultry groove of knackeerd sleephouse, with Katie’s vocal switching between cold, gynoid and pop yearning, and ‘More Than Just a Dream’ perfectly wraps up their mix of etheric gauze and mutant acid house like some stray Chris & Cosey or Psychic TV joint.